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Entries in Makeup and Hair (154)

Thursday
Feb262015

Eddie is a Danish Girl

Straight from the Oscar stage to the hair and makeup room...

In case you've forgotten The Danish Girl, which had a difficult development period going through different stars and directors (it went through, I kid you not, FIVE Oscar winning actresses before and three directors) is coming out late this year though we had originally been told 2016. That's presumably to give Eddie Redmayne a chance at back-to-back Oscars (I know it's so gross to mention this already. It can't be helped!). The biopic is from Tom Hooper (The King's Speech and Les Miserables) and is the story of transgender Einar Wegener and her transition and surgery to become Lili Elbe "The Danish Girl" with the encouragement of her then wife Gerda. Alicia Vikander, the wonderful Swedish actress from Anna Karenina and A Royal Affair, is playing Gerda so watch for her in Best Supporting Actress. NooooOOOoooooooooo Oscar talk. It can't be helped.

So let's see it's another biopic about a complicated marriage where the wife has to stand by her man who becomes not what she expected him to be after she falls in love with him? Way to mix it up, Eddie Redmayne! I kid I kid. I hope it's good and I hope Eddie is more sensitive and better at handling the difficult press that comes with this sort of thing (especially now that we have real trans actors playing trans roles on TV) than Jared Leto was. The film is really piling on the gorgeousness because Eddie & Alicia's co-stars are Amber Heard, Ben Whishaw and Matthias Schoenaerts. Costumes are by the superb Paco Delgado who was Oscar nominated for Les Miz and also did genius work on Blancanieves and fun subversive stuff for Pedro Almodóvar a couple of times.

Tuesday
Feb172015

Podcast Pt 1: Joe, Nick and Nathaniel's Oscar Predictions

Nick, Nathaniel and Joe get together -- no Katey this week, sorry kids -- to make our final predictions and let our conversations wander (as we do). Joe reveals a very messy ballot, Nick brings up The Judge goddamn it (!), and Nathaniel watches Matthew McConaughey commercials.

Pt 1 Oscar Prediction Finale
41 minutes
00:01 Scores. Do they realizes that Alexandre Desplat hasn't won?
05:14 Song. A disagreement about "Lost Stars" and which version will Adam Levine perform?
11:53 Sound Mixing & Sound Editing. Drums (Whiplash / Birdman) vs. Bullets (American Sniper / Unbroken) and some "what is this doing here?" theories
18:00 Documentary. Is Citizen Four locked up or could we see a surprise?
20:00 Animated Feature. More disagreements!
23:35 Visual Effects. How to we even predict this category? Film love? Technological Breakthroughs? The one that stands out?
28:00 Makeup & Old Age makeup done right for a change
30:33 Foreign Film: Ida trumps
36:00 Film Editing: we discuss Structure / Rhthyms / Agendas 

Supplemental Material for this Podcast:
Tomm Moore interview on Song of the Sea
An interview with Hans Zimmer
Oscar Charts & Final Predictions
Nathaniel's Tilda-Specific Makeup & Hair Ballot

Please to enjoy and continue the golden conversation in the comments. You can listen at the bottom of the post or download from iTunes starting tomorrow.  

Oscar Prediction Finale Pt. 1

Friday
Feb132015

Best Make-Up & Hairstyling: Freaks, Schnozz, or Old Lady?

They use to disqualify movies from this Oscar if they used too much computer enhancement (see The Hours) and always wanted their makeup effects practical (like American Werewolf in London). But nowadays computer enhancements seem to be a non-issue (see several recent winners and one of this year's nominees Guardians of the Galaxy). There are four indisputable truths about this relatively young category and this Oscar branch and they are like so:

• They love old age makeup
• They worship werewolves and love fantastically weird creatures, but hate zombies
• Hairstyling was recently added to the official category name but usually the wig heavy movies lose to films that are more prosthetically-focused
• There should be five nominees like every other category since literally every live-action film employs makeup and hair. Not every film requires visual effects or original songs or even original scores and those categories all have 5 nominees.

