Oscar Volley: Can the world's biggest movie star win the Best Actor race? Surely not!

The Oscar Volleys are back! Tonight, it's time for Eric Blume and Nathaniel Rogers to discuss the Best Actor race...

Leonardo DiCaprio in ONE BATTLE AFTER ANOTHER | © Warner Bros.

ERIC: Nathaniel, I feel so lucky getting you all to myself to discuss this year's Best Actor race. There are probably several candidates we have yet to see this season, but let's dive in.  

It seems to me that the one actor most guaranteed a nomination also has zero chance of actually winning: Leonardo DiCaprio for One Battle After Another. The film will have a big nomination haul, and because his performance seems to be universally beloved (as opposed to his work in Killers of the Flower Moon, where he was may be objectively bad?), I think he's in. But there's no way he's winning. Too many other candidates with overdue narratives or even flashier parts…

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Gotham Awards Revue: The Breakthrough Performer Category

by Nick Taylor

Sebiye Behtiyar in Bing Liu's PREPARATIONS FOR THE NEXT LIFE | © Amazon MGM Studios

First, I’m bummed I wasn’t able to see Preparation for the Next Life before this article was published. Hopefully the film and Sebiye Behtiyar’s performance will raise my baseline appreciation of the Gotham Awards’ choices even further. I also have no idea if anyone notably missed out, what with the Gotham’s broad eligibility requirements and my lack of awareness about this year’s major debuts. Miles Caton in Sinners, Cary Christopher in Weapons, and... I don’t know! With these caveats in mind, I still say they’ve kicked off the year with a solid Breakthrough Actor category.

All four of these performers help to serve and strengthen their films, and I look forward to seeing them again on the silver screen...

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Nathaniel's Long Oscar Silence Ended. New Charts!

by Nathaniel R

Remember when Steven Soderbergh retired and then started making movies at quite a clip just a couple of years later? I will probably not be doing that with writing *cries*. Nevertheless I am hoping that my 'semi-retirement' proves a bit more like La Pfeiffer's or other actresses of a certain age wherein I stick a toe back in -- sometimes a whole foot or leg -- whenever I miss it. Lately after a few highly enjoyable screenings / events, wherein I marvelled that I was still invited,  I realized with deep embarassment that the Oscar charts had not been updated since the summer.  So now all the charts are updated, each and every one. Take a look.

As you can see I am confident that One Battle After Another, Hamnet, and Marty Supreme are the three behemoths in the upcoming race. I wish I wasn't predicting them to all hit double-digit nominations ("Spread the wealth!" being my eternal ignored command!)  but I try to be 85% realistic in my predictions and that's how Oscar voters do...

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Oscar Volley: Is there space for supporting actors in the Best Supporting Actor race?

The Oscar Volleys are back! Tonight, it's time for Eric Blume and Cláudio Alves to discuss Best Supporting Actor...

Stellan Skarsgård in SENTIMENTAL VALUE | © Neon

ERIC: Hi, Cláudio. I'm very excited to tackle this year's Best Supporting Actor race with you! This is often the most boring acting category, but am I naive to think this year might be different? There are a lot of really fantastic performances that are not only nomination-worthy but win-worthy in my opinion. Are we to be disappointed that once the precursors start naming nominees, things will narrow too small too quickly? 

For the moment, it's an open book. I would love to discuss with you the two performances that do seem like locks even at this early stage: Sean Penn for One Battle After Another and Stellan Skarsgård for Sentimental Value…

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Something "Wicked" this way comes!

by Cláudio Alves

Ariana Grande, Jon M. Chu and Cynthia Erivo photographed by Giles Keyte on the set of WICKED: FOR GOOD | © Universal Studios. All Rights Reserved.

In 1900, L. Frank Baum published the first book in what would become a series and a cultural monument – The Wonderful Wizard of Oz. Two years later, he'd adapt Dorothy's adventure into a musical extravaganza for the stage, and six years after, that Kansas girl would walk the yellow brick road into the silver screen for the first time. But it would take MGM's 1939 Technicolor miracle of a movie for The Wizard of Oz to reach its full potential. In 1995, Gregory Maguire used Baum's creation to question the workings of American propaganda through a revisionist tale. In 2003, Wicked reached the stage, reimagined as a mega musical that would take the world by storm. Last year, Jon M. Chu's film adaptation of the show's first act wowed audiences and, next week, the story ends, For Good.

It's been a long journey to get here, and I was lucky enough to attend the London premiere of Wicked: For Good, experiencing one of 2025's most anticipated movies firsthand, along with the fervor of die-hard fans and the media fanfare of a promotional roll-out the likes of which we rarely get to witness...

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