"The Runelords", "Game of Thrones" and the Problem of Endings

Longtime readers know that Nathaniel has a wee problem with addiction to fantasy literature. This proclivity is more masochistic curse than pleasureable blessing since fantasy literature is allergic to endings and there are few things Nathaniel likes more in storytelling than a brilliant finale. 

So last night I finished the first book of the The Runelords series "The Sum of All Men" by David Farland. I had heard that it would eventually be a movie so when my brother suggested I read it last month on my vacation, I gladly grabbed it for the airplane time. [Note: turns out the movie option ran out last year and Farland has the rights again.] The book concerns the young naive prince Gaborn whose quest to win the heart of a neighboring kingdom's progressive idealistic princess Iome is interrupted by an invading army of the Runelord Raj Athan who seeks to become "The Sum of All Men".

The conceit of The Runelords world is that, through magic rituals, people can gift their best attributes to others creating a stratified world where those in power are granted more and more of it as people sell their most economically viable asset to them be that beauty, strength, vision, intelligence, stamina (and everything else). It's sort of like the vampire economy that the USA is dealing with now as the rich and powerful decimate the weaker middle class in order to gain more and more and more (to infinity and beyond) for themselves to feed their insatiable greed and misplaced sense of entitlement. Never mind that once a Runelord has the strength of 1000 men, it hardly makes a difference to him if he has the strength of 1001... but it sure as hell matters to the weakling 1,001st man he's left behind in his greedy conquest. 

But let's not get into the ever-miserable discussion of the downward spiral of the actual world we live in. We're talking books and movies, the fake world we prefer to dream of!

Gandalf the Grey... no, WHITE. Most of the major characters in the book are those who have received "endowments" from others so they're all amazingly beautiful or super strong or what not; superheroes in medieval frocks and cloaks if you will. If they're not runelords they're wizards. The major wizard Binneman is basically Gandalf since he's very powerful, very wise, very old and his hair and wardrobe changes colors once he moves to the next stage of his power. But then, what wizard isn't Gandalf? He casts a long long shadow on fantasy literature.

More on Game of Thrones (with one major spoiler that's actually the absence of a plot development rather than a plot point) and The Runelords and franchise filmmaking after the jump.

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Peeking through the "Keyhole"

Andreas from Pussy Goes Grrr here, with some good news for cinephiles! Guy Maddin, the Wizard of Winnipeg, will be premiering his new movie Keyhole at TIFF. It's been four years since My Winnipeg, and for one of the greatest living directors, that's clearly four years too many. Here's the official synopsis for Keyhole via The Playlist:

A gangster and deadbeat father, Ulysses Pick (Jason Patric), returns home after a long absence. He is toting two teenagers: a drowned girl, Denny, who has mysteriously returned to life; and a bound-and-gagged hostage, who is actually his own teenage son, Manners. Confused Ulysses doesn’t recognize his own son, but he feels with increasing conviction he must make an indoor odyssey from the back door of his home all the way up, one room at a time, to the marriage bedroom where his wife Hyacinth (Isabella Rossellini) awaits.

All of Maddin's usual tropes are here: amnesia, psychosexual tension, overwrought family melodrama, and voyeurism (it's right there in the title). This time around, it looks like he's mixing in some noirish atmosphere and hints of the supernatural. Furthermore, he's stacked the deck by casting his favorite actress Isabella Rossellini along with Lars von Trier's lucky charm, Udo Kier. All in all, this sounds like about the most characteristically Maddin-esque movie that Guy Maddin's ever made.

Does that mean he's repeating himself, though? I doubt it. Over the past two decades, Maddin's proven himself extraordinarily inventive and versatile, jump freely between war dramas, musicals, and autobiographical "docu-fantasias." According to Rossellini, Keyhole is "crazier than a Turin horse." I can't wait to see it so I can figure out what the hell that means.

Udo Kier and X-Ray via Guy Maddin

Are you a fan of Canada's weirdest son? Which of his snowy dreamscapes have you visited?

Related Articles:

• For a good Maddin primer, turn to Robert's "Modern Maestros" over at the old Film Experience site.
• If you're interested in Canadian cinema, Twitch has a detailed list of all the homegrown offerings that will be playing at TIFFL 

Posterized: Weekend, Drive, Like Crazy, I Don't Know She Does It

How 'on message' are the crop of posters that have been harvested recently to announce the fall movie slate? Let's take a look starting with this lovely hazy poster for Weekend (2011). I'll ask you first what you feel about it at first glance before I talk about the movie after the image. The poster was shot by Quinford + Scout a couple who have been documenting their own relationship in photographs.

