Visual Index ~ X-Men's Best Shots

A long time ago in an X-Mansion 30 miles away*... the Hit Me With Your Best Shot series began. It was July 2010 when, on a 10th anniversary rewatch of the mutant team franchise kickoff I came up with the series. Only two people joined me for that first episode and one of those images is lost to the whims of jpg storage on the internet but the series grew quite a lot from there. With X-Men Days of Future Past nearly upon us (well, it already took me. It took me, with the stink of filthy mutant dna on its breath, and I liked it. I liked it!) it's time to honor Bryan Singer's influential superhero team movie again.

This was a rerun Hit Me episode of sorts so participation is low but you'd all best be back for the next few episodes! Promise me you'll gaze upon the movies and make judgments - blue pinky, adamantium claws swear it.

8 BEST SHOTS FROM X-MEN (2000)
Directed by Bryan Singer / Shot by Newton Thomas Sigel
Click on the images for the 9 corresponding articles

Shots that go "WUMPH!", and not shots that sneak in and tap on the shoulder...
-Antagony & Ecstacy 

Isn't it a beauty, narratively speaking?
-The Film Experience 

...an arresting impression.
-Best Shot in the Dark 

I had to go with this shot because of the relationship between Rogue and Wolverine in the movie...
-Missemmamm

You know, people like you...
-Intifada 

How much he doesn't give a fuck...
- The Film's The Thing 

So weirdass and INLAND EMPIRE-like...
-Against the Hype 

A fascinating "eureka!" moment and a humourous one at that...
-Film Actually 

 

Tragic, scary and playful...
- Coco Hits NY 

Hmmm. I thought there'd be more of Storm (kidding). But no, I did think there'd be more Mystique! What's your favorite shot in that movie... or have you forgotten the whole thing?

* Charles Xavier's School For Gifted Youngsters is in exotic Westchester, right? So close!

Remembering X-Men (2000)

It's Mutant Week! With X-Men Days of Future Past, the 4th X-Men movie upon us nearly upon us -- Yes, fourth, shut up...Last Stand and both Wolverine solo movies do not exist...lalala ♪ I can't hear you -- we should celebrate Marvel's homo superior this week, even if we have to do so by way of 20th Century Fox.

Herewith a retrofitted piece celebrating my choice for "Best Shot" from the first movie. (If you'd like to play the Best Shot game, post your choice by tomorrow night and I'll link up in the index) 

In some ways the original X-Men (2000) is a tentative and mediocre movie: the budget limitations are obvious, Halle Berry is as lost as you remembered (though Storm is a strangely minor character), and the central evil plot is just dumb. But in other ways it's undervalued and not just because of the downward spiral that followed after the sequel.

X-Men makes smart choices about narrowing its focus for a first film (centering on Wolverine & Rogue) and the one character it totally reimagines -- that'd be Mystique -- is a major success.

What's more director Bryan Singer actually makes use of the widescreen in his mise-en-scène. Too few filmmakers do, just shoving everything into the center of the frame or shooting everything in relentless close-up. Even action sequences are shot with a preference for top of head and chin shaving close-ups these days but, much like musical numbers, action sequences are more memorable and coherent when they include whole bodies in the frame. And even though Singer's compositional tricks get a bit repetitive, like the recurring out of focus introduction of characters in the background, which you can see above, they're aesthetically pleasing.

X-Men was lensed by Newton Thomas Sigel, who has shot all of Singer's movies since The Usual Suspects (1995). This is my favorite shot in the film, Wolverine lost in the X-Mansion, bewildered by the new sites. He sees his reflection multiplied, across the team uniforms. Isn't it a beauty, narratively speaking? And Jackmanically speaking, too.

What are your fondest memories of the first film? 

Yes, No, Maybe So: "X-Men: Days of Future Past"

In my superhero clogged mind, Spider-Man 3 has remained the gold standard of a dubious honor: by the time it had arrived you could justifiably feel like you'd seen the whole movie what with the multiple trailers, numerous clips and stills and two previous features with the exact same cast. X-Men: Days of Future Past has been teasing its teases and characters and counting down to its trailer for what feels like forever but it retains at least some mystery. I hope this is our last taste before the movie opens on May 23rd. It's not likely but I can dream. 

Because I am a glutton for punishment and The X-Men were a huge part of my developmental process as a human being (you don't even want to know how obsessed I was from the ages of, like, 8-18) will do like what we did with Maleficent. A Yes, No, Maybe So™ reaction to (almost) every last piece of the trailer.

Deep breath before the plunge. Okay let's go...

Click to read more ...

