Noirvember: L.A. Confidential (1997)

It's Noirvember. Here's Lynn Lee...

For a film set in the ’50s, L.A. Confidential (1997) looks and feels surprisingly contemporary.  Maybe it’s because so many of its themes still resonate today: police brutality (especially against racial minorities), broken Hollywood dreams, and the addictiveness of celebrity and power.  Maybe it’s because so much of the film is shot and lit in a more naturalistic, less stylized manner than your typical hardboiled crime movie, which makes the more obviously noir-ish sequences really pop by contrast.  But I think what distinguishes it most from its classic forbears is that it ends up being less memorable for its atmosphere or its plot twists than its character development of not one detective-protagonist but three, whose parallel narrative lines end up converging over the course of the film.

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Viola Davis to Break Records if She Crashes the Best Supporting Actress Party

Over the weekend Viola Davis's camp confirmed they were officially aiming for Best Supporting Actress for her work in Fences. This disappoints us since she won the Lead Tony on Broadway for the role and now it seems like we're going to remain ages and ages away from another WOC winning Best Actress. It's been a long time since Halle Berry. Viola will of course become the most nominated black actress at the Oscars ever if she's nominated for Fences (which will be her 3rd nomination) making her the immediate frontrunner. 

Can Viola & Denzel repeat their Tony winning dominance at the Oscars for Fences?

Updated Best Actress Chart
Updated Best Supporting Actress Chart 

But let's discuss a less cited but even more impressive (though frustrating) record Viola may break. If Viola is nominated for Fences she becomes not just the most nominated black actress but the most nominated black woman of all time in any category. Viola is currently tied with five other women with two nominations each: most famously Oprah Winfrey (Best Picture, Best Supporting Actress... she also has the non-competitive Jean Hersholt Humanitarian Award), Whoopi Goldberg (both for acting), and Ruth E Carter (both times for costume design) who rose up in the 1980s and 1990s. Since the turn of the century three more black women have joined them: Viola, plus Sharen Davis (both times for Costume Design) and Siedah Garrett (both times for Original Song). The only way Viola doesn't keep this record for her own is if Sharen Davis joins her in a tie for most nominated in January. Sharen designed the costumes for Fences and could also be in the mix this year for a third time. Of those six women, only Whoopi has won a competitive Oscar. 

Costume Designer Sharen Davis (Fences) could break the record WITH Viola!

Updated: Removed commentary about a possible posthumous nomination for Wilson to do more research on the topic.

"Moonlight" in Three Acts

Since Barry Jenkins' new film Moonlight is told in triptych style, we've opted to bring you our NYFF review in the same way with three of us writing it! - Editor

"Little" by Murtada Elfadl
Moonlight is a patient movie that takes its time to give us a full portrait of what goes on in a young man’s mind. Long beautifully rendered scenes provide us pivotal snippets of days in a life. The economy of the scenes mixed with the patience in storytelling means that every gesture and word counts. Barry Jenkins takes Tarell McCraney’s unproduced play "In Moonlight Black Boys Boys Look Blue" and paints it on screen, using his actors’ faces and bodies to deliver singular poetic images.

The languid melancholic tone fits the inner monologue of the main character Chiron (who is called "Little" in this first of three segments),  who is struggling to understand himself...

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Podcast/Smackdown Pt 1: "Julia" & "The Goodbye Girl"

As a companion piece to yesterday's Smackdown, a two-part podcast. In the first installment Mark Harris, Guy Lodge, Nick Davis, Sara Black McCulloch, and Nathaniel R discuss 1977's Oscar race, Jane Fonda & Vanessa Redgrave's friendship, Neil Simon's quippy writing, and more...

Part One. Index (41 minutes)
00:01 Intros, 1977 Memories, Annie Hall vs Star Wars
05:55 "getting" movies and Oscar-watching before the internet
09:09 Julia and Jane Fonda's curious "supporting" lead
16:23 Gender in Julia, Vanessa Redgrave's politics, and queer subtext
29:45 Child acting and difficult language in The Goodbye Girl
35:45 The influx of divorce/single parenting movies in the 70s
39:14 Nick's family memory of The Goodbye Girl

You can listen to the podcast here or download from iTunes. Continue the conversations in the comments, won't you?  

Smackdown 77. Part One. Julia

Review: Star Trek Beyond

It’s Eric, an admitted non-Trekker, with some reflections on Star Trek Beyond.  

Is there a better rebooter in the industry than J.J. Abrams?  His last directing effort, a little film called Star Wars: The Force Awakens, expertly combined the franchises’ original charm and simplicity with a new sparkle that made it the best in the series since 1983.  And when Abrams kicked off Star Trek in 2009 for a new generation, he seemed similarly to balance many of the qualities dear to Trekkers’ hearts while introducing a new audience (of which I was one) to the series.   

Abrams also directed the next installment, Into Darkness, but here on Beyond serves as producer only while the director reigns go to Justin Lin.  Lin is an expert action director and has delivered some killer set pieces in volumes three through six of the Fast and the Furious franchise...

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