The Nominees:

Foxcatcher - Bill Corso & Dennis Liddiard
Grand Budapest Hotel - Frances Hannon & Mark Coulier
Guardians of the Galaxy - Elizabeth Yianni-Georgiou & David White

Corso and Coulier previously won Oscars (for Lemony Snicket and The Iron Lady respectively)  but the other four nominated artists are Oscarless. All three nominated films have a lot going for them but Foxcatcher would be a longshot since the recreation of existing people's looks via wig, hair and prosthetic enhancements generally has to settle for a nomination. But will they go with Guardians or Grand Budapest? It's tough to say. Guardians is well-loved -- I even talked to a voter who had it at #1 on his Best Picture ballot during the nomination round -- and very showy what with its rainbow of skin colors (blue, green, red you name it) and sci-fi hairdos and scarring. It wouldn't surprise me to see it win. But Grand Budapest Hotel has just about everything they love in this category: old age prosthetics, elaborate hair, memorable hideousness. And who can forget Tilda Swinton's glaucoma-plagued eyes, silver wigs, and old lady liver spots?

Will Win: Grand Budapest Hotel
Could Win: Guardians of the Galaxy
Should Win: Grand Budapest Hotel 

My ballot for this category (Hint: I'm thinking of renaming it "The Tilda Swinton Styling" Award)

Sunday
Jan112015

Awards, Recent Miscellania

It's Golden Globes Night.  Until then let's try in vain to catch up a little.

Oscar Nomination Morning (this Thursday) has some news. For the first time they'll be announcing ALL CATEGORIES at that early morning ceremony we so love. Not just the headliners which is all they used to do followed by the press release list of all nominees. The Film Experience heartily approves! 

Palm Springs International Film Festival wraps up tomorrow but the jury prizes are in and four of this season's Oscar submissions won something: Russia's Leviathan won the FIPRESCI for Best Film and Georgia's Corn Island took an award called "Bridging the Borders". Both are still in the running to become America's Next Top Foreign Language Film. The acting prizes went to films that have already been cut from Oscar's Foreign Film Party. Mommy's Anne Dorval took Best Actress and Winter Sleep's Haluk Bilginer won Best Actor. You can see the rest of the prizes here. Audience Awards have yet to be announced.

That bitch to the right does NOT like Glenn Close's hairstyle. Do you?

Makeup And Hair Stylists Guild will hold their awards ceremony on Valentine's Day on the Paramount lot where Rick Baker, of werewolf fame, and Kathryn Blondell (of Leo DiCaprio and Goldie & Kate hairstyling fame) will receieve lifetime achievement awards. They have 5 categories for film as well as 14 other categories which cover tv, commercials, and live theater. Thus they're far more generous than the Academy's corresponding branch which already eliminated several of their nominees. Curiously their website does not contain the nominees just into about attending their awards show (unless I'm just missing it) but you can see a complete list at Deadline. Guardians of the Galaxy and Into the Woods led their nominations with 3 each including a prize specifically for the Witch which I'm sure will delight many of you given what you've been saying in the comments. The most curious category in terms of a collection of nominees is surely Best Contemporary Hairstyling. They went with: Birdman, Guardians of the Galaxy, Interstellar , St. Vincent, and Winter's Tale. Super strange, right? I'd only heard people mocking Winter's Tale... even for the hair! I can't excuse the lack of Tilda's vampire dreadlocks, or Lucy's dye jobs, but I guess there aren't a lot of contemporary films with noticeable hair work this year?

