The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Nathaniel welcomes back Anne Marie and regular Nick Davis and new guest Kyle Stevens to discuss George Miller's critically drooled over action masterwork Mad Max Fury Road. Though is it really as good as they say? We look deep at that misdirection of a prologue, the hallucinatory visuals, and the central conceit vs the female characterizations. We even talk Oscars a little bit. There are a few spoilers so it's best to see the film before listening if you care about such thing.
Please to enjoy and continue the conversation in the comments. You can listen at the bottom of this post or download from iTunes.
Team Experience is counting down our 15 most anticipated for 2015. Here's Glenn...
Who & What: Despite being a sequel – and a third sequel at that – there’s something refreshing about seeing Mad Max: Fury Road on the summer schedule. A passion project of the classic variety, George Miller’s 30-years-in-the-making fourth entry in the influential and groundbreaking dystopian action franchise comes to screens with fire-cannons blazin’. Starring a barely audible Tom Hardy, Charlize Theron’s shaved head and Nicholas Hoult with cracked-out make-up, this elaborately mounted Aussie action fantasy will surely be an IMAX spectacle of the highest order.
Why We’re Excited: Have you seen The Road Warrior? That’s why we’re excited. George Miller is one of the finest director of whizz-bang sequences that cinema has ever seen and I can only imagine what he’ll do with the mammoth budget that he was (inexplicably) given for Fury Road. It’s unlikely that Miller’s distinctly one-of-a-kind automobile mayhem will be what mainstream blockbuster audiences think they want in a year that has Avengers and Star Wars sequels, but it’s also unlikely that Fury Road will be like anything we’ve ever seen before. And then there’s the trailer. The best trailer of any film this year that we’ll see I’m sure of it. It genuinely should’ve been considered for Oscar’s best live-action short category.
What if It All Goes Wrong? George Miller doesn’t exactly do quiet very well. Despite receiving an Oscar nomination for the dying-child melodrama Lorenzo’s Oil, his directing career is more known for bombastic explosions of style. I’ve been skeptical of the project for a while given it started filming over three years ago and has been through more delays than I can count. Furthermore, what we’ve heard suggests the movie is literally just one long, extended chase scene and that Hardy barely speaks a word. Miller’s walking on a very shaky tightrope here and he could face-plant in the worst way, but much like James Cameron it’s probably not wise to bet on it.
When: Max takes over screens globally on May 15th. Only Japan and Brazil have to wait an extra week. How will they cope?!?
We asked you to add a caption or dialogue to these new stills from Mad Max: Fury Road (more here if you're interested) starring Tom Hardy , Charlize Theron and Nicholas Hoult. It's time to announce the winners who may choose the next banner theme up top
In my superhero clogged mind, Spider-Man 3 has remained the gold standard of a dubious honor: by the time it had arrived you could justifiably feel like you'd seen the whole movie what with the multiple trailers, numerous clips and stills and two previous features with the exact same cast. X-Men: Days of Future Past has been teasing its teases and characters and counting down to its trailer for what feels like forever but it retains at least some mystery. I hope this is our last taste before the movie opens on May 23rd. It's not likely but I can dream.
Because I am a glutton for punishment and The X-Men were a huge part of my developmental process as a human being (you don't even want to know how obsessed I was from the ages of, like, 8-18) will do like what we did with Maleficent. A Yes, No, Maybe So™ reaction to (almost) every last piece of the trailer.
I can only imagine the pitch meetings for Jack the Giant Slayer...
The Royal Family, Their Trusted Ewan, and Jack the Farmboy
It's like 'Jack and the Beanstalk' on steroids. not one giant but hundreds, not a farm to save but an entire kingdom, not just treasure but a princess's heart to win. Oh, and minus the golden harp since harps are for sissies!"
Okay, yes, the harp does make a cameo appearance but the story has been greatly altered in an attempt to reach today's kids boys. Which is fine. Fairy tales are always morphing with the times and in this case why the hell not? There's a reason that Jack & The Beanstalk is a second tier fairy tale. [more...]
Sunday, May 17, 2015 at 9:00PM 
Nathaniel welcomes back Anne Marie and regular Nick Davis and new guest Kyle Stevens to discuss George Miller's critically drooled over action masterwork Mad Max Fury Road. Though is it really as good as they say? We look deep at that misdirection of a prologue, the hallucinatory visuals, and the central conceit vs the female characterizations. We even talk Oscars a little bit. There are a few spoilers so it's best to see the film before listening if you care about such thing.
