Red Carpet Globes Pt 1: Lisbeth is Wednesday

Last week on Red Carpet Convos, Joanna and I were trying on gowns; I borrowed Penelope's (don't judge) and she wore Evan Rachel's.  This week Kurt and I gawk at the Golden Globes but alas, there's no word on which of these dresses Joanna would wear.

Nathaniel: Welcome back to Red Carpet Convos, Kurt. This was meant to be a three-way but Joanna had a fashion emergency off stage of some sort. She's here in spirit and promises to return!‬
Kurt:  A Wardrobe malfunction, naturally.‬ 
Nathaniel: ...which very few ladies were actually having on the Globes red carpet. Everyone (well almost everyone) was so put together. Let's start with Best Actresses of Yore.

Miss 2005, Ms 2008, Dame 2006, Double Dipper 1988 & 1991, and Mrs 2002

poll by twiigs.com

‬

Kurt:  ‪Reese gets my Lazy Trophy of the evening. ‬Between the dress and that wind-blown hair, she looks like she's shooting Bridesmaids 2...in Chicago.
Nathaniel:  ‪Lazy is an odd adjective for Reese since her signature roles are so go-getter ambitious but career-wise and fashion wise. Okay, maybe.‬ 
Kurt:  ‪Yes on go-getter, but doesn't this outfit feel grab-and-go?‬
Nathaniel:  ‪I feel the same way about Kate Winslet since she's been doing only black and white for, what, four years now? Her walk-in s like hitting the "desaturate" button on Photoshop. But she looks sensational anyway.‬
Kurt: I'm with you. It's "matronly" as all the fashion cops have no doubt screeched, but she just looks so beautiful. I even like the clutch, i mean "trophy placeholder"
 

Nathanile: Hee. Hey, trophies are the best red carpet accessories. Did you hear Helen Mirren doing the voice of Becky on last night's Glee?‬ 
Kurt:  ‪ha! no! the boyfriend and i missed Glee. we watched Stage Beauty, with Claire and Billy Crudup.
Nathaniel:  ‪My deepest apologies. You're still functional this morning?‬ 
Kurt:  ‪hahaha...aw. yes, it's a mess. but in terms of sexuality, i had fun.‬ 
Nathaniel:  ‪That sentence out of context! Watch...

in terms of sexuality, i had fun.‬ 
-Kurt 

Kurt:  ‪omg indeed‬. whoops. But back to this damn dame. Regal as always. Definitely red carpet MVP year in year out‬

Yes, she did!Nathaniel:  I think Jodie wore this color for her first Oscar win? Anyway, it's my favorite color on her. 
Kurt:  ‪I do like Jodie's outfit; however i keep getting, A Fish Called Jodie‬ 
Nathaniel:  ‪A Fish Called Jodie. Now I am imagining Jodie seducing Jamie Lee Curtis ...in French.
Kurt: It could happen.  I know everyone loves nicoles dress, but, bless her, she's such a perennial offender for me. and this number looks like her kids glued macaroni all over it
Nathaniel: Wrong. Jodie and Nicki Kidman Nicki Kidman both look like the movie stars they are. Or were...? The weirdest thing about winning an Oscar is sometimes how much it's like a cliff face rather than a peak.‬ Not for these two in particular. I'm just thinking aloud. Sorry, let's call it the ‬‪Susan Sarandon effect when Oscar is like The End. Mabe I'm only thinking of her because she used to favor the peekaboo cleavage that Kate is blessing us with.‬ It's for ladies that are proud of their racks.‬ 
Kurt:  ‪yes. more on Madonna later‬ 
Nathaniel: HA! So when I was assembling that "previous winners" lineup i kept wanting to including Laura Linney, Glenn Close and Julianne Moore but then had to remember. Statue Repellent!‬ 
 

Kurt:  ‪Poor Julianne...

Psychotic Agent, Silent Actress, Perpetual Loser, Perfection, YELLOWWWWWWWW

MORE AFTER THE JUMP

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Happy 51st Julianne Moore. What's Next?

In honor of Julianne Moore's birthday today, let's go all list-manic.

Julianne earlier this week in NYC

This morning, realizing it was her birthday, I flashed back to our interview in 2010 and her responses to my feverish fandom "I've seen all your movies"...

My god, you've seen some junk then!" 

