Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
COMMENTS
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Oscars (15) (392)

Saturday
May162015

Cannes: Then and (Right) Now

Imperator Furiousa cleans up nice for CannesAs Cannes moves past that opening night international glamour, and into its heavy screenings opening weekend, there's a lot of reminiscing going around as well for those that aren't attending: Keyframe is looking at the 1985 festival -- which was heavily criticized for being too American --  to see what it tells us about the 2015 festival. And, of course, over at Nick's Flick Picks, Nick is looking back at 1995. He has corralled several critics to talk about and rewatch those films too, but that part hasn't been posted yet. Can't wait! But here's a little about what's been happening at the festival if you are, like 99.9% of the world including me, NOT in the South of France right about now, but wish to think about it intermittently. 

Out of Competition
Mad Max Fury Road premiered at Cannes just as it was opening in theaters. That's a good excuse to get celebrities at your premiere and stay in a global conversation but, as good as the movie is -- and whoa it's thrilling (easily the best Mad Max film and the best action film since probably the last time James Cameron made anything) though I think maybe "the sistine chapel of action filmmaking" might be overstating it a little -- why go to a movie that's in theaters when you're at this kind of Best of World Cinema That Will Probably Never Make It to Really Big Screens Near You? Which is not to say that you shouldn't go. You absolutely should if you're not at Cannes. It's INSANE. And that is a high high compliment since most movies with insane premise play things so conservative in their mise en scene, you know? Michael's review will be up shortly and I'm sure I'll talk about it more too.

Woody Allen's PARKER POSEY: THE MOVIE... excuse me, Irrational Man, has also premiered as his movies do, Out of Competition. Our friend Tim Robey offered delicious shade in his review:

The word “murder” arrives in the script the second Kant, and his theories of human reason, pop up at the start. Like the superb Crimes and Misdemeanors, and also like Match Point, this contains a killing...

But honestly, I don't care if it's another mediocre effort from Allen. I'm so excited that Parker Posey got a big part again in a movie that people will actually see. And I love that she totally stole the show at the events with her incognito wacky glamour.

Supposedly Inside Out, another mainstream English-language film premiering there, is also a return to form of sorts for Pixar, but pardon me if I take this Oscar buzz with just a giant lick of salt - I think the days of Pixar (and maybe animation in general) being up for Best Picture are over. Those kinds of runs don't last forever and once people stop thinking of you in that light, it can be hard to return. 

"The Lobster" character posters

Competition Buzz
Gus Van Sant, who has won big at the festival before, won't be repeating. His latest, Sea of Trees, which stars Matthew McConaughey as a suicidal man visiting Japan, was not well received. That's putting it lightly if you just skim the THR or Variety reviews. I'm choosing not to read or even skim reviews on The Lobster, but from what I've heard your guess is as good as mine to what it actually is and if it's great at being whatever that is. Our Little Sister, a Japanese family drama has been warmly received for being touching without being sentimental and Sony Pictures Classics will distribute in the US.  

The buzziest title thus far is the Hungarian Holocaust drama Son of Saul. It's winning very generous reviews and it's also a debut feature which means that even if the competition jury surprises by stiffing it -- every year the press acts like they know what the jury will do and it never works out that way -- it could still win the Camera D'Or (which has a separate jury, just for debut films). Now we have to wonder if those titles will be the Oscar picks for Japan or Hungary.  I'm going to assume yes on the latter so I've updated the Foreign Film wild guesswork on the Prediction Charts.

Finally...
Yes, we will have another fashion lineup soon. But for now please accept our vote for the worst person in Cannes this year: Russian celebrity Elena Lenina. This is a film festival. Imagine sitting behind her at any of these premieres. Her 'do is suddenly your protagonist, whether its a Holocaust tragedy, a Woody Allen dramedy, or an insane action flick. Screw the narrative. 

True confession: Even when I see a person with high hair completely outside of movie scenarios like, say, on the street or in a talking head box on the news or several tables away at a restaurant my first thought is always 'oh god, please don't sit in front of me at the movies!'.

Be considerate of the comfort of your fellow moviegoers, readers -- shave your head!