The Amazing Technicolor Link Blog

Village Voice is Frozen the first Disney movie about girls rather than for them?
The New Yorker asks Richard Brody, film critic, to explain himself. Cute video but omg his desk is cramped
Jezebel somehow I missed this interview where Bryan Singer blamed women for the failure of Superman Returns (2006)... Jezebel, predictably, has words for him.  
The Dissolve has a piece about the toxicity of twitter and its effects on intrafeminist battles. Really interesting and ties into what's been going on with the Dylan Farrow letter I think 
VF George Clooney's advice for posing on the cover of Vanity Fair 
Coming Soon interesting. Dakota Fanning to headline the next film from Miss Bala director Gerardo Naranjo. She'll play a roadie on the way towards self discovery

NY Times Phedon Papamichael, nominated for his cinematography on Nebraska shares his favorite things of the moment from Instagram to the Polish film Ida
Pajiba on the beautiful casting of a new Netflix show: Linda & Kyle & Sissy oh my
Coming Soon got 10 free hours? Amazon Instant Watch debuts 10 new series pilots we've never heard of today but one of them called Mozart in the Jungle has a great team and cast
i09 a movie version of Joseph and the Amazing Technicolor Dreamboat produced by Elton John, Tim Rice and Andrew Lloyd Webber? Sure why not. But they better get a costume designer that's on point

Cinema Blend Pride and Prejudice and Zombies is actually on track towards filming again. Ha. The saga of this movie is probably more exciting than the movie could ever hope to be. Lily Collins will star.
Coming Soon the original Fantastic Four movies were just terrible and I have literally no optimism for the reboot either despite admiring director Josh Trank's Chronicle and virtually all of the actors individually just not the in roles he's considering them for. His casting is too young, too arbitrary, too non-WASPy. I know it's foolish to lament the lack of role opportunities for hot blondes in Hollywood - Hahaha - but if any superhero role ever was meant for a WASPy blonde and a WASPy blonde alone it was Sue Storm. Kate Mara and Emmy Rossum don't fit the bill and isn't Miles Teller way too young and fun-loving for the science genius gravitas of Mr Fantastic? 

Finally
You know how much we love the topic of age and acting here at TFE. Well on this recent HuffPo conversation they discuss the earning power drop for actresses which comes, they say, at 34. With men their power doesn't drop until their mid 50s.

I started the video aggravated that all the panelists seemed clueless about the disparity when it came to the men... I mean it's so obvious since male actors don't even start their reign until their 30s usually (Leonardo DiCaprio is not the norm, he's a rarity. What's far more common is the Channing Tatums and Brad Pitts of the world who kick around for a bit winning some attention and then *BOOM* supernova at about 30)... but I'm glad they ignored the men and discussed the women. It's an interesting conversation and Lisa Rosman is a critic I liked and she's good on the fly discussing this. I would need to read more about this study to believe the results fully though because from where I sit it does seem to me that actress careers are lasting longer, even in terms of lead roles, than they once did. Obviously Sandra Bullock, even more successful than she once was as she approaches 50 -- and she was pretty successful to begin with! --  is a rarity. And yet in general it does seem to me that the major actresses are having longer shelf lives than they once did. They don't seem to just vanish until their mid to late 40s early 50s now (notice the quick fades of Hunter, Allen, Linney, Clarkson, etcetera) rather than the late 30s early 40s it once was.

Linkies

Empire Bryan Singer and his writing team working on X-Men: Apocalypse already. My only objection to this article is the conditional phrase for X2 "one of the best of the franchise" I'm sorry... one of... I think they meant to type "the best by such a significant margin it's actually kind of embarrassing"
Pajiba wonders if movie reviews matter anymore 
The Wire plays goldilocks with Martin Scorsese classics and their running times: "too long, not enough or just right?"
Dorkly imagines George RR Martin (Game of Thrones) as Santa Claus  

In Contention I neglected to share the London Film Critics Circle nominations because I forgot that unlike virtually every other critics organization, they don't announce their winners a few days after the nominations and instead save it for their actual ceremony... (which begs the question: how do they get the recipients to show up? tipped off?) so in case you missed it, read away 
Deadline on the struggle to shift the dialogue on August: Osage County. I have to say that I find this piece both telling and bizarre. Telling because Tracy Letts himself refers to Barbara (Julia Roberts) repeatedly as the "protagonist"  (and yet she's "supporting?" oy!) and even how he beefed up her role to justify the new ending. Bizarre because the piece ends with the implication that Streep is doing more promotional work for this film than she usually does (I see no evidence of this but, okay?) culminating in this absolute untruth: 

...when Streep shows up for a film that has her in Oscar contention, she usually wins.

The great lady has won 3 times out of 17. And it's not like she didn't "show up" for a number of those other 14 Oscar nominated films. She is as good as any big star at promoting her work.

The Gays
People awww, Sharon Needles and Alaska from RuPaul's Drag Race broke up. But very amicably it seems so good on them
David Kawena [NSFW] the popular web artist is at it again with his Disney characters as underwear hunks. This time it's Kristoff from Frozen. What would Jonathan Groff think of this?!
Theater Mania on the seventh day of Christmas my true love gave to me, 7 Carol Channings 

List-Mania
Buzzfeed 23 most important 'selfies' of the year
Hey U Guys 10 Best Comic Book Movie Moments of 2013
i09 thinks these are the best comic books of the year
The Wire Joe Reid's top ten list and...The Act of Making Them
The Dissolve's top ten list. I like seeing All is Lost and Gravity together with All is Lost slightly higher. They really do make good companion pieces. Neither will make my list so I'm not a champion of either really but I prefer the Redford. As for Her. You know, it's funny. As soon as I knew the subject matter long before we'd seen a frame of it, I just knew it would be a huge deal on critics top ten lists, topping many of them. I should've written a prediction piece on that so you could all marvel at my psychic ways.