So after the jump in her holiness's honor, my rankings of ALL her performances I have seen... some of which I barely remember at this point but what can you do. Plus, the ones I haven't seen. Plus, what's next (2012 could be a big year for her!) Plus questions for you. Plus. Plus. Plus. 

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Belated Notes on "Crazy, Stupid, Love."

Christopher and a few other readers have been asking me for more detailed information about what I thought of Crazy, Stupid, Love. As daily readers know I was out of town when it opened and I ended up seeing it quite a bit after the fact which is not my preference, particularly not for a movie with so many actors I'm inordinately fond of. I saw it after the mixed reviews and after the hype had passed, which turns out to be the ideal time to see something that is relatively unassuming but so thoroughly enjoyable from start to finish. 

Nothing about Crazy... reinvents or even reinvigorates the romantic comedy genre exactly but it's a great entry in the limited subgenre of the interlocking ensemble romances. You know the kind: teeming cast all with their individual romantic dramas and all of these short lovelorn stories end up connecting in coincidental ways, whether awkwardly forced, completely organic, or somewhere inbetween. Here we have the inbetween. But stack this up against recent movies of its ilk, and won't it look like a bonafide masterpiece?

Very little within Crazy... is entirely plausible but that's not always what we go to the movies for... and movies often thrive on exaggeration; They're shinier, funnier, prettier dramatizations of real life acted out by the shiniest funniest prettiest human specimens (i.e. movie stars). Usually in ensemble films the problem is that one storyline is much weaker than the others. Here, the high school students fill that slot but it's not so weak as to distract from the overall pleasure and Analeigh Tipton is kind of adorable. The best thing one can say for the screenplay aside from actually funny jokes (a new concept for romcoms!) is that the three tiers of romances: teenage, young adult, and middle age play out beautifully, respectively, as crazy naive (teenage hormones!), stupid sexy (yes Emma Stone & Gosling form a bond that's deeper than their physicality but that's the driving force getting them there), and in-love but weary (middle age and all the life experience / baggage that brings). You can argue that these stories are forcibly connected -- boy did I not see the central twist coming -- but I don't think you can argue that the thematic parallels aren't presented with something like nonjudgmental grace; movies that love their characters, flaws and all, are much easier to love that movies that condemn them.

Neither the direction (by Glenn Ficarra and John Requa) nor the screenplay (Dan Fogelman) ever hammer the parallels home for the sake of "SEE!" but it ends up reflecting beautifully on different timetables of love, both in regards to the actual age of lovers and the timetable of love itself, which almost has to start with the crazy / stupid before it ever gets to the lived in capital L love.

Much credit has to go to the actors for smoothing over the movie's overstuffed feeling. Everyone does fine work here -- this might be the most relaxed Julianne Moore has ever been in comic mode -- making the standard tropes and predictable trajectories within the three stories feel like exciting journeys (since the destination is never exactly in doubt). Crazy, Stupid, Love. is the kind of movie I can imagine people finding again as they're flipping channels on TV for years to come. Like "Oh yeah, this one is so cute!"... *watches the rest of it*. It's not without flaws. On first view maybe it's a little too self-consciously wacky (comic hijinx!) or dumb (shades of Hitch) but it's just going to end up beloved with repeat views. B+

Gosling's Growing Character Gallery

P.S. I actually saw Crazy Stupid, Love. shortly after seeing Ryan Gosling doing a very very different spin on the unreachable soul behind a cool mask in Drive and wow, is that a fascinating twin snapshot on star power and acting range. Both of his new performances are beauties but what's more fascinating is how perfectly composed and still both characters are when held up to those emotionally ragged messy portraits of love or drug addicts from Blue Valentine or Half Nelson, respectively. Michael Fassbender may well be Gosling's sole living rival for Future of the Movies or Best of His Generation titles. I can't wait to see them fight it out for the crown this decade. How about you?

Julianne is Dope. Also: Links

The Far From Heaven team cleaning up at the Indie Spirits in 2003IndieWire so it looks like it's really happening *sniffle* Julianne Moore is moving to television. After that Sarah Palin telefilm turn she's doing a pilot for an HBO series called Dope.

But it's not all bad news: Todd Haynes and Christine Vachon are involved so it's essentially the great Far From Heaven team. Cross your fingers that it's worthy of their collective gifts! It'll have to be really really special to be that. 

