Empire Mania (and Other Links)

Arts Beat Kerry Washington to star in HBO film Confirmation about Anita Hill. Great casting
Playbill Not that it was ever in doubt but Disney is officially at work on Frozen 2. 
Comics Alliance Robert Downey Jr presents a one arm kid Avengers fan with an Iron Man arm. Sweet
Broadway World talks to the legendary Ben Vereen about new projects, Bob Fosse movies, and the return of the movie musical

D Listed Steve Carell as Fabio? Fabulous. Especially the low-fi hair blowing... which is particularly funny since we just saw the same "effect" in Paris is Burning 
Pajiba Courtney schools Lindsay Lohan on photoshop manipulation for her Instagram account
Disney promises no more smoking in their films ever. That's fine but if they digitally erase the smoking in their archive like in 101 Dalmatians we will feel murderous
/Film PETA wants new ending for Tim Burton's Dumbo remake and though we'd prefer the movie not be made at all, we'd like to co-sign this proposal
Howard Stern Show I keep hearing this very lengthy Madonna interview is awesome but I haven't listened yet. I'm too busy mainlining "Rebel Heart" now that it's here in full (favs: Living For Love, Ghost Town, Rebel Heart, and I think I might love the totally filthy and juvenile Holy Water but I haven't decided yet)
MNPP I never talk about John Barrowman since he doesn't make movies but I L-O-V-E him and here's Jason paying tribute in a crotch-grabbing way that I think Barrowman himself would enjoy

Today's Moment of Nostalgia
Elle Magazine reminisces about Winona Ryder's "Lydia Deetz" as fashion icon and talks to Beetlejuice costumer Aggie Guerard Rodgers about working with Tim Burton and creating the looks.

Unlike the rogue Babysitter who tired of the Club or Brenda when she finally stopped seeking Kelly's approval, Lydia Deetz was actually an original. And whether she was wearing a schoolgirl outfit stuffed with crinoline, a nondescript painter's smock, or a blood-red wedding dress to match her evil stepmother's, there was something aspirational about how few fucks she actually gave. 

Empire Mania - Some Links, Several Thoughts
Towleroad Some fan has made a video of Empire meant to ape the Dynasty opening. I appreciate the connection since I turned to the Boyfriend a few episodes of this show and said "I feel like this writer's room really studied Dynasty - best nighttime soap in forever." but this mashup is not really a great visual match. I grew up on Dynasty (my parents were horrified at how obsessed I was with it) and you have to have those vertical line splits and the sectional images for it to really read as Dynasty Reincarnated.
Good Black News Ratings for the show are up for the record-breaking 9th straight week. It's now starting to rival TV's mega hit The Walking Dead (!!!) I'm so happy for Lee Daniels. But I hope he doesn't quit movies because we need him there with his crazy ass Paperboy/Precious/Butler provocations.
Xfinity Jussie Smollett talks about "the closet" or rather his lack of one on Ellen. He's beyond adorable, really. And the third best reason to watch Empire after 1) Taraji of course 2) how worthy it is as a night time soap giant overall. (The Smolletts are so talented. Remember how great his sister Junee was on Friday Night Lights?) This is my favorite performance of Jussie's on Empire thus far. I may have listened to it four times as I was typing this. 

"But what are the fourth and fifth best reasons to watch the show, Nathaniel?" you ask. SINCE YOU ASKED. 4) the music . 5) the guest stars are fabulous. Courtney Love and Naomi Campbell were superbly well cast and just killing it to cite two examples. Though we probably shouldn't mention new guest star Jennifer Hudson. That girl cannot act, sorry AMPAS. The past 9 years have proven otherwise. Great voice, though. 

We Can't Wait! #10: Freeheld

Team Experience is counting down our 15 most anticipated for 2015. Here's Anne Marie...