Tuesday
May052015

Links: And Alice Faye's Centennial

The Dissolve Emily Blunt is finally revving back up her career. After Sicario she's headlining Bronco Belle
Guardian Ryan Gosling, ever the good sport about internet memes, finally eats his cereal, and a cancer fund is created to memorialize the meme creator
Empire the very busy young actor Will Poulter case as Pennywise in the new  version of Stephen King's "It"
Awards Watch I was the special guest on their latest podcast defending my first wave of predictions, particularly why I got behind Sicario and am hesitant on Carol.

Film Actually 20 most anticipated performances (I keep forgetting about Ben Foster as Lance Armstrong)
In Contention speaking of Foster, he's got a new film Comancheria, just picked up by CBS Films. Think they'll change the title before release? I'm taking bets.
Playbill If you've never seen Broadway darling and sometime TV & film player Kristin Chenoweth in concert, do NOT miss her tour. I've seen her like four times live and she's magic. It starts in August and she's hitting 17 states so see if any shows are near you!
MNPP who wore it best (skin suits edition): The Vision or Robbie Williams? 
The Dissolve has a cute Gremlins filled video about the history of the PG rating.  
Variety the rapping Granny from The Wedding Singer has died at 101 years of age 
Previously TV Joe Reid guests for a RPDR recap of the "prancing queens' episode. good stuff 
/Film Joss Whedon explains that messy Thor in the pool business from Age of Ultron (the more we hear about the making of the movie the more disastrous it sounds from an executive interference level; this can't be a good sign for the movies going forward.) 

It's the Black Widow's World. Marvel Just Doesn't Know It Yet.
Washington Post on "Black Widow's Feminist Heroism" - a great response to the weird outrage criticisms despite her film-rescuing place in those movies
Think Progress on further linked e-mails which show Hollywood's absolute sexism and stupidity about female heroes, they think Elektra and Catwoman are the best that can be done? Yikes!
Pajiba also Jeremy Renner doubles down on his sorry not sorry douchery about calling Black Widow a slut
Polygon would watch ScarJo's Black Widow Romantic Comedy via SNL. (as would I)  

Showtune(s) to go ~ Happy Alice Faye Centennial
When I revisited the Oscar nominated In Old Chicago (1937) a couple of years ago  I was a bit dismissive of Alice Faye, a major 30s film star (who isn't so well remembered today) who played Tyrone Power's conquest.  After more investigation the appeal has become far more obvious and since May 5th is her Centennial you definitely have 5 minutes to give her major voice - that's a memorably warm deep contralto. Here she is in two incarnations as a pre-code bad girl singing about 'Fooling with The Other Woman's Man' in Now I'll Tell (1934) looking like a visual inspiration for Madonna's future Breathless Mahoney in Dick Tracy. And then in a more traditionally romantic Technicolor light in Weekend in Havana (1941) with John Payne (Tyrone Power and then John Payne? lucky girl) singing "Tropical Magic"

Monday
May042015

The New Best Actress Field. Who Will Be Nominated?

We saved the best for last. The complete April Foolish Oscar Predictions are up with the Best Actress chart finally complete. As is usual for this beleagured actress psychic, once I've thrown the first charts up in all categories I immediately feel a tidal wave of "no, no, that's all wrong!" though the years have proven me relatively adept at first wave guesswork. At least comparatively speaking.

Which next generation Oscar darling will rise?

After fixing up a chart that included 3 older women who happen to be 3 of the 4 most recent winners (Julianne Moore, Cate Blanchett, and Meryl Streep) I immediately realized that this surely could not come to pass and regretted hitting publish. But you have to get the first wave predictions up eventually, so published it stayed. And a truth: everyone is going to be wrong this year because it looks highly competitive with multiple promising leading roles for women.

THE WORLD IS ROUND, PEOPLE.

Recognizing the over 40s in Best Actress has never been AMPAS's strong suit so surely the tide will turn sharply this year or next after so many older winners and even a year with the oldest lineup of all time in terms of nominees in this category (2013). Perhaps this year's lineup will include none of those darlings and skew very young: Saoirse Ronan, Carey Mulligan, Ellen Page, Alicia Vikander (with 8 movies opening something is going to stick), and Jennifer Lawrence (again)... though I personally hold out hope that Lily Tomlin's bravura turn in Grandma can win some "career tribute" style press and make a play for her second nomination 40 years after her first for Nashville.

