NOW PLAYING

new in theaters

new on DVD/BluRay

review index

HOT TOPICS



CLASSIC OF THE MOMENT

 

Welcome

The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

Powered by Squarespace
Comment Fun

COMMENT(s) DU JOUR
NEW HONORARY OSCARS
Maureen O'Hara & Harry Belafonte

"This complete's Harry Belafonte's EGOT! Sure it's an honorary Oscar, but to quote Whoopi on this topic (on 30 Rock): "It still counts! Girl's gotta eat!- Charles

"It's time for the AMPAS to look hard at the 70's and 80's for indelible contributions. No need to wait til some of these ladies are 94.- Hayden

 "What I wish they would do is an hour long special devoted to the four recipients. They could show clips and have edited interviews with the honorees. Then it could be shown on PBS or TCM or something." - Dave

 

Keep TFE Strong

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

What'cha Looking For?
Subscribe
Tuesday
Jan222013

Amir's Best of 2012

Amir here. Nathaniel has invited TFE contributors to share their top ten lists along with his own. Drawing up this list is a real dilemma every year. Not that I’m under the illusion that a list like this bears any significance on my personal affection for the films I leave out, but I still want it to be representative of the whole picture. This year was particularly tough. It’s been a terrific year for cinema, possibly my favorite since 2007. Even with five honorable mentions I still couldn’t find room for Moonrise Kingdom, Queen of Versailles, Silver Linings Playbook, The Grey, Damsels in Distress, Anna Karenina and so many others that I thoroughly enjoyed. But these lists are never definitive. Ask me on a different day and I might give you a whole different set. At this moment, this is where I stand.

Honorable Mentions
We don’t get to see films as unique and original as Beasts of the Southern Wild very often so it pains me to leave it off. It moved me to tears and its images are etched in my memory all these months later. Magic Mike was a real highlight, a fully realized screenplay that dug beneath the flesh of its stars to explore universal themes and it had a few career-best performances to boot. As a big documentary buff and in such a banner year for the form, I find myself surprised that no doc made it to the top ten but three of my favorites were left just off: Sarah Polley’s brave and engrossing Stories We Tell in which the young Canadian filmmaker had the audacity to reveal the deepest secrets of her family through her poetic vision; Searching For Sugar Man, where the incredible story of a gifted, but largely unknown artist takes a twist that is as heartbreaking as it is heartwarming; and The Gatekeepers, an unprecedented exposé of the politics of the Israel-Palestine conflict and undoubtedly the most important film of the year. 

top ten after the jump

Click to read more ...

Tuesday
Jan222013

I Could've Linked All Night

Boy Culture shares photos of 25 stars first and last appearances onscreen. Fun randomness. Greta Garbo & Marlene Dietrich transformations are big whoas.
FilmDrunxx has a funny piece on declining Rotten Tomatoes scores (in this case: The Last Stand with Schwarzenegger). Be warned sensitive Steven Spielberg fans: there's a jab at him at the tail end.
Guardian is asking for mocked up movie posters with title casting and soundtrack suggestions for JJ Abrams proposed Lance Armstrong biopic. My guess is their inbox is already full.

Pajiba looks at 20 interesting facts about Joss Whedon and The Avengers -- I'm not sure what brought this on, now, in January but I enjoyed reading it. 
The Sun Benedict Cumberbatch teases his legion of crazed fans by joking about how tight his Star Trek Into Darkness costume is

You can almost see what religion I am." 

CHUD famed poster artist Drew Struzan has been asked about doing posters for the next three Star Wars films. I approve. Weirdly the article refers to Strusan as "the director"... um... the director of his airbrush and cintiq?
Vogue UK has Miucci Prada sketches for The Great Gatsby costumes 

Small Screen
Pajiba b*tch rankings with Downton Abbey
Advocate recommends FBI vs serial killer show The Following which is supposedly slightly gay-ish horror. Doesn't American Horror Story already cover anyone jonezing for that? 