Andrew Haigh's romantic drama follows a quiet gay man (Tom Cullen) through a one night stand with a political artist (Chris New) and watches as it stretches into the next morning and beyond in ways that surprise both of them. The film has won festival awards at SXSW, OutFest and Nashville (yours truly was on that last jury) and when it finally arrives in the fall it will undoubtedly draw comparisons to Before Sunrise for the surface reasons that it's a small, talky, mostly two character romance (though otherwise its quite different). The deeper similarity is that it's actually very, very good. I think this poster is exceptional at conveying that you're in for a mood piece, something memorable to hang on to like a faded treasured photograph and as such I think it's great. But I've actually seen the film. Maybe it won't say much if you haven't?

Two other new posters are also going for moods that verge on nostalgia if more traditionally warm and golden: another romantic drama Like Crazy which will attempt to convert its Sundance buzz to Oscar hype on October 28th,  and a film I'd never heard of called Tanner Hall about a girl's boarding school starring Rooney Mara. Ah, that's why. It was filmed in 2009 but it's coming September 9th now that Mara's star is in the process of ascending.

Am I forcing trends now?

Sarah Jessica Parker, Brad Pitt and Ryan Gosling after the jump

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Top Ten Wish List?

We're hoping to reboot all the major TFE series when Labor Day rolls around and the fall season begins. On that note, what kind of lists would you like to see pop up as future Tuesday Top Tens? Y'all kill me when you don't speak up -- there I was dying to know how you'd answer the "tea with famous ladies" and "The Hours for men" questions and you're all speechless?! And with such juicy fellow-reader-provided questions? Anyway here's a quickie list.

Nathaniel's Top 10 Wish List for the Fall

1. A least 6* movies worth debating, loving, building blog shrines to. 
2. Steady stream of blogging inspiration (our job) and increased reader participation (your job)
3. For precursor voting bodies and critics to have their own unique spin on "best" this year, rather than joining Oscar bandwagons.
4. Actress Mania to spread like wildfire starting here and in a new series we're working on.
5. Release of Film Bitch Awards book, debut of video series and best film festival coverage yet.
6. An actual budget to achieve such things. See right hand sidebar if you'd like to become a patron saint of TFE's universe for the low low price of one cup of coffee a month.
7. Michael Fassbender.
8. World Peace. (It's impolite not to ask for it when you're granted wishes)
9. To be hired as a consultant for AMPAS. Good lord but they need the help sometimes. We'll start with their issues with Honorary Oscars and then we'll tackle the other problem areas.
10. Three more wishes **. (It's not cheating unless the genie tells you you can't do that.)

* I didn't want to be greedy
** Oops. 

John Wood (RIP) and Link Roundup

Before the link roundups I wanted to say a fond farewell to British actor John Wood who died at 81 this weekend in his sleep. I'll always remember him as the Bishop of Aquila who was driven to madness and lust by the beauty of the young Michelle Pfeiffer in Ladyhawke (1985). It happens.

Though the Tony winner spent much of his time on stage he also had several screen roles including parts in hits like War Games (1983), critical darlings like Orlando (1993) and The Purple Rose of Cairo (1995) and Oscar favorites like The Madness of King George (1994) and Chocolat (2000). His final feature film was also the final Merchant/Ivory film The White Countess (2005). RIP John Wood.

Socialite Life Harry Shum Jr (Glee) is taking voice lessons. Guess he doesn't wanna wear that "CAN'T SING" t-shirt on the show anymore.
Vulture surveys Southern accents in the movies and compares them to the real thing.
Kenneth in the (212) remembers Body Heat (1981) and bemoans the passage of time. It gets us all!
i09 Matt Damon is playing a cyborg in Neil Blomkamp's District 9 follow up Elysium. Here's some unofficial photos so proceed at your own risk.
Cinema Blend surveys the extremely crowded December release schedule... in 2012. It's already crazy. Zombie epic World War Z with Brad Pitt is the latest inductee. 

Stale Popcorn Glenn surveys the 60 (gasp) films he watched at the Melbourne Film Festival. Drive gets his number one spot and Melancholia is another favorite.

Off Cinema
The Awl shares t-shirts on view at 2011's Lollapalooza (they still have that?). This amused me for some reason. 
Tom Shone on the election of 2012 and Rachel Maddow's problematic prediction. I so agree and Shone always give good prose.