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Entries in Screenplays (277)

Tuesday
Oct132015

8 Best Things About "Steve Jobs" (First Impressions)

True confession: When I read Jason's breathless rave for Steve Jobs from my sick bed last week I was like "calm down, man,  it can't be that good" Cut to one week later me sitting in the theater, as the end credits rolled: "I gotta read that rave again and nod my head vigorously this time!" While I suspect I don't love it quite as much as Jason, it is inarguably one of 2015's must-see picture and we shan't be annoyed at all when it racks up Oscar nominations in January.

The film goes wide on Friday and trust that you'll want to be there. Here are my 8 favorite things about it at first glance... 

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Wednesday
Oct072015

Cheers, Frannie. And Other Links

Awards Daily pays tribute to Jane Fonda (Youth) and Lily Tomlin (Grandma) as we all should. Weekly. (Daily? Hourly?)
People introduces new princess 14 year old Auli'i Cravalho who voices Disney's Moana
Jezebel "Today we are all Frances McDormand drinking wine on a toilet" Amen!


Interview Magazine has really been really topping itself lately. Now they've got Jeff Bridges talking to the iconic cinematographer Roger Deakins (Sicario). Thus begins the hard push to get him his long overdue Oscar I suppose. We interviewed him for True Grit and he was a good chat!
The Bitter Script Reader thinks The Martian screenplay is a great example of how to write obstacles for characters that engage the viewer in the same "oh shit" living of them as plans fall apart
Film School Rejects tears up over Room and appreciates the Mother & Child thread running through many films this year
i09 is (rightly) horrified by what Frank Miller has done to Superman in a new comic book cover
Variety thinks its time Oscar voters caught up to Love and Mercy and Straight Outta Compton

Taylor (left) and Rodriguez (right) the stars of TANGERINEP.S. First Trans Actress Oscar Campaign
You may have heard (from everywhere) that Magnolia Pictures is launching the first ever Oscar campaign for transgender actresses - the spirited girls from the awesome Tangerine (a film which we've recommended often). TFE actually broke this news first (albeit in early "we might do this" planning stages) but we were asked to remove the reference to it, post publication, from our James Ransome interview since he wasn't supposed to talk about just yet. We get no respect I tell you -- even when we heartily support a film from its first screening!

Anyway, if you haven't seen the film yet do so the first chance you get. Kitana Kiki Rodriguez (who plays vengeful hot-tempered Sin-Dee) will be pushed for Best Actress and Mya Taylor (her much calmer best friend Alexandra) will be campaigned as a Supporting Actress but... you know how these same gender movies go, that's total Category Fraud bullshit since you can't have one without the other. They're like a trans Thelma & Louise only with less of a crime spree and no wheels of their own; these girls have to settle for the indignities of public transport (those bus scenes. LOL) and walking in L.A.

Sunday
Sep272015

Podcast: Sicario & Stonewall

Katey, Joe, Nathaniel and Nick, all returned from TIFF (where the four of us were actually in the same place at the same time for the very first time ever!), return to "Now Playing" cinema to catch shrapnel coming off of Sicario & throw bricks at Stonewall

43 minutes 
00:01 TIFF postscript & Room
03:30 Sicario dark, haunting, superbly crafted, POV politics
21:00 Stonewall (2015) what were they thinking?
33:00 Stonewall (1995), Stonewall Uprising (2010), and other final thoughts 

You can listen to the podcast here at the bottom of the post or download from iTunes. Related reading: Katey on Room, Nathaniel on Stonewall, Nick on Sicario, Noah Tsika's negative reaction to Sicario, Jeffrey Wells's super-weird war on fans of Room.

And in case you missed it, here's the photo of the podcast team at TIFF.

Sicario and Stonewall

Wednesday
Sep162015

TIFF: Jake Gyllenhaal in "Demolition"

This review originally appeared in abridged version in Nathaniel's column at Towleroad

All throughout Demolition, which opened the 40th annual Toronto International Film Festival which closes this coming Sunday, new widower Davis Mitchell (Jake Gyllenhaal) is putting the title into action. His wife has just died, he is convinced he feels nothing about it, and he begins to tear things down and scatter their parts about. The general idea is ‘take something apart to see how it all fits together’ but he doesn’t bother with the fitting back together part.

He’s also demolitioning his own life, of course, in the process. This peculiar destructive streak starts out small with his morning routine. At first, in montage, this includes lots of preening and shaving (including his chest. *sniffle*) to turn him into a smooth starched and well dressed executive but it’s quickly abandoned. Cue: sexy scruff and increasingly erratic behavior. (Unfortunately we are not shown the return of the chest hair. Stingy move, movie!)

Everything has become a metaphor…”

…Davis intones in the middle of the picture to his confused and impatient boss and father-in-law (Chris Cooper), as an attempt to explain his new and frankly worrisome headspace. But he’s right. Everything is a metaphor in Demolition and thus, apart from Gyllenhaal’s work, the movie sparked polarized reactions. More...

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Wednesday
Sep162015

TIFF: Journalists at War. "Truth" vs "Spotlight"

On the first day of TIFF last Thursday I saw four consecutive movies from different countries and of different tones entirely that all had a surprise pregnancy reveal scene/shot during their stories. Festivals are funny like that providing you with unexpected throughlines. But sometimes you fully expect the comparisons, if not a schedule that has you watching two similar movies back-to-back. That happened to me with James Vanderbilt's Truth and Thomas McCarthy's Spotlight. Both are journalism pictures with A list casts and both will be gunning for awards honors at year's end. Spotlight is better positioned already with stronger reviews but Truth definitely has its pleasures. While watching them Truth felt more popcorn entertaining but Spotlight is stickier, staying with you afterwards.

Truth vs. Spotlight in 8 categories after the jump...

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