Devil's Advocate
David Edelstein 'why i hate the Oscars'... the piece, though anti-awards, is much richer than the dumb headline
Telegraph 'why I walked out of Les Misérables' it's another attack piece but I'm linking up because there is stuff of note: like voice goddess Marni Nixon's (Sound of Music, West Side Story, My Fair Lady) feelings on live-singing. This piece has further convinced me that people, in general, whether they love musicals or not, have a really hard time dealing with musicals of any kind, being satisfied by them, knowing even what they expect of the form. I'm still not sure why the genre has such difficulties with audiences given the absolute suspension of disbelief afforded every other genre in modern times. The silver lining for the ongoing Les Miz debate for me though is that more and more people seem to be saying 'why can't they just cast great singers and let them sing great songs' which is reductive but correct and also what I've been bitching about for my entire lifetime since I wasn't alive in that mythical time (post-silent cinema - pre Cabaret) when people loved musicals without shame and without so many hard-to-navigate hangups, caveats and ever-mutating conditions.

Monday
Jan212013

Sundance Kills Your Darlings In Interior Leather Bars

"Sex. Sex. Sex." That's a far more accurate and truer statement than the clichéd "Sex Sells" isn't it? Sex often emphatically doesn't sell. Sometimes it severely limits your market penetration... excuse me, saturation. So "Sex Sells" is an overstatement with lots of conditional clauses. But "Sex. Sex. Sex." that's just true, unequivocally! I'm not saying this because of this Kill Your Darlings trio's photo op I've just posted...

Daniel, Dane, and their Director John

 

...even though yes, director John Krokidas is totally 100% sexable based on this photographic evidence. (Tangent: Dane DeHaan turns 27 next month. Is he going to look like he's 30 when he's 60?).

I began this post with "Sex. Sex. Sex." because that's all I keep reading about from Sundance. Yesterday we covered the Cougar Island sexcapades of Two Mothers but apparently Sundance just keeps presenting the world with future MPAA challenges. Quoth Carpetbagger:

“I’ve seen five movies today, and it has been nonstop,” said a senior executive at a major Hollywood studio on Saturday night. “I’m no prude, but it’s a little much.”

NSFW James Franco, Amanda Seyfried, and Gay blah blah blah after the jump...

Click to read more ...

Monday
Jan212013

"I'm gonna make a cake. That's what I'm gonna do"

If you feel like Julianne Moore got short shrift in our 10th anniversary celebration of The Hours, check out this excellent piece on the actresses "insularity" by sometime TFE contributor David Upton at Victim of the Time.

Laura is possibly the most striking example of this [insularity] – much more self-aware than Far From Heaven’s Cathy Whitaker, and much softer and timid than Savage Grace’s Barbara Baekeland, Laura can often barely maintain the performance, often slipping sentences that reveal her true despair into otherwise guarded conversations. 

Moore’s voice is probably the most vivid part of her performance in The Hours; a soft, mousy whisper, wavering with indecision and reticence. When she puts on a front of confidence, it momentarily strengthens, a striking declaration of her uncharacteristic decisiveness – “I’m gonna make a cake. That’s what I’m gonna do.”

Read the rest @ Victim of the Time.

Monday
Jan212013

Gangster Squad: Bullets and Boredom

Michael C here to kick off the movie year with my first review of 2013 for a movie I noticed had slipped through the cracks here at the Film Experience in the rush of Oscar Nomination Fever. But surely 2013 will get better than this! 

Gangster Squad is a film haunted by the ghosts of its superior cinematic ancestors. Some films do gain resonance from evoking earlier titles in their genre but Ruben Fleischer’s crime saga is such a creative void that it can’t wrestle the audience’s attention away from the specters of film noir past. So much more rewarding to occupy one’s mind with fond memories of Chinatown, than to watch characters we don’t care about exchange gunfire in action scenes we can’t follow for reasons not worth understanding. 

Penn vs. Brolin in "Gangster Squad"

The most obvious film intruding on Gangster Squad (2013) is The Untouchables (1987) - at times the new film borders on a beat-for-beat retelling of the earlier story with Al Copen switched out for Mickey Cohen... [more]

Click to read more ...