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Entries in Oscars (13) (327)

Monday
Sep232013

Review: Prisoners

This review originally appeared in my column at Towleroad

Thanksgiving in movies is usually overstuffed with dysfunction and hostility. Who can digest from all the bile at home? That's not the case in PRISONERS, the new dramatic thriller from undersung Canadian director Denis Villeneuve (Incendies), which is more retrograde in its approach with the family unit as something sacred and continually under attack. Despite the occassional interjection of ominous music (shut up Jóhannsson... there's plenty of time for your score later!) and an initially drab grey color palette, things seem realistically jovial at this get together.

The Dovers (Hugh Jackman + Maria Bello) are celebrating the holiday at the home of the Birches (Terrence Howard + Viola Davis) just down the street -- close enough to walk -- as they clearly do every year (or perhaps they trade off). The parents are realistically both amused and vaguely annoyed by their children, attentive but 'don't bother me' tired. It's only when the film leaves the homes of the Dovers or Birches that there's trouble brewing... somethings just off. Why did the movie open with a father/son hunting trip? Why is that strange RV parked on the road? Where did Anna's (Hugh's daughter) red emergency whistle go? Are Joy and Anna back yet? The two youngest children just went back to the Dovers to grab that red emergency whistle they wanted to p... OHMYGODwhere are Joy and Anna?

Click to read more ...

Saturday
Sep212013

Three Reasons Why People Ought to Stop Bitching About the Foreign Film Race and Just Appreciate The Movies

There are now 38 Official Submissions for Oscar's Foreign Language Film race, one of The Film Experience's favorite categories. Which means there are now undoubtedly about 38,000 bitchy articles lodged around the web and print... many of them undoubtedly focused on Blue is the Warmest Color, due to its high profile both from content (lesbian sex!) and prestige (Cannes winner).

the new US poster. It's a beauty

I am exhausted by the griping each year about this category. I really am. And often from people who should know better. The grumbling over this oft divisive category reminds me of how Oscar fans like to say...

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Saturday
Sep212013

Link Hunter

Variety mourns film criticism wondering if Roger Ebert was the last critic who really mattered
Cinema Blend talks "narrative" in Oscar campaigns and what they might mean for the futures of Gravity and 12 Years a Slave
Pop Matters Matt Mazur elaborates on his comments from the last Supporting Actress Smackdown
Antagony & Ecstasy another rave review for Short Term 12, beautifully written by one of the web's best film critics. (This is why I hired him, yknow)


i09 in today's stupid remake news Neil Marshall who once directed a movie as good as The Descent is going to remake the clever Norwegian film Troll Hunter. Despite the fact that Trolls are kind of, you know, Scandinavian in nature in their appeal/fictional dominance. 
Awards Daily Sasha thinks its crazy to doubt a nomination for Sandra Bullock in Gravity. Maybe I am crazy but I'm kind of doubting it. Not wholly mind you... she's definitely in the running. But Oscar's acting branch does not like scifi and have only gone there a couple of  times really in lead (Sigourney Weaver in Aliens and Jeff Bridges in Starman spring to mind). But it could be that my feelings about the averageness of her performance are getting in the way. All that said, I do think it's strange to suggest that Oscar WANTS to reward women over 40 for being successful. On what basis is this a thing since they're always going for 20somethings when they could reward older women?
/Film Michael B Jordan, Saorsie Ronan, and David Oyelowo all being talked up for the next Star Wars movie 
Empire the first official picture from the tank-centric war film Fury starring Brad Pitt. I used to think that one day I'd grow out of Brad Pitt but it hasn't happened. And shan't. I just love him. 
Playbill Kristin Chenoweth to play Jennifer Lopez' best friend in the thriller The Boy Next Door about a woman (Lopez) who falls for her teen son's friend. I love me some Cheno but that is bizarre casting + genre weirdness, right? 

