Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
COMMENTS
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Oscars (15) (391)

Thursday
Apr092015

Every Thing Will Be Fine. Plus: German Oscar Contenders

Team Experience is adding two new members this week. Please welcome Sebastian! - Editor

Sebastian here, with my first dispatch from the outskirts of Germany, where I spend my days watching movies and occasionally writing about them. You might have seen my post about the unique ways Birdman deals with suicide and depressionBorn in 1982, I’ve lived in Germany all my life. Currently residing in Trier (birthplace of Karl Marx; not affiliated with Lars von), I’ve dabbled in various pursuits ranging from photography to education, but movies remain my biggest passion, which is why I was thrilled when Nathaniel asked me to contribute to The Film Experience.

Let’s start out with a few thoughts on Wim Wenders’ latest dramatic effort, and a brief look ahead at some of the films aspiring to be submitted as Germany’s entry for Best Foreign Language Film this year.

With his Oscar-nominated documentary The Salt of the Earth still in theaters in the US, Germany has already seen the release of Wim Wenders’ follow-up picture, Every Thing Will Be Fine, which I saw here last week. [More...]

Click to read more ...

Wednesday
Apr082015

April Foolish Oscar Discussion: Animated Features

These two specialized categories can be perplexing from the outside, documentaries moreso, as to what is eligible, why it's eligible, and what motivates people to vote as they do. The official eligibility lists don't arrive until later in the year but for now on the new charts we'll add documentary titles as they make some kind of mark and we'll dive right into animated features, which apart from the foreign produced entries, are much easier to track.

Pixar vs Pixar this year?

This upcoming Oscar season, Walt Disney Studios Animation will be out of the mix after two consecutive wins. Their next features Zootopia and Moana, which both look quite promising, aren't due until March and November of 2016. To fill that giant vacuum, Pixar will likely come roaring back after an uncharacteristic absence last year with two titles Inside Out and The Good Dinosaur

But the contest that's most curious might not be a contest... at least in terms of Oscar. We have two features that are trading on collective international nostalgia for 2D classic properties: The Little Prince and Peanuts Movie. But they're both getting the CG or mixed media approach. That's not so odd since contemporary cinema loves to regurgitate and "update" (shudder) but what's unusual is that both films are clearly trying to mix the endearing flat linework and visual style of these beloved gems into newly three dimensional worlds. A safe bet: these films, particularly The Little Prince which looks "schizophrenic", will be divisive. 

Check out the charts! Which of these films are you most curious about and do you agree with the April Foolish guesswork? 

 

Tuesday
Apr072015

Best Actor. April Foolish Predictions

It's that time of year. But judging on your semi-quiet response maybe you weren't quite ready for it yet? Anyway. Light a fire. Whoohoo. It's time to pull out the crystal balls and make stupidly early Oscar predictions.

There are so very many questions to ask about the forthcoming Best Actor race. These are just 8 of them:

• Can Eddie Redmayne (The Danish Girl) be the first back-to-back acting winner in 21 years?
• Will Tom Hiddleston (I Saw the Light) & Don Cheadle (Miles Ahead) do their musician legend biopics proud?
• Will Michael Fassbender prove Michael Fassbender's undoing (5 leading roles this year)?
• Same question for Jake Gyllenhaal (3 leading roles this year)?
• Perennial Write-In Question from Leo "when will it finally be my turn?" 
• Can money-grubbers Will Smith (Concussion) & Johnny Depp (Black Mass) find artistic redemption and thus Oscar favor?
• Can Bryan Cranston (Trumbo) triple-crown by February next year? He's already got the Tony & the Emmy 
• Will any of the old guard (Warren Beatty, Tom Courtenay, Sir Ian McKellen) rise up?
• Will Beasts of No Nation sort out its theater vs online situation so that Idris Elba has a shot?

SEE THE NEW CHART. Discuss.

Monday
Apr062015

April Foolish Oscar Predix - Supporting Actors

As is the case every year the supporting categories are incredibly foggy early on. One rarely knows which supporting players have big roles (unless they're co-leads campaigning fraudulently which we should always expect). And then there's the matter of who will steal scenes and who will be reduced to glorified cameos even if their roles sound good on paper.

Will Poulter and Tom Hardy heading to shoot scenes for The Revenant

Perhaps the most important thing to remember about this Foolish early punditry: Supporting players, unlike leads, almost never win traction unless their film is also well liked. That adds yet another layer of clouds blocking future vision.

All of which makes April Foolish supporting pictures an exercize in fantasy. But it's fun! The chart is now up for  Best Supporting Actor and to start things off I'm predicting an all newbie lineup. But looking over the general foggy field one could have genuine with high hopes for a couple of respected actors who've never had a real Oscar shot like Tom Hardy and Kyle Chandler, actors who have been mistreated by Oscar like Ralph Fiennes (future cinephiles will be driven mad puzzling how he missed for Grand Budapest Hotel) and Kurt Russell (tell me again how he missed for Silkwood?) and actors who fit right into Things Oscar Does like Seth Rogen (comic gone serious), Bradley Cooper (you like me you really like me) and so on. The chart is big and extensive because it's silly to rule anyone out before most films have begun screening.

Among films with large casts that we suspect are teeming with possibly eventful supporting players but who can really say are Warren Beatty's Untitled Howard Hughes Project, Quentin Tarantino's Hateful Eight, and the press expose of the Catholic Church scandal drama known as Spotlight

Some of "Spotlight"s key cast members: Keaton, Schreiber, Ruffalo, McAdams, Slattery, James

And that's not all. There's also the head-injury medical sports drama Concussion led by Will Smith, an FBI drama led by Emily Blunt called Sicario, and the all star period literary drama Genius which features Jude Law, Guy Pearce, Dominic West, and others as famous authors. There's also the Hollywood Blacklist drama Trumbo which is headlined by Bryan Cranston but features a lot of other actors as famous showbiz figures

Do you have any suspicions about this field or any wild card predictions?

Saturday
Apr042015

April Foolish Predictions. Let's Talk Best Picture

Subverting expectations, let's not start small but big with our annual April Foolish Oscar predictions. The first chart is up for the BEST PICTURE competition. Bear in mind that apart from Fox Searchlight's Brooklyn, (reviewed at Sundance) nobody has seen any of these films so this is pure fumbling in the dark for things that have the general shape of Oscar darlings. There are so many variables in each season and this first guess as to the general field is meant to spur conversation and must be taken with a grain of salt salt block.

A lot of recent Oscar darlings will try to sell new wares including Hooper, Inarritu, Vallée, Tarantino, and David O. Russell. Steven Spielberg, a perennial, could be back with his cold war film Bridge of Spies. Previous winners with heavy cobwebs on them in terms of Academy favor like Ron Howard, Warren Beatty, Jonathan Demme and Robert Zemeckis will try for comebacks. And one of TFE's all time favorite filmmakers, Todd Haynes, is back after a long long big screen hiatus. Oscar has never quite known what to do with him so will they figure him out once they see Carol? It's a big question mark even though the movie sure looks like a potential beauty.

The films I have the most faith in at the moment -- in terms of Oscar appeal only -- are The Danish Girl and The Revenant but it's all guesswork until we see real footage on all these films.

Thoughts? Psychic revelations? Future tomatoes thrown?