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Entries in David Fincher (71)

Thursday
Aug112016

Movie News in 4 Questions and a Video

by Murtada

Today's movie news offered questions and head scratchers more than usual. So I’ll present you with the questions and maybe you can help me with the answers. Or just join in the bewilderment:

• Why would David Fincher want to direct the sequel to World War Z? Obviously Pitt is a favorite of his but a sequel, really? Is this related to the fact that HBO passed on the two series he was developing for the past couple of years?

• How will Margot Robbie play 4 foot 9 trapeze artist  Lillian Leitzel in Queen of the Air? Will they employ the inverse of whatever they did to make Meryl Streep taller in Julie and Julia (2009)?

• Do we care about the feud between The Rock and Vin Diesel? And doesn’t “candy ass” sound like a euphemism for something?

• What was the extent of Tony Kushner’s involvement in the script for Fences? It was always known that they were working from an August Wilson penned screenplay that both Kushner and Denzel Washington worked on polishing.

• And finally, if you've googled "Who is Awkwafina?" after the news broke out about the cast for Ocean's 8, here's a clue:

 Take it away, dear readers!

Monday
Apr182016

April Showers: Gone Girl

In April Showers, Team TFE looks at our favorite waterlogged moments in the movies. Here's Chris on Gone Girl (2014).

Gone Girl is a variation on Who's Afraid of Virginia Woolf?, its Nick and Amy being the new George and Martha.  But instead of a pair of unwitting guests, this George and Martha use the media to attack one another - and the verbal barbs are traded in for actual bloodshed. David Fincher loads the film with the darkest rapid fire comedy, much like Edward Albee's acidic play, and the final beats of both can spark immediate audience conversation.

The final act of Gone Girl is where the film reveals its darkest side. If you haven't yet seen the film or read the source novel, then you don't know that the first two acts are pretty twisted themselves. The film's structure and narrative conceits keep us from seeing the true version of this George and Martha together until Amy's third act return...

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Tuesday
Apr072015

Masterpieces: 5 Works of Art That Deserve Their Own Movie

Abstew in the gallery to talk artworld films.

This past week saw the release of not one but two true life films set in the art world. Rather than traditional artist biopics, both films focus instead on the life of a particular painting's subject matter or the history of the painting itself. Woman in Gold (which opened in the top ten despite its limited theater count) stars Helen Mirren as Maria Altmann, a Holocaust survivor. She fought for over a decade in court with the Austrian government to become the rightful owner of Gustav Klimt's Portrait of Adele Bloch-Bauer I. The painting was of her aunt and it was stolen from her family by the Nazis during WWII. The long-delayed Effie Gray revolves around the unhappy wife (Dakota Fanning) of art critic John Ruskin (Greg Wise) in Victorian England. Apparently their marriage was never consummated and Effie became involved with the Pre-Raphaelite painter John Everett Millais (Tom Sturridge) and was the subject of some of his paintings.

Biopics about artists (FridaPollock, Mr. Turner, Lust for Life, the original Moulin Rouge, and many more over the decades) have found favor with the Academy. It will be interesting to see if these new films begin a trend for movies about the backstories of famous paintings, rather than the artist who painted them.

Since Hollywood is always in need of more interesting and diverse source material, here are 5 works of art that would make movies as pretty as a picture... 

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Friday
Jan162015

David Fincher and Gillian Flynn Team Up for 'Strangers On a Train' Remake

Margaret here, recovering from yesterday's Oscars nominations and trying to process some upcoming movie news: David Fincher and Gillian Flynn are remaking Strangers On a Train. David Fincher and Gillian Flynn are remaking Strangers On a Train. 

 

 

There are so many feelings, and I am feeling ALL of them, all at once, right now. Help.
  1. Excitement: David Fincher and Gillian Flynn together again, and so soon!!
  2. Indifference: Ben Affleck is also involved, which, sure.
  3. Anger: A remake of Strangers On a Train? How dare they?? Hitchcock at his best is untouchable and the movie is perfect; no sane human could think it needs updating!
  4. Cautious Optimism: But. Buuuuut. If they're going to do to it, and you can't stop them.. The Flynn and Fincher team is such a great choice. Think of the cold, agonizing tension! Think of the pitch-black comedy! We deserve this.
  5. Confusion: But Strangers on a Train is perfect and I am mad?
  6. Curiosity: Although-- who could play Bruno, the most charming psychopath in movie history? That's going to be really tough to cast....
  7. Anger 2.0:....because, dangit, Robert Walker's performance is unimprovable and it's a fool who walks into that trap. Who's idea was this again?
  8. Begrudging interest: It's been reported that the remake will have a new context: instead of a tennis player and a psychopath who meet on a train and discuss the idea of swapping murders, this one (tentatively called "Strangers") will follow an actor (Affleck) campaigning for an Oscar who ends up on a flight with a wealthy stranger when his private plane breaks down. A fun, meta premise, no?
  9. Amusement: Affleck has been cast in the Farley Granger role which, if you think about it, is sort of a Nick Dunne 2.0; Ben may have found his perfect niche playing morally ambiguous murder-adjacent leading men. 
  10. Incredulity: Wait, when exactly will any of the people involved even have time to make this? Flynn and Fincher are already working on a series together for HBO, and Affleck has the whole Batman enterprise and several directing projects in development. It might be quite a while before we can see this.

How do you feel about this news-- more excited, or disappointed? Who would you cast as Bruno, the murderous charmer?

 

 

Wednesday
Dec242014

Quick Links Over Coffee. And "LISTEN!" It's the Critical Decision

Jude Law drinking coffee back in the dayWhoa! Off to such a late start today.
 

HAPPY CHRISTMAS EVE

Here are a few links for you to enjoy while I drink my lunch (aka coffee) and prepare a few posts... posting continues through the holidays so if you're having a Blue Christmas, please know that we're here for you in the comments section / posting form with reviews coming up for Selma & Into the Woods. If you'll be offline for most of the holiday week, collect your belated gifts when you return. The Oscar stuff, year in review collections, chatty interviews and podcast, and silly polls will all still be here when you return. (Just click on that  "pages" thing once you run out of the freshly baked articles at the bottom and you'll get to the day old stuff and so on. Only a few of the articles have expiration dates, you know.

Mic I somehow missed all the hubbub about Shiloh "John" Jolie-Pitt but agree that the Spawn of Our Most Beloved Celebrity-Celebrity Couple On the Planet looks spiffy in a suit.
Vanity Fair David Fincher wants to make a movie about music videos? YES PLEASE. The man for the job obviously.
In Contention Katherine Waterston (Inherent Vice) is joining the Jobs biopic... you'd think this movie would scare people away after all those Sony emails
Pajiba chooses the most exhiliarating TV characters of 2014
The Daily Beast Idris Elba wanted for next James Bond maybe.
Mediate I love how upset this is making idiots like Rush Limbaugh. Hee.
Film Stage What would you add to their list of Cinematography bests this year? 
Cut Print Film asked you to reconsider Shia Labeouf. I have been!
Vox 30 best tv shows of year 

Ah, and thanks to Arjan Writes for pointing out Jennifer Hudson doing a playful impromptu take on Beyoncé's "Listen" when she visited a radio station just the other day if you need a dash of Christmas 2006 in your Christmas 2014... and who doesn't?

(Critics List Navel Gazing / Blog Tracking Decisions after Jennifer sings!)

 

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