Months of Meryl: Kramer vs. Kramer (1979)

Hi, we’re John and Matt and, icymi, we are watching every single live-action film starring Streep. Previously Julia, The Deer Hunter, Manhattan and The Seduction of Joe Tynan

 #5 — Joanna Kramer, a mother and divorcée embroiled in a messy custody battle.

It’s 1980. Kramer vs. Kramer is a critical and commercial smash (the top-grossing film released in 1979). The dawn of a new era approaches and one actress is anointed as its icon...

“The face is beautiful but anguished, haunted by sorrow, despair, determination and love. Can one face express all these warring emotions, with a grave dignity that adds a deeper beauty to the physical structure? Meryl's face can and does in the extraordinary first image of "Kramer vs. Kramer". This first shot of a superbly crafted film prints indelibly upon the eyes and consciousness of the audience the face of a young actress who, at 30, may become the strongest performer of her generation, first American woman since Jane Fonda to rival the power, versatility and impact of such male stars as Dustin Hoffman, Robert De Niro and Al Pacino...

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Brand new Picture / Director / Screenplay charts!

by Nathaniel R

If you smooshed all the Best Picture nominees together this year you'd get an interspecies queer romance set during World War II with a provocative sense of humor and some very uncomfortable racial politics. Somehow there would also be a subplot about a mother and a daughter who are constantly bickering over maybe how to handle their newspaper or fashion empire. The movie is 115 minutes long and is rated R for graphic violence, constant profanity, masturbation scenes, and implicit interspecies sexuality. 

We have never seen a movie like this but what a movie it would be!

Over at the Oscar charts you can now read trivia on Best Picture and Best Director and Best Screenplay and see serious and silly rankings of the whole set like "ranked by horniness" and "ranked by running time" and more. We also theorize on how the directors in particular secured their coveted nominations. Plus you can now vote (DAILY!) on who should win each of these four prizes. So have a look, share with your friends, return often, and comment to make this season more communal and festive!

90th Oscar Nominations: Shape of Water Leads. Darkest Hour and Phantom Thread Surprise.

by Nathaniel R

Guillermo del Toro's beauty & the beast style macabre fantasy romance cold war mystery monstery movie whatsit The Shape of Water led the nominations with 13. (The record for most nominations remains 14 held jointly by Titanic, All About Eve and La La Land). Darkest Hour and Phantom Thread were the overperformers this morning with 6 nominations each even though many pundits (including myself) didn't think they'd quite manage Best Picture nods even though we were predicting them in other categories. For the record I myself had Phantom Thread in 10th place and Darkest Hour in 12th place (oops). As expected Blade Runner 2049 was the most nominated film without a Best Picture nomination (5 nominations. The record in the new era of the expanded Best Picture field remains with Carol which had 6 nominations). And finally The Post ends its whiplashing inducing what-is-happening-with-this-movie precursor adventure by scoring just 2 nods but they're biggies: Picture and Actress. 

TRIVIA AND COMMENTARY FOLLOWS...

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Final Nomination Predictions: Picture / Director / Screenplays

by Nathaniel R

What a final month this has been in the march towards nominations. What were Oscar voters thinking during the week that stretched from the Golden Globes through the BAFTA nominations? You had to freeze the buzz right there and try and make sense of it while also trying to ignore anything that happened thereafter which can't really have an effect. Hell, you can't even really be sure that things that happened during voting truly changed things. Was there time, for instance, for voters to turn on James Franco -- he was added to the long list of men being accused of sexual misconduct that week but the story didn't get loud until the last few days of voting. Did voters even notice the BAFTA nominations and their total rejection of The Post and the minor kisses blown to both Phantom Thread and Film Stars Don't Die in Liverpool (two very last minute releases that have mostly struggled in the precursors). How did Oscar voters feel about the Three Billboards frontrunner heat and its subsequent backlash? We shall soon find out. Tuesday morning in point of fact...

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Box Office: The Post Widens, Proud Mary Aims, Paddington Returns

by Nathaniel R

Weekend Box Office (Jan 12th-14th)
W I D E 800+ screens	L I M I T E D excluding prev. wide
1. Jumanji $27 on 3849 screens (cum. $283.1)	1.🔺 I Tonya $3.3 on 517 screens (cum. $10)  REVIEW
2. 🔺  The Post $18.6 on 2819 screens (cum. $23) REVIEW | OSCAR KICK-OFF	2.🔺 Phantom Thread $1.1 on 62 screens (cum. $2.2) HARRIET'S CAMEO
3. 🔺  The Commuter $13.4 on 2892 screens	3. 🔺  Call Me By... $715k on 174 screens (cum. $7.2) REVIEWISH | SCREENPLAY | SEX
4. Insidious: The Last Key $12.1 on 3150 screens (cum. $48.3)	4. Hostiles $276k on 42 screens (cum. $821k)
5. The Greatest Showman $11.8 on 2938 screens (cum. $94.5) REVIEW | ZAC	5.🔺 Condorita: La Pelicula $236k on 153 screens

Support for Steven Spielberg's inspirational newspaper drama The Post within awards season has been a hysterical rollercoaster. Pundits were all "it's winning everything" as the rollercoaster climbed to its peak. On the descent they're screaming "lost everything!" (GLOBES, CRITICS CHOICE) or "wasn't even nominated!" (SAG, BAFTA). But now that the public is on the ride with the press perhaps we begin to climb again towards another adrenaline rush. Whether the descent is thrilling or terrifying this time will depend on your feelings about The Post  and how many Oscar nominations it gets. Streep and Hanks and Spielberg all remain bankable so the film will do fine in theaters but will Academy voters bite after the whiplash we saw during the precursors? [More charts and thoughts are after the jump...]

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