93rd Academy Awards: A strong Adapted Screenplay race

by Eric Blume

We have our strongest list of contenders for the Best Adapted Screenplay Oscar that we’ve had in years…I’d argue one of the strongest ever.  These five films represent vastly different stories and emphasize different screenwriting strengths, and involve an array of intelligent decisions from the writers in delivering the best cinematic experience possible based on their source material...

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93rd Academy Awards: Best Costume Design

by Cláudio Alves

Costume illustrations by Gloria Young Kim (left) and Matthew JLeFebvre (righ)

After last year's dispiriting domination of Best Picture contenders in craft categories, this year's Best Costume Design lineup feels like a breath of fresh air. While the branch is resistant to contemporary narratives, their reluctance to honor new names has alleviated a bit. For the first time since 2006, we have three first-time nominees among the costume designers competing for gold. Better yet, the five achievements honored by AMPAS offer a dizzying variety of film styles, aesthetic strategies, genre, and tone. From Disney remakes to Italian literary adaptations, from biopics to biting period comedies, this batch of nominees has it all.

Still, in the end, one must win. With that in mind, here's how I'd rank the five Best Costume Design nominees at the 93rd Academy Awards…

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93rd Academy Awards: "Cinematography as ________ "

Please welcome new contributor Timothy Lyons...

The cinematographers’ branch (like all branches in the Academy) loves a familiar face - think your Lubezkis, your Richardsons and your Deakinses. One of the happy byproducts of an unusual cinematic year mostly void of big anticipated productions and usual suspects, is the higher-than-normal number of newbies recognised across the craft categories for this year’s Oscars. The five nominees for Best Cinematography are made up of: one returning nominee, one longtime veteran of the industry finally getting his due, one up-and-coming darling of the indie scene, one newcomer shortlisted for his feature film debut, and one individual who is (shockingly) on his first nomination despite shooting one of the most picturesque Best Picture winners (!) in recent memory.

Let's explore the five achievements the Academy has chosen to reward these artists for, presented in ascending order of personal preference…

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93rd Academy Awards: on Best Sound and trips to other worlds

by Eurocheese

More than most years, I felt strongly about which films deserved to be in the conversation for Sound this year. This is the first year since the 1980 Oscars that only one team will receive a Sound prize, and even before 1980, Sound Effects would often receive a special separate prize (sometimes competitively, sometimes as the sole choice). Many Oscar fans learned to explain the difference between Oscar wins for Sound Mixing and Sound Editing, a separation we’ve had since 2003. The Academy has rewarded the Sound Department in every year since the third Oscar ceremony back in 1930, which means the honor has been around even longer than our supporting acting categories.

The nominees this year brought us a wide range of stories – a high seas chase, a Hollywood throwback, a western, an animated film and an immersive film focused on hearing loss. And did you know this year’s Sound category brought us two double nominees?

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Almost There: Delroy Lindo in "Da 5 Bloods"

by Cláudio Alves

Last week, in the aftermath of the Oscar nominations, I asked you, dear readers, to vote on which performance should get an "Almost There" treatment. Of the fifteen possibilities, your choice was clear – Delroy Lindo in Spike Lee's Da 5 Bloods. He got nearly a quarter of the votes, and so, here we are, ready to dissect an achievement that, months ago, seemed like a sure bet in the Best Actor race. The role in question is that of Paul, a war veteran who, along with his brothers in arms, returns to Vietnam in search of a lost treasure and the remains of a mentor…

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