Oscar History
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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, or by a member of our amazing team as noted.

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Podcast - 1996 Cannes Competition Revisit

"Never forget Madonna (!!) beating Frances McDormand for the Golden Globe that year" - David

 "Watson/McDormand/Blethyn? I couldn't even choose. All so perfect - my favorite kind of Oscar category." -Mike

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Monday
Jul212014

Help Wanted

Regular Contributor
TFE is looking for a new regular with a focus on current cinema / movie news. Must have your own voice but one that still fits with the general tone of the site (i.e. serious about cinema but never at the expense of having fun & vice versa). Interested parties should have three writing samples but the ability to be concise and right to the point in engaging bite-sized takes is best. We never cut and paste press releases here as so many sites do but sometimes that's at the expense of not covering news at all which is not an ideal solution. Are you an alchemist who can read a press release and transform it into something short and pithy that actually still gives us the news but with a point of view? 

International Correspondents
The last time I tried this I got a lot of interest from foreign readers who wanted to talk about American cinema. But that's not what we're looking for. We're looking for people abroad (with the same skill set as regular contributors: fun, concise, accessible) who are well versed in / frequently attend their own country's cinema for monthly concise peeks at film culture elsewhere. Especially in major film markets like Germany, China, Japan, Brazil, India, France, Spain, Russia, etcetera...

If You Are Jake Gyllenhaal, You're Hired

 

 

Sunday
Jul202014

What did you see this weekend?

Dawn of the Planet of the Apes continued to sell well (and should easily surpass Rise's gross) but the only box office story of much interest this weekend is Boyhood's incredible success at only 33 locations.  Though IFC Films almost never campaigns for Oscar nominations in any meaningful way, there are some whisperings that the response to Boyhood may change that. We'll see.

Raher than a top ten chart let's look at wide and platforming.  

WIDE RELEASES
01 DAWN OF PLANET OF APES $36 (cum. $138.9) Review
02 THE PURGE: ANARCHY $28.3 *new*
03 PLANES: FIRE & RESCUE $18 *new* 
04 SEX TAPE $15 *new*
05 TRANSF4RMERS: AGE OF EXTINCTION $10 (cum. $227.1)

UNDER 100 SCREENS
01 BOYHOOD $1.1 (cum. $1.8) Review
02 WISH I WAS HERE $.4 *new*
03 OBVIOUS CHILD $.1 (cum. $2.6) Review
04 IDA $.1 (cum. $3.3) Capsule
05 BELLE $.1 (cum. $10.4) Capsule

In other news Chef, Jon Favreau's 'pulling in all his favors' all-star comedy crossed $25 million in its 11th week. The movie, a light sweet comedy about a chef whose career falls apart forcing him to reevaluate his choices, has been a true word of mouth hit in limited release. Almost by accident I saw it yesterday with a friend and her family who had decided they wanted to see a movie, any movie, at the last minute last night on our beach weekend. It was the perfect kind of casual entertainment for a group. Of course to enjoy its sweet father/son drama, it's shameless twitter-ad placements, and the enjoyable camaraderie of the stars, I had to turn off my inward groaning that not only did portly Jon Favreau have Scarlett Johansson as a love interest but his other love interest was Sofia Vergara - realism unbounded! (And worse still neither of them existed as people but to prop up his character arc towards becoming a better man.) But I guess when you write and direct and star and produce your own picture you can pretend that the world's most voluptous women would be totally into your mopey ass and exist only to meet your emotional needs when you crash. 

WHAT DID YOU SEE THIS WEEKEND?

Sunday
Jul202014

"Otherwise it goes in the pile"


Mary Steenburgen is always the boss of you.

(Great Moments in Screen Bitchery #1051: Mary Steenburgen in The Help)

 

Saturday
Jul192014

ICYMI (12 Days 'til Smackdown)

July's heat has slowed us down a bit here at TFE (I'm actually at the beach as you read this) but if you haven't been popping in each day you might've missed some goodies. Herewith a baker's dozen of the most popular and/or best posts from the past couple of weeks.

