SAG Awards Live Blog

Let's talk about you for a second...

7:11 This is the face Sarah Silverman made after hearing "Let's talk about you for a second" which is... sublimely funny, a perfect encapsulation of the faux humility #blessed of superstars attending awards shows in which they all fawn on each other. You're great. No, no, you're great.

07:14 Rami Malek doesn't know who he was wearing. Alicia Vikander says 'I've only watched this on YouTube' before. Idris Elba is working the grey in his beard. Everyone is adorable x3 is my point.

07:22 Saoirse is in light pink and Brie in baby blue and I'm not sure what to make of that.

07:25 Jesse Tyler Ferguson and E! Brad talking to each other 

- "Are you a nervous nellie."
- "Yaaas"

(hugs)

"-I hope I didn't get any contour on you"

This is the gayest thing I've ever seen on television. Which is saying a lot.

07:31 Nicole Kidman has arrived. [More...]

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Stretch Linkstrong

Randomness
Film School Rejects it's all about talking animals who sound just like celebrities this year
Towleroad ABC rejects a TV ad for Carol because (GASP) naked lesbian shoulders
John August shares depressing box office stats on why we get so many sequels
Guardian picks 5 best moment of Jane Fonda in the movies - bizarre choices beyond her Oscar winning roles
Guardian investigation of why movie posters are so terrible in comparison to their aged counterparts
The Wrap TV adaptation of American Gods (a must read from Neil Gaiman) has cast Ricky Whittle (the 100) in the leading role
MNPP ...goes all out with an endless gratuitous post celebrating Whittle
Awards Daily Awesome crusading Senator Elizabeth Warren loves The Big Short

New Projects
Tracking Board Chan-wook Park to direct the adapation of sci-fi novel Genocidal Organ about homemade nuclear devices
Coming Soon Oscar winning director Kathryn Bigelow and writer Mark Boal (The Hurt Locker) are reteaming for a film about the 1967 Detroit Riots. Shooting to start this summer
Variety Ruh-roh Jennifer Aniston is doing a true life sports drama called The Fixer -- she's got her eyes on The Blind Side's surprise prize if you know what I mean
Coming Soon (sigh) Dear Toni Collette's Agent, WHAT IS WRONG WITH YOU? I know we ask this all the time but you have not answered. (Toni is now signed to do a bureaucrat role in xXx: The Return of Xander Cage because Hollywood weirdly believes we want every Vin Diesel franchise revived)
/Film Stretch Armstrong series (yes, the boys doll with stretchy arms) is going to Netflix. For kids.
Variety Meg Ryann behind the camera. Her first film Ithaca did not yet find distribution which is weird (all star cast) but she's signed to direct a second, a romantic comedy even, called The Book 

 Theatre People
Playbill Zachary Quinto, about to reprise his Spock role on the big screen, on why he prefers theater to film or television 
Playbill Dominic Cooper returning to the stage for a new production of The Libertine about the hedonistic Earl of Rochester in 1670s London. Did any of you ever see that Johnny Depp film version of the play?

Today's Watch
A well timed brief history of white actors playing ethnic roles from Screen Crush. (Minor Quibble: Technically some consider Russian born Yul Brynner as Asian -- he claimed Mongolian heritage but others denied it was true)

Awards Update
Everyone's making their final moves -- Oscar ballots out on Feb 12th. Jennifer Jason Leigh is getting a tribute at the American Cinematheque. They'll be screening Hateful Eight, Georgia (the closest she ever came to a nom' previously), her divisive Mrs Parker and the Vicious Circle (she's excellent), Single White Female and breakout hit Fast Times at Ridgmont High.

Finally, the ACE Eddie Awards were handed out last night. The winners:

• Mad Max: Fury Road (Drama)
• The Big Short (Comedy)
• Inside Out (Animated)
• Amy (Documentary).

Best Acting, Female Division: Personal Ballots & Oscar Charts

We've reached the end of the Oscar Correlative portion of The Film Bitch Awards... and we're only running like 2 weeks late! Now you can compare nomination stats if you'd so desire. A short take: Mad Max Fury Road is loved in roughly the same dose but The Revenant has only 1 nomination to Carol's 10. You're welcome. That said I do not choose my nominees "in response" to Oscars. The choices are grouped into semi-finalists before the Oscar nominations come out and even when I'm behind schedule I'm still usually only a fifth-slot decision away from my final 5 in each category by that time. 

On to what you've been waiting for... ACTRESSING! 

the best BEST ACTRESS duo since Thelma & Louise? Oh what could have been Academy. What could have been.

BEST ACTRESS
Though we continue to despise The Academy's willingness to embrace Category Fraud and thus deny us the pleasure and spiritual rightness of seeing Rooney Mara and Cate Blanchett side-by-side for Carol, the Academy's leading lineup is pretty damn great this year. Though Jennifer Lawrence's nomination was probably pre-ordained and thus lazy voting, she's actually quite good in Joy. Not as good as about ten other leading ladies this year mind you, let's not be crazy -- there were so many that I couldn't squeeze into my personal ballot that I wanted to. We should thank the cinematic gods for years in which we have to make such tough choices about who is "Best".