Who & What: Ellen Page's 6-years-in-the-making passion project teams the tiny Canadian with Oscar-winning goddess Julianne Moore in a story about a dying New Jersey policewoman (Moore) who fights to transfer her pension benefits to her partner (Page). Based on a true story, the film is written by Oscar-nominated Philadelphia scribe Ron Nyswaner, and directed by Peter Sollett of Nick & Nora's Infinite Playlist fame. Rounding out the already stellar cast are Steve Carrell and Michael Shannon. With this film plus Carol (more on that later in the series), this promises to be a good year for lesbians in film.

Why We're Excited About It: So many reasons: It's based on an Oscar winning short. It's a true and beautiful story about the fight for equal rights. It's Moore's second film release after winning the Oscar. If it's successful, it will be proof that an actor (Page) can come out and actually raise her profile enough to get films made. Plus on a purely shallow level, Ellen Page and Julianne Moore are adorable separately, and promise to be twice as adorable together. Observe:

What If It All Goes Wrong: The film itself seems to be in good hands, but the MPAA is a concern. Last year, we had two wonderful LGBTQ films, Pride and Love Is Strange, strangled with R ratings despite no content unsuitable for younger viewers. While Freeheld's star power would hopefully help it overcome the box office hurdles caused by an R rating, it would be a cruel irony to allow the prejudiced pearl-clutchers at the MPAA to censor a film about overcoming prejudice. Time will tell.

When: Lionsgate just won a bidding war to distribute the film, so hopefully we should be seeing it pop up in film festivals with a wider release later this year.

Previously...
#11 A Bigger Splash
#12 The Dressmaker
#13 The Hateful Eight
#14 Knight of Cups
#15 Arabian Nights
Sidebar 2 Tomorrowland
Sidebar 1 Avengers: Age of Ultron
Intro Pick a Blockbuster

Bradley, Benedict, Eddie, Michael and Steve. OR...

The Best Actor chart is revised for your perusal with our usual game of 'how'd they get nominated' -- especially relevant in this stacked category (sniffle goodbye Timothy Jake Fiennes-Oyelowo) -- and the readers poll of who you think is actually best.

So check that out and vote, would you?

Though I've already expressed my disappointment in the Acdemy's shortlist given the wide variety of strong performances they didn't love enough, one thing that is satisfying about it is how many first timers we have. Indeed, had they not nominated Bradley Cooper and chosen, say, Oyelowo or Spall we could have had an all virgin Best Actor lineup.

Trivia Break: there's been a lot of talk about Cooper's 3 consecutive nominations (2012-2014 for Silver Linings Playbook, American Hustle and American Sniper). If you're curious, no, it's not an acting record. The all time consecutive record holders for men are Marlon Brando (51-54) and Al Pacino (72-75) each with four. Neverthless Bradley is the first to accomplish it since Russell Crowe (99-01) and if he is nominated again for this new year of film we're entering he'll be tied for #1 in the male division. Greer Garson (41-45) and Bette Davis (38-42) are the all time record holders with five consecutive acting nominations each. You can wish Cooper good luck if you're a fan but four consecutive is extremely rare; the last person to do it male or female was Al Pacino in the 1970s and even Meryl Streep hasn't managed it.

Enough trivia. I hope you haven't forgotten my own kudos. Here is my ballot for Best Actor as we continue the Film Bitch Awards (nominations have now been announced for Picture, Director, Screenplays, Animated Feature, and Actor)

For what it's worth I made my selections before Oscar votes and didn't expect the final list to be so contrary to mine so this is not to be misunderstood as a pointed corrective but actual opinion. The further we get away from the heat of nomination day the more sad I am that the wondrous "Gustave H", one of the best character conjurings in years, was not selected. In fact, I think it's Ralph Fiennes most Oscar-worthy work since Schindler's List. 

NYFF: A Second Look At Foxcatcher

The NYFF concluded last night but we've got a couple more pieces for you. Nathaniel reviewed Foxcatcher briefly at TIFF and here's Michael's much more positive take on it...