Just One of the Guys Annie Hathaway

Lee Pace Won't Kiss Amy Adams - a flashback
Dawn of the Planet of the Apes - reviewish
Catwoman and The Joker - the two best performances ever to grace a superhero movie
Movie Star Drag Kings - KStew, Hathaway and Brie Larson became "Just One of the Guys"
Kate with a Side of Bette - a special edition of the podcast w/ Nick & Anne Marie
Flashy Title Sequences, TV - we looked at an undersung Emmy category
Exodus Tease  -  More of a Cock Block, really
Robin Hood - Disney's anthropomorphic '73 version  

Halfway Mark Madness - The Complete Series
We looked at the best films of the year's first ½ as well as the best performances, best visuals, best sounds (consider them FYCs) and the hottest of the hotties from Hiddleston to ScarJo

UP NEXT
The final 2 weeks of July will be jam-packed: Nathaniel interviews Patricia Arquette on Boyhood; Anne Marie reports from San Diego Comic Con; we'll finish the Oscar charts (hey we got 4 categories updated at least!) "Best Shot" looks at Under the Skin (7/22) and Cries and Whispers (7/29); Matthew Eng returns to celebrate Sandra Bullock at 50; and we continue to look at the movies of 1973 before Stinky Lulu's Supporting Actress Smackdown returns on July 31st with our special guest panelists

Saturday
Jul192014

Team Top Ten: Best TV to Film Adaptations of All Time

Amir here, to welcome you to another edition of Team Top Ten, a poll of all of the website’s contributors. The topic du jour given that it's Emmy season is Best Films Adaptated from TV Series.

For as long as film and TV have coexisted, their fates, stars, successes, failures and histories have been entangled. Their ever-shifting dynamic has had an immense impact on both industries. The complexity of their relationship made devising a list like this one quite difficult, beginning with the question of what really constitutes an adaptation. For example, The Holy Grail and Life of Brian are not adapted from Monty Python's The Flying Circus; they are inspired by it, but one is more inspired than the other, so we rendered the former film eligible and the latter ineligible. On the other hand, series like Mission Impossible and Naked Gun present a different type of challenge because the sequels are continuations of the original film, rather than the TV series, but we considered them eligible nonetheless. We faced another difficulty with franchises like The Addams Family and The Addams Family Values, based on a series that is itself based on comics. The extent to which the films were inspired by either source was taken into account and we considered only the former film eligible in this case though the latter has far more ardent fans among the team here.

And so on and so forth. The point is to take this list with a grain of salt and add your personal favourites in the comments below. Without further ado…

TEAM TOP TEN
BEST MOVIES OF ALL TIME INSPIRED BY TV SERIES

10. Twin Peaks: Fire Walk with Me
Unlike these days, David Lynch needed to make a film in order to portray all of the incest, rape, pedophilia, murder and drugs that his and Mark Frost’s television series mostly only alluded to. While Twin Peaks, which ran for two seasons in the early 1990s, was a woozy blend of murder mystery, soap opera, dark comedy and surrealist imagery, the film was an altogether different beast. A dark and often brutally ugly ‘horror melodrama’, it angered many fans and even filmmakers (Quentin Tarantino was not a fan). For people willing to take the plunge, however, into the dark recesses of Lynch’s mind, it is a compelling and tragic affair that remains one of the definitive directorial statements of the ‘90s. Plus, David Bowie as an FBI agent who may be a ghost. Or an alien. Or a shape-shifter. Who can tell? –Glenn Dunks

9. Mission: Impossible - Ghost Protocol
Ghost Protocol
seemed like a squeaker eligibility-wise, with the show a distant, tenuously related memory and three other movies interceding between them. But the film is one of the great pop entertainments U.S. studios have produced in recent years, dynamically edited and gorgeously shot by Robert Elswit without the self-conscious handsomeness of There Will Be Blood or Good Night, and Good Luck. With set-pieces as stunning as the Kremlin infiltration, the sandstorm chase, and everything else that happens in, on, or around the Burj Khalifa, this is top-notch, exuberant, and imaginative action filmmaking.  I liked De Palma’s gimcrackery and Abrams’ more traditional and character-driven suspenser, but Ghost Protocol is the franchise’s happiest marriage of scene construction, silliness, and star charisma (not just from Cruise, but from everybody).  Its division into discrete, flavorful sequences gives it the roaming energy of a television serial. You want to binge four more movies afterward. –Nick Davis

8 more after the jump

Click to read more ...

