Welcome to the Academy, 683 of You!

With AMPAS under so much scrutiny this past season for their lack of diversity, they made several rule changes about membership and ruling bodies within the various branches. Here's the big power move. They've invited twice as many people as they are usually prone to invite. Invitations have gone out to 683 film professionals this year.

That is a lot of new members, percentage-wise, for a group known for their exclusivity that for a long time was hovering around 6,000 members. According to Academy graphics 46% of the new invitees are women which is a smart move given that Hollywood has struggled in the gender balance department forever despite the fact that civilization has always been half women. (It might have been smarter to make it 75% for a few years to make up for lost time at eliminating the silly gender disparity but we applaud any efforts to work towards a better 50/50 balance.) 

41% of the new invitees are people of color...

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Review: The Neon Demon

This review was originally published in Nathaniel's column at Towleroad

What are we looking at? 

The Neon Demon‘s first tableau features Elle Fanning, throat slit and reclining on a chaise lounge floating over a pool of photogenic crimson blood. It’s so perfectly lit and shaped it begs to be honored as a metaphoric pedestal exalting her death. Is the obviously smitten man photographing all of this her serial killer who missed his calling as an art director?

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#ImWithTweet

I know I promised no political talk on the blog until September so I'll let others do the talking as it was such a big political week that it's hard to avoid. That's reflected in our roundup of amusing tweets this week. But first let us begin with this giddy tweet from Patches who claims he had had a few drinks when he wrote it but to us it's the perfectly clear minded truth.

More after the jump of course...

Movies are insane. People pretending to be other people! Depicting reality, yet constructing it! Angles! Mood! Holy hell. Movies.

— Maester Patches (@misterpatches) June 10, 2016

Now that we're all getting behind Hillary Clinton, let's admit that Anne Hathaway has never once been bad in a movie.

— Louis Virtel (@louisvirtel) June 8, 2016

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Make America Link Again

• Vague Visages why critics often fail when writing about acting
• EW Forget to link up to the Meryl Streep as Donald Trump thing. Sadly no better video has emerged than this very shaky cel phone
• Playbill in the most exciting theater news imaginable The Lovely Laura Linney and Cynthia Nixon will co-star in the revival of The Little Foxes. The best part? They'll be alternating roles periodically!
• TFE ...If you missed our Smackdown which featured The Little Foxes you should read it. It is a great play which made for an excitingly cutting movie with killer performance by Bette Davis and Patricia Collinge. Can't wait to see it on stage and see what Linney & Nixon do with those two very different roles.

• Slate the enduring influential portrait of genius and mediocrity in Amadeus 
• The Tarzan Files has images from Total Film's behind the scenes report on the Legend of Tarzan
• Variety Netflix releases some data on how quickly people binge watch but not enough. I mean, I wanna hear how often a viewer DOESN'T complete a show. There must be stats on that and is that how they decide what to cancel?
• Variety Geena Davis producing a documentary on Hollywood's gender inequality
• /Film JK Simmons is working out a lot to play Commissioner Gordon. Doesn't he know Gordon never gets any action beyond telephone calls and holding a gun?
• Village Voice on Brian de Palma and divisive auteurs eventually being labelled masters
• Comics Alliance James Wan talks about why he chose to direct Aquaman over Flash as both were offered to him
• Pajiba on the worst thing about Warcraft. Yup, we have another incredibly good looking actor (this time it's Daniel Wu) buried in makeup and latex until you can't recognize him.
• TFE ...If you missed the last podcast we talked about this problem with franchise pictures. Why do they keep hiring beautiful actors when they intend to cover up their beauty and make them unrecognizable?
• Antagony & Ecstasy a rare 10/10 review for The Lobster 

Off Screen
SBS a breakdown of victim blaming using pie charts 

Swing, Tarzan, Swing! Ch.3: Lex Barker... and Queen Dorothy Dandridge?

As we approach the release of The Legend of Tarzan (2016) we're ogling past screen incarnations of the Lord of the Apes...

After Buster Crabbe filled a loincloth beautifully and Johnny Weissmuller & Maureen O'Sullivan gave us the deservedly definitive Golden Age Tarzan and Jane, the franchise had to recast or close shop. O'Sullivan left first and by the late 40s Weissmuller was feeling too old for the role and also called it quits. The producer Sol Lesser wasn't about to let the profitable franchise go, though, and led a search for a replacement. The winner was Lex Barker, a then little known blue blood actor from New York who had been disowned by his family for choosing an acting career (!) and he took up the loincloth in 1949 for Tarzan's Magic Fountain.

I opted to watch Barker's third go at the character in Tarzan's Peril (sometimes called Tarzan and the Jungle Queen) because it was the first Tarzan film to actually shoot some scenes in Africa (Kenya to be exact) and six actors down the call list was the curio factor of a young Dorothy Dandridge as "Melmedi, Queen of The Ashuba".

Dorothy & Lex after the jump...

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