The First Oscar Eligibility Lists are Here!

by Cláudio Alves

PIECE BY PIECE is the only film competing in both the ANIMATED and DOCUMENTARY Oscar races.

At long last, AMPAS has started divulging its eligibility lists for the 97th Academy Awards. As is usual, the first categories to be announced are the special feature races – Animated, Documentary, and International Film (click on each category to see their prediction pages). This year, 31 cartoons vie for the Oscar, while 167 docs form the non-fiction race. In Best International Feature Film, this year has 85 official submissions. This state of affairs differs from some of the earlier reports that pointed toward 89 films contending, but we're used to many disqualifications. It's a steep decline from the past few years, and it's the first time since 2018 that the number of total submissions is below 90. We have to go back to 2015, with 82 nations competing, to find a year with even fewer films in contention.

You can read more about such trivia in Nathaniel's extensive two-part overview of the Best International Film race. Still, I added some additional trivia for all three categories in this write-up. Find out more after the jump…

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"Conclave" and "A Complete Unknown" lead the AARP Nominations

by Cláudio Alves

What would Cardinal Lawrence's AARP ballot look like?

Though they're not especially insightful for punditry purposes, the AARP Movies for Grownups Awards have a special place in the season. If you've ever listened to the fabulous "This Had Oscar Buzz" podcast by Chris Feil and Joe Reid, you've undoubtedly heard of them and their distinctive tastes. Sometimes, the AARP Magazine offers choices that are good for a laugh. Still, there's obvious value in celebrating so-called movies for grownups within an industry that so often seems obsessed with youth – both as product and consumer. This year, Conclave and A Complete Unknown lead the nominations, with five a piece, closely followed by Gladiator II and September 5, with four, and Emilia Pérez with three. Come read their full lineup and some added commentary, after the jump…

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A Quick Word on AppleTV's "Disclaimer"

by Eric Blume

We at The Film Experience couldn't let an opportunity go by to post about the new AppleTV series Disclaimer since it stars two-time Oscar winner Cate Blachett, Oscar winner Kevin Kline, and Oscar nominees Lesley Manville, Sacha Baron Cohen, and Kodi Smit-McPhee.  Plus, it's written and dirtected by mutli-Oscar winner Alfonso Cuarón (who's won Oscars for Directing, Editing, and Cinemtography).

That's a highly-pedigreed project, and this group of artists have created a probing, sometimes bizarre, curious, and difficult piece of television.  There is no way to have any deep discussion about this project until you've seen it all the way through.  So I won't divulge the turns and ambitions of Disclaimer too much, but if you haven't seen it at all, stop reading now...even a cursory dive into the show requires a few reveals...

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Adam's Rib @ 75: The Best Tracy/Hepburn vehicle

by Cláudio Alves

Spencer Tracy and Katharine Hepburn's love story is the stuff of Hollywood legend. Whether you believe their devotion or side-eye the whole affair, whether you're charmed by their commitment or support the lavender allegations of some, it's impossible to deny how each of the actors' mythos exists in conversation with the other. Part of it stems from the bleeding of off-screen liaisons into the screen proper, immortalizing their partnership at 24 frames per second. They starred in nine pictures together, starting with 1942's Woman of the Year and ending with 1968's Guess Who's Coming to Dinner, for which Hepburn won her second Best Actress Academy Award. 

Out of this silver screen ennead, Adam's Rib is probably their best, joining the couple with George Cukor's elegant touch and a fantastic Oscar-nominated script by Ruth Gordon and Garson Kanin. Today, the comedy celebrates its 75th anniversary…

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Sleepy Hollow @ 25: Tim Burton's last great movie

by Cláudio Alves

When Beetlejuice Beetlejuice celebrated its world premiere at the Venice Film Festival, many critics rejoiced, eager to announce Tim Burton's return to form. But were such proclamations accurate? While the ghost story sequel had its merits, besting many of the director's more recent efforts, it still felt lacking compared to his early triumphs, that dream run from the mid-80s to the late-90s. I'd go so far as saying that Burton's last truly great movie arrived at the end of the last millennium, when he re-imagined the Legend of the Headless Horseman and delivered a spooky season classic that feels like Fall vibes distilled into filmic form. That very picture celebrates the quarter-century mark today, so it should be an excellent time to revisit it. Dear reader, pack up your things and join me on a journey to Sleepy Hollow…

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