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Entries in Oscars (19) (220)

Tuesday
Aug132019

Yes No Maybe So: Greta Gerwig's "Little Women"

by Eurocheese

Greta Gerwig's follow up to the brilliant Lady Bird looks like a potential Christmas smash hit waiting to happen. Can it stick the landing with such high expectations? Well, if the trailer is any indicator, we may be in for a treat. The Yes No Maybe So™ breakdown follows after the jump...

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Monday
Aug122019

A scattershot weekend at the box office. What did you see?

Since we haven't done a massive box office chart of everything in wide release (800+ screens) and the corresponding specialty titles in a month or so, let's do that shall we? What did you see on this scattershot weekend that had literally 9 new releases premiering and nothing truly dominant? After the jump the full chart and some context about The Farewell's major financial success (and Oscar dreams)...

Weekend Box Office
August 9th-11th (Actuals)
🔺 = new or expanding / ★ = recommended
W I D E
PLATFORM / LIMITED
1 Hobbs & Shaw $25.2 (cum. $108.3) REVIEW  â˜…
1 🔺 The Farewell $2 on 704 screens (cum. $10.2) PERSONAL TAKEINTERVIEW  â˜…
2 🔺  Scary Stories To Tell in the Dark $20.9 *new*
2 🔺  Maiden $258k on 173 screens (cum. $1.9)  REVIEW â˜…
3 The Lion King  $20.2 (cum. $473.3) REVIEW
3 🔺   The Peanut Butter Falcon $204k on 17 screens *new* REVIEW â˜…

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Sunday
Aug112019

Oscar Predictions for August Complete!

It only took three days to revamp all the charts. Woohoo. Have a looksie.

In this mass overhaul we have major gains for Once Upon a Time in Hollywood and The Farewell, naturally, since both have proven themselves with critics and at the box office already. Experiencing small gains are The Irishman and Just Mercy (now that they're officially going to be premiering this year), The Lighthouse and 1917 (after their stunning teases), and Judy (sigh). Small losses were incurred by Harriet (after a somewhat generic trailer) and The Report (given Amazon's sudden cold feet about regular theatrical exposure for their films). Films tumbling downward since our April Foolish wild guesswork include The Good Liar, Ford v Ferrari, and The Goldfinch (though we're definitely looking forward to two of those).

We've also added documentary predictions for the first time this year though this is still blindfolded guesswork since we won't know what's actually eligible and long-listed for quite some time still. 

 All Pages
INDEX | PICTURE   | DIRECTOR |
ACTRESS | ACTOR | SUPP ACTRESS |
SUPP ACTOR | SCREENPLAY  |
FOREIGN FILM | ANIMATION, DOCS |
VISUALS | SOUND

Saturday
Aug102019

Sweden narrows down Oscar options: true story, sci-fi drama, or gay romance?

A few tidbits of note in the Best International Film competition at the forthcoming Oscars. Two countries have been approved to submit that never have before: Uzbekistan and Uganda! In other "U" alphabetized news, The Ukraine will select their film on August 23rd.

But the most speficic recent news is that Sweden has already whittled their possible submission down to three films, and one of them is basically a Georgian film (though Georgia definitely won't be submitting it as they do not approve). They are...

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Friday
Aug092019

Oscar Chart Updates: Two-Lead Men's Movies

Robert Pattinson & Willem Dafoe in "The Lighthouse"

We're in for it with category fraud this year, y'all. Yes, we're in for it every year of course until something finally breaks within the Academy (disgruntled character actors stage a revolution, "do you hear the people sing singing the song of angry men..." c'mon SAG!) but 2019 in particular appears to be a film year with an unusual amount of two-leading-men films. We've got (arguably) The Lighthouse, Once Upon a Time in Hollywood, The Last Black Man in San Francisco, Ford v Ferrari, A Beautiful Day in the Neighborhood, The Two Popes, and maybe more. So we've opted to just kind of ignore the problem and assume we know who is going where in the BEST ACTOR and BEST SUPPORTING ACTOR chart updates though as always we wish the leading men would just stay in lead like they're supposed to. If it was good enough for Amadeus, it's good enough for you, people!

Having said all that we just realized we left Matt Damon (Ford v Ferrari) and Robert Pattinson (The Lighthouse) off of either chart which is silly but not intentional. We'll squeeze them in somewhere as soon as we have a moment.  What do you think of the new rankings? Any strong hunches this August?