Or maybe they'll finally make room for my riskiest hunch, Emily Blunt and give her her first nomination at 32 years of age for playing a young FBI agent up against a swarm of dangerous men. Shades of Jodie Foster in Silence of the Lambs anyone?

Please do check out the chart and let's get busy discussing! 

Rooney: Do you think we'll be nominated again, Cate?

PREVIOUS DISCUSSIONS
Animated Films | Actor | Supporting Actress | Screenplays | Supporting Actor | Best Picture | Best Visuals  | Sound & FX

RELATED
Index of All Predictions, Oscar Dates for Your Calendar, Most Awaited Films of the Year, and all Oscar adjacent articles for 2015

Sunday
May032015

Supporting Actress Chatter: Alicia, Julie, Kristen, Judy, Etc...

Alicia Vikander as Gerta Wegener in "The Danish Girl": Supporting or Lead?2015 hasn't brought us much in the way of stellar supporting actressing quite yet, with the exception of César winning Kristen Stewart in Clouds of Sils Maria. It helps that it's practically a lead role and she holds her own with one of the world's most hypnotic talents (Juliette Binoche). The other possibly key player that's already been seen by the lucky ones who attended the Sundance Film Festival is Julie Walters from Brooklyn (reviewed). She's a scene stealing delight as the strict landlady of the girl's boarding house where the heroine (Saoirse Ronan) lives and definitely has enough screentime to make a play for a nomination should the film be well received in general release. 

Otherwise for Oscar Predictions we have to venture into the great unknown.

Most Likely To Succeed, at least sight unseen, is 2015's 'it girl' Alicia Vikander (Ex Machina, The Danish Girl, Seventh Son, The Light Between Oceans, The Man From UNCLE, Testament of Youth, Adam Jones, Tulip Fever ...Yes, she has 8 movies slated for US release this year - take that Jessica Chastain!) It's tough to imagine her missing if The Danish Girl is any good because she's a terrific actress and the role is amazing, too. She's playing the erotica painter Gerda Wegener who supported her husband (Eddie Redmayne) as he became the titular character in the world's first sex reassignment surgery. Is the role large enough to campaign in Best Actress? This early in any film year most questions have no answers.

Early 'anything could happen' oscar predictions give us a unique opportunity to fantasize about comebacks too, should the films play and the reviews be kind. Which of these possible comeback queens will you be rooting hardest for: Jennifer Jason Leigh, The Hateful Eight; Judy Davis, The Dressmaker; Parker Posey, Irrational Man; Kate Winslet, Steve Jobs (well comeback to Oscar glory that is)?

Kate Winslet and Judy Davis on the set of "The Dressmaker". They play mother & daughter.

See the Supporting Actress Chart here and please do discuss EVERYONE in the comments. You know you want to and you know you you love this category almost or as much as Best Actress (which will be our grand finale to the April Foolish Predictions tomorrow). 

Saturday
May022015

Age of Ultron... And Marvel's Very Long "Connected" Movie

This article was originally published in Nathaniel's column at Towleroad

Movies really ought to be seen (and reviewed for that matter) on their own terms. But what if their very terms are -- "it's all connected!?" I had the exhaustive if qualified pleasure this week of attending "The Ultimate Marvel Marathon," in which select theaters across the nation played back-to-back screenings of all 11 of Marvel Studio's films. Those take you from Iron Man (2008) through to the latest superheroic orgy of mayhem known as The Avengers: Age of Ultron (2015). Between the screenings (20-30 minute breaks) were interstitials selling the television program "Marvel's Agents of SHIELD" that frequently reminded us that it was 'all connected'. Does the latest film The Avengers: Age of Ultron satisfy all on its own? My early guess -- only time will tell -- is "not so much" but then, is it really intended to? 

Seeing the movies back-to-back threw their problems into sharp relief: the movies are ultimately formulaic, disinterested in women, and have weakly conceived villains (an oddity given that good villains are such a comic book staple). They also betray an unfortunate tendency to end with a battle in which large inanimate objects frequently collide or crumble, mistaking mass destruction as the highest form of entertainment when the figurative character beats as well as, yes, literal character beatings are nearly always the most pleasurable moments.

On the plus side, the marathon was a great reminder of why blockbuster culture has been stampeding all over more intimate cinematic triumphs for a long time now. [More...]

Click to read more ...