1999 with Nick: "Stuart Little" and Visual (and Animated) Effects

This week, in advance of the Oscars, Nick Davis is looking back at the Academy races of 20 years ago, spotlighting movies he’d never seen and what they teach us about those categories, then and now.

This year, The Lion King joins Tim Burton’s The Nightmare Before Christmas (1993) and Kubo and the Two Strings (2016) as only the third fully animated feature to be nominated for the Best Visual Effects Oscar. I’ve read that tidbit in several places and assume that it must be true, according to people who know better than I do. I wasn’t sure why the movie that defeated Kubo, the 2016 remake of The Jungle Book, did not belong on this list, until I remembered that Mowgli was played by a living, breathing actor, Neel Sethi. Actually, what I mean is that I remembered Mowgli was in the movie, period. And I actually didn’t remember, I had to look it up. The Jungle Book, like an incredible number of films nominated for Best Visual Effects since the category got expanded to a five-wide field in 2010, made almost zero lasting impression on me. Like Best Original Song, it’s a division where I gladly release myself from seeing all the nominees. So, sorry, Lion King. Sorry, Endgame. Don’t get smug, Rise of Skywalker, you weren’t much better. And, until I proposed this series to Nathaniel, which partly exists to fill my own viewing gaps, sorry to Stuart Little, a movie that really tested my sense of the line between animation and visual effects, especially in the context of 1999. That line only gets blurrier as time goes on, so I thought I’d dig in a little...

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Fourth Timers: Brad, Kathy, Saoirse, Joaquin, and the Zeéeeee

Four days till Oscar.

This season brings us multiple four-timers. It's round quatro for a full 25% of our acting nominees: Brad Pitt, Renée Zellweger, Saoirse Ronan, Joaquin Phoenix, and Kathy Bates. They're all on their fourth nomination for acting (though Brad has additional nominations for producing).

Let’s rank their 20 nominated performances for fun after the jump, shall we? Yes, let's...

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5 Days till Oscar

For a bit of 'number of the day' silliness, let's talk about the #5 in relation to Oscar. Obviously the best correlation is that the traditional Oscar category is 5 nominees wide and has been for most of Oscar's history once they settled into their routines with various exceptions of categories which resisted being that large for reasons both understandable and nonsensical. Best Makeup FINALLY became a five wide category this very season (long overdue). Of this year's five-wide categories only one is made up entirely of first time nominees: Best Animated Short!  Other five related nonsense after the jump...

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Unlucky 13 ???

Everyone keeps saying we're "bitter" in the comments this year, even though we're not (listen, final time saying it: 1917 is a good picture, it'll make a non-embarrassing winner but it's just a little disappointing when they had a chance to make history with a real masterpiece staring them right in the face and gently blowing peach scrapings at them while doing next to unthinkable box office numbers in the current moviescape for subtitled features!)  

ANYWAY let's lean in to the bitter in a silly numbers way and talk about something potentially icky, the infamous "unlucky number" 13. Is 13 an unlucky number with Oscar or not?  Let's find out...

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a sweet 16 days till Oscar

We're just two weeks away and some change!  Since 16 is the magic number of the day, here are some memorable 16-related happenings at the Oscars.

Raiders of the Lost Ark was John Williams 16th nomination (out of 52!). Can you believe he lost for that adventure? Well, yes, because Chariots of Fire took Best Picture and that also had an instantly hooky score.

The 2016 Best Picture announcement (‘La La Land”... whoops, sorry, Moonlight’) will surely go down in history as one of the most memorable Oscar night moments ever.

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