And yes I feel total guilt about abandoning Lily Tomlin in Grandma at the very end of the film year after championing her for so long but that was what 2015 was like with an abundance of valid and great choices. Some unfortunate soul falls into sixth place each year - damn you, list math. In truth my Best Actress ballot needed nine slots in the worst way this year. 

Cynthia Nixon earning her EGOT... only the people who provide the "O" in that equation weren't paying attentionBEST SUPPORTING ACTRESS
Here Oscar and I are forced to part ways decisively. Not just from their 'f*** character actresses!' habits with creative category placements but because we rarely see eye to eye when it comes to what StinkyLulu calls "actressing at the edges".

The Academy chose Jennifer Jason Leigh, Rachel McAdams, Kate Winslet, Alicia Vikander, and Rooney Mara and though all of those performances are noteworthy in one way or another my personal ballot only includes one of them: Kate Winslet, who returned to electric form in Steve Jobs (welcome back, baby). Vikander and Mara absolutely have no business here since they're the co-leads of their romantic dramas and as attentive as McAdams was to her sources in Spotlight and as forceful as Jennifer Jason Leigh is when diving straight into cackling evil in The Hateful Eight, they didn't even come close to making my top dozen women who amazed from just off to the side of the lead or further out in the periphery.

Despite our dissimilar tastes, Oscar's acting branch definitely would have loved Cynthia Nixon in James White, had they seen her. It's a traditionally juicy part (a dying, angry yet loving mother) but who among the Academy watches indies that make only $101,000 in theatrical release? Not too damn many of them, that's who. Check out my list and the Oscar chart (now with statistics and trivia!) and choose your own beloveds in the comments. And, as a reminder, ICYMI, Alicia Vikander was granted a special gold medal for "Body of Work" here a couple of weeks back. 

Beauty Break: Costume Design (Personal Ballot & Oscar Shortlist)

We're about to wrap up the "traditional" portion of the Film Bitch Awards which are essentially Nathaniel's Oscar ballot were he to have one in every category. (There will be more awards each day until we're finished -- before the Oscars, mind you! -- but they're the fun "extras")

Oscar's costume branch and I were fairly sympatico on our shortlists this year differing by only two pictures. Yet citing only 7 pictures (all featured after the jump) feels stingy. Costume heavy period pictures like Macbeth, Crimson Peak, The Assassin and Brooklyn definitely had their moments. Two contemporary pictures worth noting for their clever work were Youth and Chi-Raq. And then there are the pictures that have one costume so special it's what you always think of later on when you're picturing the movie: that lime green slit-to-there dress in M:I - Rogue Nation, the perfect action hero simplicity of Chris Pratt's functional but very tight outfits in Jurassic World, the barely visible sight of Jennifer Jason Leigh under huge furry everything in The Hateful Eight, that stylish pilot jacket in Star Wars: The Force Awakens that traded hands and so on...

In short, if you don't love costumes -- get outta here! Let's celebrate the five Oscar nominees plus two Nathaniel nominated in his own awards after the jump. Crazy gorgeous photos ahead...

OSCAR'S COSTUME DESIGN NOMINEES

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Screenplay Categories: Gender by the Numbers

Manuel here. Much of the conversation following the nominations has deservedly been about the way this year’s nominees function in many ways as a litmus test for the larger pitfalls of the Academy and the industry at large. Take the screenplay categories. As Phyllis Nagy urged us, we should be celebrating the fact that four female screenwriters were nominated for four different films. It sounds like a cause worth celebrating until you realize a total of twenty screenwriters were cited overall. You have to admit, those are appalling (if yes, unsurprising) numbers. Actually, in the past ten years, only 17 out of 156 nominated screenwriters have been women. Three quick stats about this year's categories and how they may show we might be turning a corner.

01 The last time we had two female nominees in the Best Original Screenplay category was in 2011 when Kristen Wiig and Annie Mumolo earned a nomination for their Bridesmaids script. If you remember that was the first time a female duo had been nominated since Nora Ephron and Alice Arlen were cited for Silkwood back in 1983. 

02 The last time two female nominees came from different films?  2007 when The Savages’s Tamara Jenkins and Lars and the Real Girl’s Nancy Oliver joined eventual winnerDiablo Cody (Juno). That was, coincidentally, the last time a female writer was on stage for a screenplay win. 

03 On the Adapted Screenplay side, we have two female screenwriters coming from two different films (Room and Carol). That’s the first time its happened since 2003 when Shari Springer Berman (co-writer of American Splendor) joined eventual winner Fran Walsh (co-writer of Return of the King) in the nominee roster. And yes, you have to go back to 1995 to find a sole female screenwriter taking the gold (Emma Thompson for Sense and Sensibility), a year that also nominated Anna Pavignano for co-writing Il Postino.

Obviously, by the rule of statistical analysis -- which is foolproof and understands that subjective awards must follow mathematical calculations-- this means we're going to get a female writer up on stage this year, right?

Bets on whether Donoghue (Room), Nagy (Carol), Berloff (Straight Outta Compton) or LeFauve (Inside Out) will get to give a speech on February 28th?