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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Wednesday
Mar062019

Jennifer Jones Centennial: "Indiscretions of an American Wife"

We're celebrating Jennifer Jones's centennial. By your request (you voted on which two movies we'd cover), here's Nathaniel R...

Your viewing assignment should you choose to accept it, and you really should, is Vittorio de Sica's Indiscretion of an American Wife (1953), a floridly emotional 65 minute drama (you read that right) in which a very thirsty Jennifer Jones engages in some illicit behavior because what else can you do when confronted with the beauty of Montgomery Clift in the 1950s?

Though 1953 was arguably Monty's peak (he also starred in Hitchcock's I Confess! and the Best Picture winner From Here to Eternity that year), this melodrama from the Italian master Vittorio de Sica is Jennifer Jones's film from fussy indecisive start to farewell heartbreak finish...

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Wednesday
Mar062019

Nathaniel's Ballot: Supporting Actress

Another chart! This afternoon, Best Supporting Actress in which we find a desperate Polish call girl, a formidable astronaut's wife, a life-saving night nanny, and two survivors/mothers, one creating her own makeshift family, the other trying to save hers for her future grandchild.

Awards Pg 1: Director, Screenplay
Awards Pg 2: Acting NEW
Awards Pg 3: Visuals
Awards Pg 4: Sound
Awards Pg 5: Extra Acting Categories
Awards Pg 6: Character Prizes
Awards Pg 7: Best Individual Scenes

Note: Despite the late-late arrival of these awards they are generally drawn up in list form before the Oscar nominations so they're not unduly influenced by the Academy's decisions. It just takes forever to get them posted and often to argue with myself over the 5th and 6th slots, a murderously awful/arbitrary distinction which should not mean "best" / "also ran" but somehow does. (Only Actress and Picture left to go before we can wrap up with the medals.)

Wednesday
Mar062019

Soundtracking: "Watchmen"

by Chris Feil

Ten years on and Zack Snyder’s Watchmen is remembered as a overly loyal misfire. But originally our hopes were sky high for this adaptation, a long-awaited superhero take for adults sourced from one of the most lauded tomes in graphic novel history. Maybe when it arrives this year, Damon Lindelof’s incoming HBO “continuation” series can satisfy our passion for Alan Moore’s original creation - however unlikely it is that is satisfies Moore himself.

Perhaps the single thing that set the film up for failure was the very one that made us think Snyder had pulled off the impossible: it’s stunning teaser trailer set to The Smashing Pumpkins’ “The Beginning is the End is the Beginning”. It was one of the best teasers of an era when that still mattered, and we fans went crazy. But ultimately the song choice was writing checks musically that the film itself couldn’t cash...

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Tuesday
Mar052019

Nathaniel's Ballot: Best Actor / Supporting Actor

'It's not redundant to still be handing out awards after the Oscars as long as the awards themselves aren't the same!' This is what I tell myself as I wrap up the Film Bitch Awards two weeks later than is proper! There's just 3 categories to go now (so we'll be done by next weekend) before we can hold the world's fastest awards ceremony. It involves a behind-the-scenes slapping of gold, silver, and bronze visual designations onto three of the nominees in each category.

Today, we're talking about the men...

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Tuesday
Mar052019

Doc Corner: 'Leaving Neverland'

By Glenn Dunks

Please note this review discusses topics that will be upsetting to some readers.

How long is too long for a film like Leaving Neverland? Not long enough, it would seem. Don’t get me wrong – watching Dan Reed’s four-hour document of the physical and psychological abuses heaped onto two underage boys in the 1990s by the most famous man in the world, Michael Jackson, is rough-going. It’s sickening, it’s confronting, and its hard to sit through. It’s also compelling and I, for one, believe them. --  I figure I should get that out of the way right at the top.

Reed does something great with with this material, which could so easily have been sensationalized or turned into cheap, ghoulish true crime fodder. His approach is elegant, refined and simple and yet holds the weight that such a discussion deserves...

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