Linkface

Scouting New York Fun/creepy. Take a retro tour of American Psycho's New York City landmarks. 
Pajiba Speaking of Christian Bale. The web is abuzz with all those Dark Knight Rises on set photos now that filming has commenced. I agree with Iggy on Tom Hardy's lipless "Bane" look, however true to character it may be. Iggy wrote...

Hardy. Better with lips.

it must be a cinematic crime hiring Hardy, the most lusciuous male lips, and make him wear that thing. Could this be considered playing against type?

Geekscape Since Batman is in the air, why not a ranking of all filmed Catwomen? I find it hilarious that Anne Hathaway is included in this six-wide field since she hasn't even purred yet. Who knows how good she will or won't be? The Pfeiffer write up is insightful.
Twitch Superhero fatigue has not yet set in. Commissioned scripts for Ant Man and Doctor Strange have been turned in to Marvel Studios. 
My New Plaid Pants surveys the current wanting cinema crop 
Twitch Forbes Highest Paid Actors list: Johnny Depp and Leonardo DiCaprio are up top but the list is soooo 1990s as if nothing ever changes in Hollywood. 

La Daily Musto Hello Gorgeous. Lauren Ambrose (Six Feet Under) will star in the revival of Funny Girl. I'm stunned and happy. Here's a video making the rounds of her doing the famous closing number "My Man"

It's such an interesting choice because it clearly signifies that the producers are NOT trying to duplicate Barbra. Which is, I think most people of sound minds would admit, the only sane way to approach reviving such an iconic connected-to-one-legend piece of theater.

Austin Translation "there's a snape in my boots" 
Regretsy Zombie Golden Girls 
Broadway Blog the original Evita and Che, Patti LuPone and Mandy Patinkin are reuniting for a limited run concert on Broadway. 

Finally, mark your calendars for August 31st. Gonzo 80s 'classic' Scarface will be showing at 500 screens nationwide to celebrate an epic Blu-Ray release. I'm not wild about the movie which is so widely embraced by gangstas who love its excess unironically and ignore its cautionary tale finale. But if you've never seen it you'd be crazy to miss the chance to see Michelle Pfeiffer's first great performance on the big screen. That year's supporting actress nominees can kiss her skinny pampered ass. Imagine that arguably star-making backless dress / elevator descent entrance on the big screen! Al Pacino's ambitious criminal is hypnotized and so were movie audiences, rescuing La Pfeiffer from her then status as 'Grease 2 girl'. If her entrance isn't enough imagine those 80s dance moves, or the huge-ass sunglasses. Chase those Pfeiffer visuals with mounds and mounds of coke snorting and utter icy contempt for everyone in her field of vision... including herself. She's mesmerizing. Oh and, yeah, some people would describe the movie that way, too.

Your Fav' Eighties Ladies!

Over the past couple of months we've been holding "Best Character" polls for Oscar's Best Actress category history. We asked not who should win the Oscar but which characters own real estate in your memory. Previously you selected Miranda Priestley, Clarice Starling and other iconic bitches as your favorites from the Nineties and the Aughts. 

But what of the 1980s? Here are the results. *asterisks indicate Oscar winning performances.

Three unarguably iconic characters: Sophie, Celie and Aurora

1981-1985

1. *SOPHIE ZAWISTOWSKI (Meryl Streep) from Sophie's Choice
2. CELIE (Whoopi Goldberg) from The Color Purple 
3. *AURORA GREENWAY (Shirley Maclaine) from Terms of Endearment
4. KAREN SILKWOOD (Meryl Streep) from Silkwood
5. VICTORIA GRANT (Julie Andrews) from Victor/Victoria

Diane Keaton's wondrous performance in REDS (1981) has not been forgotten.Runners Up: To complete the top ten you'd need (in descending order) a third Streep with KAREN BLIXEN from Out of Africa, Debra Winger's EMMA GREENWAY from Terms..., Jessica Lange's rendition of troubled movie star Frances, and with nearly a tie for tenth place Katharine Hepburn's *ETHEL THAYER from On Golden Pond and Diane Keaton's LOUISE BRYANT from Reds. 

Observations: The Streepster's reascendance in the Aughts has obviously polished her earlier work to a healthy shine which would partially explain her tremendous lead as "Sophie" (well, that and the performance itself) and Karen Blixen's near top five placement, despite being hardly as memorable as Sophie or the other Streep/Karen. 

Weakest Showing: While Jessica Lange was an Oscar favorite in the 1980s, her JEWEL IVY in Country received 0 votes. But then Oscar's oft-derided "Year of the Farm Wives" fared terribly, with all three of the farm women failing to muster much enthusiasm. And to think they could have had Kathleen Turner's fiction writer Joan Wilder from Romancing the Stone in there. (She would've hit the top five most memorable characters, don'cha think?)

1986-1990

Dangerous Ladies ruled the Late Eighties

1. LT ELLEN RIPLEY (Sigourney Weaver) in Aliens
2. ALEX FORREST (Glenn Close) in Fatal Attraction
3. *ANNIE WILKES (Kathy Bates) in Misery
4. SUSIE DIAMOND (Michelle Pfeiffer) in The Fabulous Baker Boys
5. MARQUISE DE MERTEUIL (Glenn Close) in Dangerous Liaisons

Runners Up: Completing the top ten in descending order are Julia Robert's Pretty Woman VIVIAN WARD (who initially looked like a top three threat but kept fading throughout the course of voting), Cher's *LORETTA CASTORINI in Moonstruck, Streep's SUZANNE VALE (AKA CARRIE FISHER) in Postcards from the Edge, Anjelica Huston's hard as diamonds LILLY in The Grifters and in a tie for tenth place Holly Hunter's JANE CRAIG from Broadcast News and Jessica Tandy's *MISS DAISY the one who who drove right over the Pfeiffer/Oscar dream. Damn you, Oscar voters!

