Introducing the Nicole Kidman TFE Tribute

by Cláudio Alves

Nicole Kidman makes her entrance at the AFI Tribute ceremony.

You've heard of the Nicole Kidman AFI Tribute, but do you know there's also a TFE celebration in the works? Last year, the American Film Institute announced that Australian superstar Nicole Kidman would receive their Life Achievement Award in honor of her contribution to American film. The ceremony took place on April 27th, but apart from some online videos and photo-ops, little of the celebration was publicized. That will change in June when the entire Tribute will air on TNT and TCM, as is tradition with such AFI events. To mark the joyous occasion, the Team Experience will be doing a tribute of our own. 

From now until June 17th, you can expect a new daily post on Kidman, going over some of her best films and performances. Since tomorrow we'll jump straight into the 90s, this introduction shall serve as the Tribute's overview of her origins in Australian cinema…

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Cannes Diary: Mega'no'polis

by Elisa Giudici

Megalopolis © 2024 Caesar Film LLC.

Francis Ford Coppola returns with a film that is already legendary even before its release, featuring a story that spans decades and a production so infamous and troubled that it warrants a film of its own. That nonexistent feature could have outshone Megalopolis, which, despite its high expectations, will be remembered in this year's Cannes Film Festival history as a major disappointment...

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Cannes at Home: Day 8 – The Beautiful People

by Cláudio Alves

Sean Baker's ANORA looks like a top contender for the Palme d'Or.

After much divisiveness in the Main Competition, the Cannes critics finally have something to fawn over in collective uproar. Sean Baker's Anora was a hit with press and audiences alike, standing out in a selection of otherwise derided titles. Indeed, Christophe Honoré's Marcello Mio met critical rejection on the same day of Grand Tour's world premiere, while Paolo Sorrentino's Parthenope inspired another wave of dissenting opinions. Some love it, while many others decry the Neapolitan director's obsession with objectified female bodies, beauty above everything else, even cinematic meaning. Considering his last few projects, this shouldn't come as a surprise.

That shall be the theme of this Cannes at Home program—the beautiful people. Let's explore the siren calls of Baker's Tangerine, Honoré's The Beautiful Person, and Sorrentino's Oscar-winning The Great Beauty…

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Second Opinion: "Evil Does Not Exist" is the Scariest Wiseman Film You'll Ever See

by Nick Taylor

First, let me say that I enjoyed reading Ben Miller’s less enthusiastic but deeply engaged review of Evil Does Not Exist. I would never have thought to compare this with Aronofsky’s mother!, though as he points out, both films are quite skilled at accumulating tension despite or even because of their unpredictability. He’s also right about the resonance of the ending, which takes the film’s main themes about survival, self-defense, and man’s different awareness of their place in nature and heightens that allegory dramatically. Pondering the finale has made it feel less inscrutable, but that hasn’t dulled its impact in the slightest. 

Rather than editorializing on Ben’s review by saying “umactuallyilikedthatpart” for a few hundred words, I’m going to go deep on one key sequence, talk about why I liked it, and how it exemplifies what I love about Evil Does Not Exist...

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Everyone is boarding Ruben Östlund's madcap flight

by Cláudio Alves

TRIANGLE OF SADNESS (2022) Ruben Östlund
Though the movie's but a premise in its director's imagination, The Entertainment System Is Down is shaping up to be a starry affair. Ruben Östlund's follow-up to Triangle of Sadness, his second Palme d'Or winner, has been on the news. The Swedish provocateur even did a press conference at the Croisette, joined by Keanu Reeves and Kirsten Dunst, both set to take part in the satire cum disaster movie. Other cast members include Samantha Morton, Daniel Brühl, Nicolas Braun, and Vincent Lindon.

In case you've forgotten, the French thespian presided over the Cannes Jury that decided on that Triangle of Sadness victory…

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