Doc Corner: Nick Cave and The Beatles Show Mixed Musical Results

Thankfully for us, Nick Cave is not a musician who is easily distilled into a formula blueprint. He isn’t an artist who is easy to pigeonhole and that means anybody who attempts to make a film about him is forced to think outside of the box. Consider 20,000 Days on Earth in which Cave celebrated his 20,000^th day of living by driving around with friends like Kylie Minogue and Ray Winstone. That film, partly fictionalized, was only two years ago so if it feels somewhat excessive to have another Nick Cave documentary so soon then the circumstances around Cave’s life since then mean a lot has changed since his 20,000^th day on Earth that has dramatically altered him.

One More Time with Feeling is directed by Cave’s friend Andrew Dominik who Cave had worked with on The Assassination of Jesse James by the Coward Robert Ford. Like that film, this is another wholly singular film, the pairing of the two proving to bear the most unique of fruits. Initial sequences suggest that this is going to be a slog of a documentary, the pairing of famous director not known for documentary filmmaking and a famous subject who many filmmakers might just feel the need to point a camera at and shoot and feel as if their work is done.

That is blessedly not the case.

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TIFF 2016: Winners & Review Index

TIFF just ended crowning La La Land with the coveted People's Choice Award (runners up: Lion & Queen of Katwe) and Jackie with their new juried prize. We haven't totally closed up shop - we've left the door ajar because there are a few articles left to come. It takes time processing all of this art that's rushing over us! Films give us so many feelings! The Toronto International Film Festival is my personal favorite film festival in the world:  easy to attend, friendly, well organized, less prohibitively expensive than other festivals. I saw and enjoyed 27 movies and would have seen a few more but for getting sick in the rain and rush. But the festival experience is such that even mediocre or bad movies can be remembered with positive associations.

Here are all the reviews and articles (thus far) in one place in case you missed any or would like a handy index.

my ten favorites from TIFF '16 (in no particular order)

Reviews from TIFF 16
• The Apprentice - Singapore's Oscar submission
• Arrival - Denis Villeneuve's gripping superbly crafted sci-fi journey
• The Bad Batch - Ana Lily Armipour's cannibal wasteland satire
• Blind Sun - Visual paranoia in Greece
• Catfight - Anne Heche vs. Sandra Oh three times
• Colossal - Anne Hathaway is a Kaiju in this cult oddity
• The Commune -Thomas Vinterberg's wonderful 70s drama
• Death in Sarajevo -Bosnia's politically fired up Oscar submission
• A Decent Woman - Argentinian whatsit about a nudist maid
• Elle - Paul Verhoeven & Isabelle Huppert serve up twisted cerebral comedy
• Frantz - François Ozon's black & white drama of grief & guilt

• Handsome Devil - coming of age at a rugby-mad boarding school
• A Monster Calls - a visual fantasy about a young boy losing his mother
• My Life as a Courgette - Switzerland's animated/foreign Oscar submission
• Nocturnal Animals - Tom Ford's lurid meta movie
• Pyromaniac - a Norwegian thriller
• (re) Assignment - Walter Hill's ill advised gender surgery noir
• The Red Turtle - a mute magical beauty, sure to be Oscar-nominated
• Sand Storm - an Israeli drama about female oppression and marriage
• Santa & Andres -a Cuban political drama about LGBT oppression
• Strange Weather - Holly Hunter returns!
• The Wedding Ring - a Nigerian romantic fable 

Non Review Articles
• A Cocktail with Sigourney - tall, beautiful, funny
• Michael Fassbender Tribute - He has some regrets 
• Moonlight's Oscar buzz - a note of caution 
• Jackie Bought by Searchlight - watch out Oscar race 
• Hidden Figures Brunch Pt 1 - Glen Powell 

