Review: "Compliance"

Compliance is the kind of film I always hope to love. Ambitious, confrontrational, and very well acted films that rely on theme and character and ideas are jawdroppers for me in a way that explosions, stunts, and visual effects innovations almost never are. But ambitions and soulful actors can only take you so far when fundamental flaws get in their way.

It's best to see Compliance cold (as I did) with no knowledge of its subject matter. Unfortunately it's almost impossible to talk or write about without giving its game away which is why it's a tough sell (it's made $111,000 in limited release) though it's gripping enough should you buy a ticket. So read on at your own risk...

Click to read more ...

Anne vs. Amy. Oscar Chart Updates!

If anyone can threaten the widely held assumption that Anne Hathaway will win the Supporting Actress Oscar come February for dreaming that dream in time gone by in Les Misérables, isn't it Amy Adams in Paul Thomas Anderson's The Master? In the heat of August, Anne seems to have this thing sewn up. But August is August. It ain't February.  

Actress Wars 2012: Anne vs. Amy

Though we haven't seen either performance yet, it's worth noting that Oscar wars are rarely won by a stand alone acting achievement. They can be, sure, but more often than not they're fought with a fluctuating combo of deft campaign tricks, strong timing, media drum beatings, general feelings for the film that houses said performance, barely acknowledged collective memories of past triumphs and defeats, preconceived notions of what the actors in questions are capable of, and other films  -- particularly brand new ones or "snubbed" but beloved efforts -- that contribute to or detract from the "It's Her/His Time" argument.

So, let's discuss ANNE & AMY (&, yes, STREEP) with a fancy battle chart...

Click to read more ...

Yes, No, Maybe So: "The Trouble With the Curve"

Longtime Clint Eastwood collaborator Robert Lorenz (producer or first assistant director on many Clint features) rousted Clint out of the director's chair and in front of the cameras for a father/daughter baseball scouting drama The Trouble With the Curve. Or is it a comedy? Let's break down the trailer with our usual system.

YES

• Always up for a father/daughter drama... and Eastwood gave that relationship all sorts of interesting edges and nuances and softspots in Million Dollar Baby. Plus in the interest of selling Gran Torino 2 with all those shots of Clint "Get Off My Lawn!" Eastwood maybe we're not seeing some of the meat of the central relationship in the trailer.
• Amy! Just saw her in Into the Woods in Central Park. She got majorly swallowed up in her wig (so big that from my bad seat I could barely notice her face) but I like that even if she might not have limitless range she is able to adapt her screen persona for drama, comedy, and musicals. That's a type of range -- the movie star type of range which is nothing to scoff at.
• Hei John Goodman!

NO and maybe so after the jump...

Click to read more ...

Princess Naomi

It's the first official image of Naomi Watts as Princess Diana in Caught in Flight (2013)

I don't think I could survive another British Icon Impersonation Oscar Win just yet. Not after The Queen (06) and The King's Speech (10) and The Iron Lady (11). Imagine four winners in just seven years -- it's not even tough to imagine. Stop the madness! We just celebrated Independence Day but AMPAS wishes we hadn't destroyed all that good British tea in 1773. 

Are you looking forward to Naomi becoming Lady Diana? If this one doesn't work out for her she's also attached to another future biopic about Gertrude Bell called Queen of the Desert.That one will be directed by Werner Herzog and thus sounds instantly promising... even if it's still sort of no sure thing. 

Halfway House 2012. Lead Actress (Thus Far)

Don't you love to take stock every six months? At the very least it's a good excuse for list-making. Lists! Wheeee. If all Academy members did this before they sent in their nominee ballots in January, we might end up with a spread of nominees that wasn't so December slanted. I never decide who to vote for this early but I do draw up lists of performances I enjoyed /  respected to consider again later in the year when all the advertising rushes in an effort to shape the highly malleable collective subconscious and thus, votes.

If I had to draw up a ballot right now:

• Judi Dench, The Best Exotic Marigold Hotel
  The movie is considerably less broad once it's reigned in by her warmth, laughter, and subtlety
• Valerie Donzelli, Declaration of War (France's Oscar submission 2011, US release in 2012)
  She still has raw wound access to what must have been a highly traumatic experience (she and her ex-boyfriend play fictionalized versions of themselves trying to save their nearly fatally ill child) but the turn has a wide range of feeling and levity via mischievous romantic impulses and gallows humor.
• Jennifer Lawrence, The Hunger Games
  How soon till she's back at the Oscars? Maybe not for this... directly. 
• Stephanie Sigman, Miss Bala (Mexico's Oscar submission 2011, US release in 2012)
  Wonderfully naturalistic. She just vibrates with impotent terror. 
• Quvenzhané Wallis, Beasts of the Southern Wild 
  A force of nature even while nature is whipping up mythological force all around in "the bathtub" 

Oscar thoughts and other fine performances after the jump...

Click to read more ...