Friday
Jul182014

Oscar Updates: Acting Pairs and Young Bucks

The chart updates continue. I've been thinking a lot about Foxcatcher and Love is Strange and whether or not Sony Pictures Classics will have the guts to campaign all four of those male leads as leads. Essentially they'd be asking for 80% of the category which would be extremely ballsy (no pun intended with four sets of them) but also honest. For these July updates I'm fantasizing that they will.

Eddie Redmayne, David Oyelowo, and Channing Tatum are just three of the fresh crop of leading men who might be competing for Oscar gold for real life roles

But the funny thing is: Best Actor is enormously crowded without any of that acclaimed quartet. Playing a real life character won't even get you very far because most lead actors are doing just that, thereby dulling its time-tested competitive advantage. I count at least 10 possibly major contenders this year in biographical roles: Cumberbatch, Redmayne, Oyelowo, Carell, Tatum, Spall, Boseman, O'Connell, Hill and Maguire. And that's not including Christoph Waltz who I'm now guessing will try his luck doing the co-lead as supporting thing again for Big Eyes which has worked well for him twice before; he's like the Poster Boy for Category Fraud.

The most exciting thing about the Best Actor Chart? Most of them have never been nominated so we're likely to have a real fresh quintet. With all these true stories in 2014 Supporting Actor may well be filled to bursting with real life, too, albeit without as many newbies in the mix. Good luck to the originals I say who have to create three-dimensional characters from whole cloth and the never nominated who are eager to be let in throughthe golden door.

Breaking Jack O'Connell?
On Emmy nomination morning this new trailer emerged for Angelina Jolie's Unbroken, a World War II drama which is likely to be a major breakthrough event for its lead actor Jack O'Connell, especially given that he's already shown true star charisma according to everyone who has seen his raw prison drama Starred Up (also due this year). But there are three potential obstacles to a presumed Best Actor run.

1. The man he's playing, Louis Zamperini, just died and those can be tricky waters to navigate in terms of film releases and campaigning without seeming exploitative about it (see Mandela's tip toe last year)

2. AMPAS is not as predictable these days with what we might well call 'classic Oscar bait'. They've been getting friskier with their choices for some time now (think of that 2006 win and then the entire 2007 lineup and so on through the now: Amour? Beasts of the Southern Wild? etcetera) . Old school 'triumph of the human spirit' epics and glossy WWII pics are no longer sure things. 

3. Jack O'Connell turns 24 next month. That's extremely young for Best Actor. For some context should O'Connell be nominated for this role with lots of hooks (crying, real life character, accent, weight loss, heroism) he will be the 2nd youngest nominee of the modern era, just a shade older than John Travolta was for his zeitgest 1977 blockbuster Saturday Night Fever. (Mickey Rooney and Jackie Cooper were even younger for their noms but that was back in the 30s and early 40s). Only one actor in his 20s has ever won the top prize and that was Adrien Brody for The Pianist, three weeks shy of his 30th birthday.

updated Oscar charts
BEST ACTOR, BEST ACTRESSSUPPORTING ACTOR, SUPPORTING ACTRESS

Friday
Jul182014

Review: Double Linklater with 'Boyhood' and 'Double Play'

Glenn here. Richard Linklater’s Boyhood has been receiving a lot of attention lately. For good reason too, I should say, even if I don’t quite agree that it is the transcendental experience that many others think. (Nor do I think those opinions are invalid, though the rabid if-you-don’t-love-it-you’re-just-wrong brigade started before the film had even premiered outside of festivals). Personally, I had issues with the film's first hour and have wrestled with the quandary of thinking that by making the lead character such an audience cypher it dangles perilously close at times to lacking something (outside of its form, obviously) that is truly unique. Why this boy; why this boyhood? He's almost too saintly, especially when it comes to women and sex, the latter of which the film is shy about. But then I also suspect that not having grown up in America, some of the reverence paid to certain apparent rites of passage didn't quite hit me with the wave of nostalgic emotion that it has others.

In a neat turn of events for fans of Linklater, Boyhood isn't the only chance to spend time with the director in theaters right now

Click to read more ...