Observations: Looking back it looks like Meryl Streep owned the first half of the 1980s while Glenn Close threatened her dominance in the decade's second half. And to think they might go at it again this year?!? This poll was the most contentious of the six polls we've held with very small differences in rank between the winners and much in the way of surges and drops. A certain formidable alien fighting woman was always out front but Alex Forrest refused to be ignored and wouldn't allow her a huge lead. Spots 3 through 10 shifted repeatedly with my beloved Kathleen Turner's PEGGY SUE just missing the top ten. [Sniffle]

Fonda and Bridges in THE MORNING AFTER (1986)Weakest Showing: Jane Fonda's ALEX from The Morning After  (which Nick and I tried to recall on the "1986" podcast) received 0 votes from the nearly 800 cast. Of Fonda's seven nominations it's her last and (obviously) her least remembered. It's currently available on Netflix's Instant Watch. Sadly Sally Kirkland's ANNA only barely registered. Kirkland is best known to today's audiences as that crazy-dressing lady who sometimes shows up at the Oscars but that surprise nomination for 1987 was hard-earned. Don't believe me? Watch the movie on Netflix Instant Watch.

Should we do the 1970s?  
What do you make of these 80s polls? Did your fellow TFE readers choose well or would you like to stalk them with Alex Forrest's butcher knife, Ripley's flame-thrower or Annie's hobblin' hammer and right the wrongs they done?

Podcast: Nick & Nathaniel Circa 1986

Before you ask again, please note that I have submitted the podcast to iTunes. Hopefully the submission process will take. The podcast can be heard at the end of this post.

Today, we have a special retrospective podcast for you today. Since Nick has been revisiting Cannes 1986 in all its sidebar and competitive glory and Nathaniel has been gagging on Aliens and Peggy Sue Got Married lately for their 25th anniversarieswe decided to join forces.

Topics include & spin off from:

• Robert Altman's Fool For Love (1985)
• Aliens (1986) vs. Alien (1979) and Aliens (1986) vs. Platoon (1986)
  
• Sigourney Weaver's "Ripley" or Kathleen Turner's "Peggy Sue"?
• Molly Ringwald, Farrah Fawcett, Marlee Matlin, Kim Basinger, Beatrice Dalle and dozens more 80s actresses discussed
• Three French Films: The Green Ray, Betty Blue and Therese
• Spike Lee, Woody Allen, James Cameron and David Lynch
• Our favorite films of 1986 -- we share a #1 favorite which has to share the #1 spot in both our cases. 

We'd love to hear your opinions on these topics as well as your memories (constructed or actual) of the 1986 Film Year.

Podcast: Revisiting 1986

Best Actress "Character" 1981-1990

Time for more polls! Same situation as before. I'm asking not who you think should have won the Oscar but which Best Actress nominated roles are the most memorable for you. Who are the characters you think of the most from movie history (albeit through the lens of Oscar since some great role aren't nominated).

Two polls ahead -- I think we'll quit here since fewer people will play from the 70s backwards -- so please vote on both. Pick the 5 roles that are the "stickiest" in your head, the most memorable, from each poll of Best Actress nominated characters.

1981-1985
Choose up to 5 women

poll by twiigs.com

1986-1990
Choose up to 5 women

poll by twiigs.com

Does anything surprise you while reviewing your options?

Tech Noir "The Terminator"

This article was originally published in summer 2009. [Thanks to Leave Me The White for some of the screencaps] I'm reposting with minor edits in celebration of the 20th anniversary of its sequel Terminator 2: Judgment Day on this 4th of July Weekend.  Plus, what's more American than spectacles of Hollywood violence that launced billion dollar franchises?

Arnold Schwarzenegger as "The Terminator"

"Tech Noir"
In March of 1984 when The Terminator began filming, the director James Cameron and the producer Gale Ann Hurd were no Hollywood heavyweights. Cameron was no one's idea of a visionary (except for perhaps his own) and had only one feature under his belt, Piranha 2: The Spawning -- auspicious beginnings! Hurd had learned the production ropes on B movies for Roger Corman. Cameron and Hurd intended for the dark, fast and cheaply made robot movie to be their calling card. Seven months later in October the movie premiered with only its deceptively simple premise (killer machine hunts woman) and Conan the Barbarian (Arnold Schwarzenegger) to sell it. The Terminator was an immediate hit, though not quite a blockbuster. It earned a Conan-like $38 million gross in its initial run (which I believe is something roughly in the ballpark of $100 million in today's ticket sales).

As a franchise it was a slow starter but as a stand alone movie The Terminator was anything but. The movie begins with a bone crushing (literally) view of "The Year of Darkness", in which massive machines hunt humans in desolate post-apocalyptic ruins. Very quickly we're thrown back to present day Los Angeles ...present day in in the 80s at least.

An electric storm begins and a naked crouching man rises from the clearing smoke. He proceeds to walk emotionless through LA and slaughters some punks for clothes. A second electrical storm follows dropping another naked man into downtown LA. The twin sequences are mostly wordless but already Cameron's story instincts are shining: The first man (we don't technically know he's a machine) is already embedded in the audiences mind as an cool collected deadly force to be reckoned with, the second Kyle Reese (Michael Biehn) is, in contrast, a scurrying, less capable and frankly desperate looking man.

Contrasting Entrances

In short, he's mortal.

Click to read more ...