Predictions in Actressing: Few Locks, Many New Variables

It's entirely redundant to tell you that Best Actress and Best Supporting Actress are The Film Experience's favorite Oscar categories. This year's field continues to feel slippery, amorphous, unknowable which is... great. It should be hard to pin down the Oscar race before films have been widely seen and release dates have fully settled. The charts this month are quite shuffled so I hope you'll devour them.

ACTRESS Most pundits have assumed since the very beginning that Cotillard and Wallis were locked up done deals but I'm actually still not comfortable inking either of them in. They could happen, sure, but there are so many contenders and no one beyond Jennifer Lawrence (having one of those mega years that's impossible to deny) has cemented a position here. Especially with all the movement. Even one of these smaller films with rising stars (Olsen, Winstead, Fanning) could happen theoretically or at least siphon key votes if audiences and critics are kind and their campaign is strong.

We should note that little Quvenzhané Wallis has a new problem beyond her very young age in that SAG won't be nominating her (declaring the cast ineligible). Cotillard also has a significant problem in that she isn't the only reknowned actress killing it in a subtitled drama. Emmanuelle Riva anyone? The Hiroshima Mon Amour star is a powerhouse in a very difficult role in Amour. I've just seen the movie so perhaps it's wishful thinking but this is very moving work.

SUPPORTING ACTRESS The big new question mark for me is whether biopic mimicry -- Scarlett Johansson doing Janet Leigh's arched brow Psycho tics -- will finally win her Oscar attention after her breakthrough early misses nine years ago (Girl with the Pearl Earring and Lost in Translation... and to a lesser extent her Woody Allen hussy in Match Point). She stopped being an actress for awhile moving straight to über celebrity but after her Tony-winning run on Broadway and renewed vigor in her filmography, this could be the year. Or will various Psycho co-stars steal the spotlight. It's worth noting that Toni Collette can steal spotlights from anyone anywhere... and if her Hitchcock assistant role has a key scene or two that she can wow in, watch out! (That's a mighty big "if" of course in a film with stars this big playing famous Hollywood icons.)

I should also note that though I'm on the record as no fan of Helen Hunt's 90s Oscar win, I found her work in The Sessions to be very strong. To me it's unquestionably a leading role (it wouldn't be if we didn't spend time with her outside of the titular sessions but we do, making this a lopsided duet) and I'm a bit curious as to why Fox Searchlight so adamantly settled on a supporting campaign so early given that a lead Actress nod still doesn't seem unattainable for this previous winner.

NYFF: "Frances Ha" Dazzling Brooklyn Snapshot

Michael C. here to report on the first home run I've seen at the New York Film Festival. Frances Ha is the type movie experience I’m hoping for every time I plunk down my ticket money. It knows exactly what it wants to do and how it wants to do it and as a result it grabs you by the sleeve and pulls you right in. It is Noah Baumbach’s finest film to date and the big breakout due for Greta Gerwig for some time now. 

Frances (Gerwig) is a dancer who shares a Brooklyn apartment with her bestest buddy Sophie (Mickey Sumner). Pushing thirty and stalled professionally and personally, she is right at the age when spending her nights flitting around the city getting wasted with her girlfriend stops being cute and starts being a cause for concern. When events transpire to threaten Frances' holding pattern the wheels quickly come off her cushy existence.

With this film Baumbach has not expanded his style so much as smashed it into a thousand pieces and arranged them into a collage. [More...]

Click to read more ...

Oscar Vintage 1975: Carol Kane in "Hester Street"

A brief situational history: last year at a very crowded luncheon for the eventual Best Picture winner The Artist, I spotted the actress Carol Kane in the crowd. I'm not, as it happens, terribly shy about approaching actresses I admire at these things; they're there to mingle. But Oscargeek guilt and actressexual self-admonishment settled in before I could. "You've never seen Hester Street. Until you have, you may not speak with the Carol Kane!"

Our recent collective viewing of Dog Day Afternoon, reminded me of how much I love her face. The main attraction is, of course, those huge deer in headlight eyes. The small features around it are mere accessories and the whole doll-like delicacy is framed by a tangled mess of curly blond hair. 

the first shot of Kane in "Hester Street", an immigrant just off the boat in Ellis Island

[More on Hester Street and Oscar '75 after the jump]

Click to read more ...

TIFF: Oscar Talking Points and Personal Favourites

Amir here, wrapping up my coverage of the Toronto International Film Festival.

I have to apologize for my absence yesterday on TIFF's closing weekend. A broken laptop charger prevented me any access to the internet. As you already know, David O. Russell's Silver Linings Playbook snatched the coveted People's Choice Award. In keeping with my tradition of not watching films with set public release dates at the festival, I passed on the film in my original planning. And yesterday, when people lined up for the film’s honorary additional screening, I was in a different theatre watching my favourite actress Julianne Moore playing a rock star in What Maisie Knew. 

More including Oscar buzz and a Festival jury of one after the jump...

Click to read more ...

TIFF: Charmed by Ewan McGregor and "Frances Ha"

Toronto International Film Festival reports. Amir is already on the scene...

Amir here. The first couple of days at the festival have been so fantastic, surreal even, that I fear there’s no way to go from here but down. There’s been quite a lot of star gazing: Ryan Gosling, Snoop Dogg Lion, Selena Gomez, Abbie Cornish and the impossibly gorgeous Greta Gerwig. I also happened to run into the super lovely Ben Whishaw and most significant of all, had a one on one interview with William H. Macy for The Sessions. It was an amazing experience as Macy’s long been one of my favourite actors and to get to meet him in person was more than I could ask for. (The interview is forthcoming.)

The most unexpected of my encounters with the celebrities, however, happened at the screening of Noah Baumbach’s exquisite Frances Ha. Those of you following me on twitter have already seen my picture with the man in question but the story went as such: prior to the film, my friends and I were discussing which celebrities we most wanted to see and my pick was Ewan McGregor, who’s in town for the premiere of The Impossible; he's probably my favourite actor working today. Then, as we settle in our seats in the theatre, I look to a few rows ahead and lo and behold, McGregor – who is in no way involved with the film and is only there to see it – is sitting there, just chatting with a friend.

And then this happened...

me and McGregor!

Having worked behind the scenes at TIFF for so many years, I’ve seen a good share of celebrities but this was something truly special.

Click to read more ...