Still to Come
There are a few more articles coming, as stated and Oscar charts will be updated shortly to reflect all this new knowledge. We'll also have plenty of chances to discuss Moonlight, The Handmaiden, La La Land, and Jackie, (opening in that order October through December) since they'll all be up for either Oscars or our own prizes at TFE. I didn't review them properly (yet) because it's always hardest to write about films you love. You want to do them justice and festival schedules are rushed. But know this for now: they are all excellent and it's going to be an amazing Fall Film Season if any of the as yet unseen titles like Billy Lynn's Long Halftime Walk or Fences or Silence (if that even opens) deliver on this level, too. That's got to be reassuring after that truly terrible movie summer we all endured. I purposefully skipped Toronto titles that will also be playing at New York Film Festival (which begins September 30th) or are opening during it but soon we discuss these films, too: Julieta, Aquarius, Birth of a Nation, Neruda, Queen of Katwe, Magnificent Seven, Manchester by the Sea, Certain Women, My Entire High School Sinking Into the Sea, Sieranevada, The Ornithologist, Toni Erdmann, Edge of Seventeen and Personal Shopper

Review: Bridget Jones's Baby

by Eric Blume

Everyone’s favorite contemporary British heroine is back:  Bridget Jones (Renée Zellweger) is now successful, at her ideal weight, and alas still single.  In Bridget Jones’s Baby, she has two surprising one-night stands with different men:  an American dating guru (Patrick Dempsey) and her former flame Mark Darcy (Colin Firth).  Then she’s pregnant:  who could the father be?  Will we see misunderstandings and shenanigans along the lines of a typical Three’s Company episode?  Unfortunately, yes…yes, we do.

The original 2001 Bridget Jones’s Diary remains a mini-classic of its kind:  one of the most dignified and intelligent of its genre (romantic comedy), yet it also transcends the genre, truly plumbing some depth (as mainstream movies go) about accepting who you really are, and understanding what love actually is.  It went beyond your typical “boy and girl like each other because they’re in a movie together as leads” mentality and went to the heart of the characters’ specifics.  With sharp, interesting acting from its three leads (Zellweger, Firth, and Hugh Grant), the film had snap and verve; it felt vital.

Diary’s skilled director, Sharon Maguire, didn’t return for the first sequel (Beyond Reason) but is back in the chair for Baby...

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Lovesick Brides to Be at TIFF

Nathaniel reporting from the last weekend at TIFF where brides-to-be are in the air. It's easy to see little mini-festivals blossom within the overall festival you're watching. Sometimes it happens quite by accident as with three films I caught recently (two of which might be fighting for Oscar foreign film nods). All feature female protagonists who pine for a man they thought they would marry before things went horribly wrong. We've already discussed François Ozon's Frantz. In that film the fiancee is already dead when the movie begins but in these next two films The Wedding Ring from Niger and Sand Storm from Israel, both of the young women begin the movie with a combination of dread and hope: will they be able to marry the man they loved who they met in a liberal university setting or does their conservative rural village community have other futures in mind? Both films are narrative debuts by female directors. In addition to their romantic dramas these two films speak to the clash of modernity and tradition, West and East, and especially to gender roles with young women chafing at the expectations placed on them to be subservient to whims of the patriarchy...

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TIFF: Relating to Amy Adams in "Nocturnal Animals" and "Arrival"

Nathaniel R reporting from TIFF. The festival is winding down now but my mind keeps drifting back to the Amy Adams double feature on day two. If there were gif walls featuring all of Amy Adams close-ups in both of her movies this year, they would accurately describe this critics innermost thoughts about the movies they came from. Read on and I'll elaborate (without spoilers) though we'll obviously revisit and go into more detail when both movies actually...ahem... arrive in mid November which is unofficially 'Amy Adams Month' according to distributors.

ARRIVAL (Dir. Denis Villeneuve, US)
Paramount Pictures. Opens on November 11th

In this gripping and sensationally crafted sci-fi drama, adapted from the short story "Story of Your Life" by Ted Chiang, Amy Adams plays Dr. Louise Banks. Dr Banks is a prominent linguist who is recruited by the government to attempt to communicate with extra-terrestrials. They have arrived on Earth or, rather, are hovering above it in twelve space crafts each in a separate area of the world, appearing to do nothing at all. Will the world's fearful governments nuke the ships or can Dr Banks save the world (if it's even threatened?) by learning why they've come?

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