ADG Nominees: Period, Fantasy, and (Our Favorite) Contemporary

The Guilds Have Spoken! Or rather, they're beginning to speak. We've just heard from the producers and now the art directors. This time AMPAS will cut the guilds off mid-sentence since Oscar nominations are but a week away. But here are the nominations from the Art Directors Guild which includes production designers, art directors and set decorators. Production Designers are the bosses of this field and when it comes to Oscar only the production designers and set decorators and not the art directors share the Oscar nominations which is why it's a bit odd that it's always called "Art Direction" but AMPAS has finally changed the name of the category so it'll now be 'Production Design'

Anna Karenina may be dressed for grief but her bedroom sure is lusty.

Expect that the five nominated films for Oscar will be (mostly) culled from these three groups. And obviously, given that Oscar is Oscar and "Best" =  "Most" the bulk of the eventual Oscar shortlist will come from Period & Fantasy. TFE's favorite thing about the guild awards is that you can see what the craftsmen and women like best in contemporary work... which sadly rarely goes on to Oscar glory despite being difficult and creatively challenging in its own right.

Some notes on their nominees... and their nominee's past filmography glories after the jump

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Interviewlapalooza

pssst. 7 Days Until Oscar Nominations!

Oscar ballots are due tomorrow, and for whatever problems AMPAS had with its non beta-tested new online voting system, only one measly 24 hour extension came their way. So we have to start drawing barely visiblie lines in the blog sand and collect ourselves to look back now that we're in the before & after week... "This is where we've been!". Just in case you've missed any of this film year's interviews *thus far* here they are collected for you. (I'll update this index when more 2012 related interviews come our way, via DVD releases, continuing Oscar campaigns and whatnot.) 

Actors

Alan Cumming in Any Day Now
Ann Dowd in Compliance
Eddie Redmayne in Les Misérables
Kerry Washington in Django Unchained
Logan Lerman in The Perks of Being a Wallflower
Nicole Kidman in The Paperboy
Nicole Kidman on the 10th anniversary of her Oscar win in The Hours
William H Macy in The Sessions 

Behind the Screens 

Costume Designer Julie Weiss on Hitchcock
Documentarian Jeffrey Schwartz for Vito 
Documentarian Steve James (Hoop Dreams) on Head Games and Oscar's documentary branch
Writer/Director Ben Lewin for The Sessions 
Writer/Director Michel Franco for After Lucia
Writer/Director Jonathan Lisecki for Gayby
Writer/Director Travis Mathews for I Want Your Love

Impossibly Brief Chats

Kristen Stewart in On the Road
Jack Black in Bernie 

Last Season's Interviews: 
Charlize Theron, Jessica Chastain, David Cronenberg etc...

Meanwhile I'm getting dreamy about 2013. It hasn't quite begun for us here at TFE Headquarters. Oscar Nomination Morning (January 10th) is when Santa brings us our presents (and lumps of coal) and Oscar Night is our New Year's Eve. Then the new year (read: the film year) begins. 

Up next: the 12th annual FiLM BiTCH AWARDS and the actual OSCAR NOMINATIONS

The Producers Guild Nominees. Which Film Would Be The Hardest To Get Made?

I thought it might be interesting to look at tonight's Producers Guild nominations NOT as Oscar predictions -- they're always that since the industry end game is the Oscars -- but as what they're ostensibly intended to be: awards honoring producers who shepherded certain movies to the screen. The nominees...