Today's Must Listens
Here's Lee Daniels talking about being gay and black in Hollywood... and in life. When asked which is harder in Hollywood he replies:

 I don’t know what to say to that. I want to answer that question to you but I have to be very honest with you that I’m afraid to answer that question because, uh, and I have to stay like Cecil and stay silent because I want to work."

 

Finally can we talk about BEST ORIGINAL SONG for a minute? I've been remiss as per usual in thinking through this category. IndieWire is pushing this rap number from Short Term 12, which is one of the film's key moments narratively and also emotionally courtesy of a pretty great performance from Keith Stanfield who also co-wrote the song with the director.

Until they abolish the category as some have argued they should, it's worth trying to suss out. But which songs will be eligible? Let's make a list in the comments while I'm updating my Oscar charts.

Tuesday
Sep172013

Thoughts I Had... While Staring at This Poster for "Nebraska"

Behold the new poster for Alexander Payne's Oscar Bait, 2013 Edition. Thoughts I had... brought to you uncensored as they came to me while staring at it.

• This is why I shave my head.

• Gee, do you think this movie is in black and white? Black and White In Your Face

• Alexander Payne's ERASERHEAD

• DERNHEAD

 

 

• So proud of them for not caving to pressure to campaign Bruce Dern as supporting. Now let's hope they also admit that Will Forte is a lead as well (Fact: Road trip movies about two people travelling together have two leads. See also Thelma & Louise, Two for The Road, Planes Trains and Automobiles, Y Tu Mama Tambien, etcetera) 

• Recently I forced The Boyfriend to watch Alfred Hitchcock's last film Family Plot (1976) and halfway through (he's clearly hating it) whilst Dern is making a confused face onscreen he says "why is everyone in this movie so ugly?"

The Descendants was Alexander Payne's worst movie (still puzzled by the avalanche of praise if not the Oscar nominations). Can he redeem himself and make another Sideways

• When the Best Actor Nominees are announced, if Dern is among them, I promise to mock up all their movie posters like this just for comparisons sake: PROFILE vs. PROFILE!!!

• How many people do you think type in urls when they see websites listed at the bottom of movie posters or at the end of trailers?  NebraskaMovie.com 

Your Thoughts?

P.S. Oh and the movie's new trailer

 

Monday
Sep162013

"In years to come, they will continue to whisper your name NICOL... I mean GRACE" 

The teaser for Grace of Monaco has finally arrived and it is one money shot of Goddess and/or Opulence and/or FYC Advertisement after another, all to further iconize Grace Kelly through another film icon Nicole Kidman.

It's an actressexual oroborus and I be gobbling it up.

Gobbling it up whilst fretting about the reviews and response to come. I'm not so secretly dreading the onslaught of negativity about 'how dare Kidman play Princess Grace' when discerning cinephiles or anyone who has actually watched their respective filmographies will surely understand that Kidman > Kelly. And anyone who can look past glamour iconography will surely understand that Grace Kelly was only 25 years old for 12 months of her life... that just happened to be the year of her life when the bulk of movies she's remembered for appeared (Rear Window, The Country Girl, Dial M For Murder) and looked different later on after leaving Hollywood. (Different being older).

Long after The House of Grimaldi has fallen, the world is going to remember your name, your highness. You are the fairy tale, the serenity to which we all aspire. And peace will come when you embrace the roles you have been destined to play.  For no matter where you are in the years to come they  will continue to whisper your name, the Princess Grace.  

The teaser's monologue is set to a lovely piece o' opera familiar to all little boys who obsessed over A Room With a View's original motion picture soundtrack in their bedroom in their parent's basement in Michigan. Hypothetical little boys from Michigan who now write film blogs in NYC which obsess over Nicole Kidman!

(Is that supposed to be Alfred Hitchcock in the first shot? Is a Costume Design nomination locked up for Gigi Lepage? Are you gagging over the beauty or just gagging? Tell us in the comments)