The series would be set in the 1950s and is based on this novel. Publishers Weekly describes Moore's character like so.

Josephine "Joe" Flannigan, is a former heroin addict and hooker who has recast herself as a petty thief and con. Working her home turf, New York City's Hell's Kitchen, she is taken up by a mysterious well-to-do couple to find their addict daughter, expelled from Barnard and lost to the streets. 

So there's room for great acting. We shall see.

The Linkies
The Wrap Patti Smith is working on a biopic of sorts -- it's based on her memoirs of her early years with photographer Robert Mapplethorpe in the late 60s/early 70s -- with screenwriter John Logan. Who on earth could play Patti Smith? She's kinda strange looking and Hollywood only hires beauties. Here's what they looked like when the movie would take place.

ArtsBeat David Cronenberg's A Dangerous Method will get a gala screening at the NYFF.
Latina Antonio Banderas on his long artistic separation from Pedro Almodóvar 'tween Tie Me Up! Tie Me Down! and The Skin I Live In (coming soon... and also getting a gala NYFF screening).

And speaking of Almodóvar, how amazing is this Rossy de Palma wall art by Adrian Valencia? I went to his site via a series of Lady Gaga drawings that are just stellar. 

© Adrian Valencia, 2011

 The Funnies
Ultra Culture "Cowboys and Aliens Fact Sheet"
My New Plaid Pants Quote of the Day from Jean Claude Van Damme [nsfw] 
The Hairpin an amusing review of Rise of the Planet of the Apes with drawings 
I09 "ten vestigial traits you didn't know you had". Robert Gonzalez, who wrote this, is funny. 
Bachmanneyezed a new tumblr  

Q&A: Resurrections, Musicals and "Julianne Pfeiffer"

I feel like if I talk about the Oscars anymore than I already do I will slowly become one! Gold plating, lopped off head, ... the works. This week's question were extremely Oscar focused. In order to escape my immobile sword-holding genital-free fate, I'm not answering them just yet. I'm also not answering any "top ten" questions but feel free to go on giving me top ten list ideas ;) 

I'm suddenly realizing this Q&A series is like writing 10 blog posts at once. Which is... well, must rethink this series! So only non-Oscar focused questions today and then we'll just gag on naked gold men tomorrow and Wednesday, K? 

Here we go.

Luiserghio: If you could resurrect one classic director to direct a modern actress/actor?
Nathaniel:  My first thought was William Wyler for just about any actor or actress that needs a chance to really nail a top flight dramatic adult piece. Who has a better track record for directing actors to grand serious performances with nuance and depth? Nobody. But then Vincente Minnelli directing Anne Hathaway popped up and I'll go with that. Not because she wants to play Judy Garland and he's the expert but because he understands color and musical numbers and Hathaway would soar under both conditions. Plus she seems to have an 'Old Hollywood' soul as it were so she'd be perfect for any resurrection.

Mandy Patinkin, Eartha Kitt and Toni Collette in "The Wild Party"Robert G: If you could guarantee one stage musical from any time in history would be adapted to a film, what would it be?
Nathaniel: If you'd ask me this five years ago I would've said Sweeney Todd. 

This is such a tough question as there are so many great ones. Many stage musicals I love wouldn't transfer well like A Choru -- whoops! I regularly try and picture "The Light in the Piazza" and "Caroline, Or Change" as feature films. I think a masterpiece could be made from Sondheim's "Follies" but what director alive is both genius enough to handle the complexity of it and has enough industry muscle to demand that only extraordinarily gifted singing actors handle the vocally demanding songs? So maybe I should just say Michael John LaChiusa's "The Wild Party" because I am weirdly obsessed with it and because there's more room for error. By which I mean it's busy with noise and dancing and banter and that's easier for modern Hollywood to understand than pure singing musicals. If they made a mistake here and there they wouldn't destroy a masterwork and we'd still get an entertaining film. Please note: This guarantee wish comes with Toni Collette reprising her lead role as alcy showgirl "Queenie".

Queenie was a blonde and her age stood still and she danced twice a day in the
... vau-de-ville ♫ 

Sean C: Which of the four actors do you think has the biggest opportunity to drop the theatrical dramedy-ic ball in CARNAGE?

John, Jodie, Christoph and Kate checking out TFE's Oscar charts!

Nathaniel: Such a mean-spirited (or maybe just worried?) question. I'll give you my answer after the jump.

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