Grant Henslov and Ben Affleck working on "Argo"

The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures

• Ben Affleck, George Clooney, Grant Heslov for ARGO
• Michael Gottwald, Dan Janvey, Josh Penn for BEASTS OF THE SOUTHERN WILD
• Reginald Hudlin, Pilar Savone, Stacey Sher for DJANGO UNCHAINED
• Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh for LES MISERABLES
• Ang Lee, Gil Netter, David Womark for LIFE OF PI
• Kathleen Kennedy, Steven Spielberg for LINCOLN
• Wes Anderson, Scott Rudin, Jeremy Dawson, Steven Rales for MOONRISE KINGDOM
• Bruce Cohen, Donna Gigliotti, Jonathan Gordon for SILVER LININGS PLAYBOOK
• Barbara Broccoli, Michael G. Wilson for SKYFALL
• Kathryn Bigelow, Mark Boal, Megan Ellison for ZERO DARK THIRTY

Producing is a very mysterious job from the outside looking in. Every film's producers have different jobs ahead of them based on a) what kind of project it is, b) how much fighting they'll have to do to get it made creatively and financially and c) whether they'll be separate from or very tied to the artistic decisions -- notice that only 50% of the nominated teams include the director of the film in question so some of these producers have far more influence on the final product than some of the others.

Barbara Broccoli with her Skyfall talent

No film has an easy road to movie theaters but if you remove your feelings about which of these ten films is "the best" from an artistic and/or entertainment standpoint and start thinking about what the particular challenges might have been, it feels like a different contest altogether, right? more...

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Podcast Unchained: Top Ten Sneaks, Actresses of Color, Movie Gifts

Part 1 of 2
For this megamix conversation -- still shorter than most of the Best Picture Hopefuls! -- which is the last before the Oscar Nominations we ignored the act of "predicting" beyond a couple hazy hunches and dug into Quentin Tarantino's new slavesploitation western (which none of us like as much as the internet does as it so happens). But since this is the Film Experience we do love to meander through movie memories and Oscar digressions, Django Unchained is hardly the only film we visit in this 44 minute podcast. [With Nathaniel, Nick, Katey, and Joe.]

Topics include but are not limited to:

• Last minute Oscar hunches: Eddie Redmayne? Michael Haneke?
• Django Unchained
• Ann Dowd's self-funded Oscar campaign for Compliance
• Nathaniel's special Christmas Gift
• 1947 & 1991 Oscar Winner Flashbacks: Loretta Young and Mercedes Ruehl, anyone?
• Middle Of Nowhere's transfixing Emayatzy Corinealdi
• The power and powerlessness of physical beauty 
• Podcast Bingo

You can download the podcast on iTunes or listen right here at the bottom of the post. Join in the conversation by commenting! Did you get any movie related Christmas gifts? What's #6 on your (current) top ten list? 

Django Unchained, Top Ten Sneak Peeks

One Day More (of Oscar Voting)

Everyone join them in a rousing chorus of "One Day More ♫"I think this must be a first. In the response to technical difficulties and voting problems with their new online balloting system, the Academy of Motion Picture Arts and Sciences has extended Oscar nomination balloting by a single day. Ballots are now due by Friday January 4th, by paper or online, instead of January 3rd. (The nominees will still be announced on January 10th). I'm not sure how much 24 hours will help but given all the long-ass movies on offer, but it can't actually hurt. (I've taken their cue and also given myself a couple more days on my top 20ish list so that starts on Thursday.) 

So herewith my plea to voters:

Have a Great 2013 Academy Members!
It's Nathaniel at the Film Experience. One of the ways you can make the new year happy is by really thinking over your ballot. So many film fans obsess over your choices.

And though you'll never please everyone, those Supporting lineups are going to be so much more exciting (think of the Oscar night clips!) if you include Matthew McConaughey in Magic Mike and Nicole Kidman in The Paperboy. No matter what you think of either film, great risky artistic stretching from big stars shouldn't be tossed aside just because the film containing it isn't being widely "considered" in any other way if you know what I mean. I mean why give all the nominations to the frontrunning heavyweights like Lincoln, Les Miz, and Argo when there's so much good work out there in so many films! Put in those Beasts of the Southern Wild and Moonrise Kingdom screeners (to name just two examples) -- aren't you curious? -- and see how visually and sonically rich movies can be without mega-budgets.

Finally, here's to the underdogs -- have you seen Perks of Being a Wallflower or Anna Karenina or Middle of Nowhere or Amour or Compliance yet? You've got a whole extra day. Stay in and watch some movies!