The Casting Guild used to hold the annual Artios Awards in November and their eligibility period was not based on the calendar year. They've shifted it now -- presumably to be more in line with everyone else -- so their eligibility period is fairly long this year which resulted in a curious mix of last year's beloved movies and this year's contenders so you have categories where, say, 12 Years a Slave is going up against Selma (Feature Film Big Budget Drama) and Short Term 12 is going up again Boyhood (Feature Film Low Budget Drama). You can see a complete list at their website. My happiest takeaway from this list is that Short Term 12 was remembered (its casting was effortful and brilliant, if you think about it) and that Pride was honored in the oddly and very broadly titled Feature Film Studio or Independent Comedy category. Pride will be competing with Big Eyes, Chef, The Grand Budapest Hotel, St. Vincent and Top Five. Chef seems like a really weird choice since there was a whole lot of Jon Favreau calling up all his celebrity friends to do him a favor.

Mommy won several prizes from Vancouver critics. But Anne Dorval lost Best Actress!Critics Prizes continue in cities all over the place. We decided we just couldn't cover it all so made firm decisions about how we'd proceed next year -- if you missed that post it's basically that we'll only be covering groups formed before 2000 since there's been an absolute explosion ever since with multiple rounds of press releases  -- some groups have as few as 8 people so they might all be friends in someone's basement, who knows! But since we don't cover them all we'll be just linking up to their awards at other places (though not their nominations) and pointing out areas where they went out on a true limb if there are any. Recent groups that have announced include Iowa which went with all the usual suspects but for Reese for Best Actress,  Vancouver which went for all the usual suspects but for Tilda Swinton for Best Actress for Only Lovers Left Alive and The Overnighters for Documentary (they also have Canadian film awards so it's worth looking at and they were fans of Mommy & Tu dors Nicole) , Oklahoma went with the usual suspects but for Edward Norton in Birdman the world's Official Runner Up for supporting (bad timing for his Oscar dreams I suppose), and they have a fun prize called "not so obviously worst movie" which went to Monuments Men and a prize I don't agree with called "Guilty Pleasure" which went to Edge of Tomorrow but honestly there's nothing to feel guilty about when a movie is really good, which that one is, and you like watching it). Finally, though I probably missed some cities,  Georgia went with the usual suspects but for Tilda Swinton in Snowpiercer and the getting less and less unusual Jake Gyllenhaal in Nightcrawler. They also have a breakthrough award which went to David Oyelowo which is an interesting choice but he's been working too long for me to view him thusly. Still, I get the impulse. He had a big year and he's lesser known.

How prepared are you for the Globes tonight? Make sure to listen to our predictions today if you haven't yet!

Tuesday
Dec162014

Makeup & Hairstyling: The Elephantine Origin Story (and this year's finalists since we must)

It's history time, kids! Gather round. Did you know that The Elephant Man, currently on Broadway with Bradley Cooper, is indirectly responsible for the Academy's makeup Oscar? No, not that kind of make up Oscar ... though the Academy gives those all the time, too (why, hello Ms. Julianne Moore "Ms. February 2015"!) and maybe Bradley Cooper will get one of those someday?

what's that? u think this intro was an excuse to post a photo of shirtless Bra---FINE! don't judge.

I digress. In the stage version of The Elephant Man the lead actor traditionally performs while wearing no special makeup; he merely acts deformity. But that stylization hasn't yet been tried on film. When it came time to make the film version in 1980, David Lynch, no stranger to depicting deformity without prosthetics -- deformity of the soul at least -- opted for makeup effects. People bitched about the lack of Oscar recognition since The Elephant Man was an Oscar hit (8 nominations) and the very next year we had our category! Unfortunately for the The Elephant Man's team Christopher Tucker and Wally Schneiderman and all, it was too late. Those makeup artists never won a Makeup Oscar or even the other kind of Make up Oscar for overdue peeps.

Once there was an official category a young pony-tailed prosthetics genius named Rick Baker immediately began his relentless reign, hogging 11 nominations and 7 statues starting with An American Werewolf in London. The Makeup prize continued on its weirdly lyncathropic, excruciatingly unstable number of nominee (0,2,3,4) effects-obsessed path for decades thereafter.

UNTIL...

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