If it’s true that great storytelling unfolds in a way that is both surprising and inevitable, then Bennet Miller’s Foxcatcher appears at first glance to be missing half of the equation. The most surprising thing about the spare script by E. Max Frye and Dan Futterman is how shocking it isn’t. We can see the impending tragedy coming from miles away. Only the film’s characters seem blind to the descending shadows. Tremendous piles of money have a way of obscuring vision like that.

Based on the real events leading up to a 1996 murder, Foxcatcher’s first images show the incredibly rich at play with their pets, sitting atop thoroughbred horses, surrounded by hunting dogs, etc. It’s appropriate for a film about the unfathomably wealthy John du Pont’s attempts to keep champion wrestlers Mark and David Schultz as his own personal possessions. 

Mark Schultz (Channing Tatum) doesn’t require much convincing to take du Pont up on his offer...

Click to read more ...

TIFF: Two to see again in "Foxcatcher" & "Song of the Sea"

Nathaniel's adventures at TIFF. Days Whichever.

Here are a two films that I feel I should see again, primarily because they're ambitious works and I wonder if my response would change if I had more familiarity with their visual language. You know how that goes with more complicated art.

FOXCATCHER

Bennett Miller, a remarkably consistent auteurial voice, once again demonstrates great aptitute at exploring masculine intimate true stories and mining them for larger weighty themes, without any of the glazy sentiment that tends to be slathered onto both sports movies and biopics. His best move here is to study the alien body language of wrestlers, like it's a foreign tongue for which close visual track is your only form of subtitles. Channing Tatum and Mark Ruffalo speak this foreign tongue fluently. They play Mark and Dave Schultz, Olympic Gold Medalists in wrestling, "a low sport" (that's Mother DuPont's words as perfectly uttered by Vanessa Redgrave). Into their lives comes a would be patron and "coach" John DuPont, a filthy rich patriotic nutjob who completely takes over and irrevocably and tragically alters their fate.

I was interested the whole time, but unfortunately it never fully engrosses, and moves as if mired in grandiloquent molasses. The line deliveries follow suit with simple sentences feeling as long as paragraphs. The movie improves as it goes, though, ending with a gut punch. I'm not sure why I found it offputting, exactly, despite easily identifiable strengths, but I'm going to chalk it up to its over confidence in its own greatness and the conception and execution of the catalystic figure Steve Carell's John DuPont. It's a very prosthetics and mimicry-based performance of a very difficult role -- to say these words and bring nuance rather than "i'm a dangerous pathetic nutjob!" I can't imagine -- and it's hard to feel the inexorable gravitational pull of any of the great tragedies (which I think this wants to be) when everything is so telegraphed as to its danger and when that gravitational pull towards tragedy is so slow, that any able bodied athlete out to be able to outrun it.

Best in Show: Easily Channing Tatum, who holds his jaw and body so distinctively that you feel, at all times, the monotonous life of this character: the training, the muscle soreness, the lack of any stimulation outside of the physical. He's heartbreatking, really, unable to articulate what meager thoughts are in his easily manipulated mind and body. His body is thick but his skin is thin with easily bruised feelings. Tatum totally understands the character, a manchild who just can't wrestle himself out from under any father figure's shadow.

Honorable Mention: Mark Ruffalo, also excellent throughout, is particularly sensational in one of the movies rare scenes that plays as much for uncomfortable comedy as it does for dramatic arc. He's asked to be a talking head on a documentary and finds his lines thoroughly distasteful. B (but Channing & Mark are total "A"s)

Oscar chances: A threat in all categories but particularly Supporting Actor and maybe Director 

SONG OF THE SEA

This Irish animated film, from the team that brought you The Secret of Kells, is so visually impressive that my eyes were twice their normal size trying to take it all in. I'd need a second pass to focus on the story which might be presented a touch too juvenile, like it's an animated film for very young children when its beauty and imagination are such that it really should be thinking bigger and aim for all ages. It's the tale of a little boy who loses his mother in the birth of his sister, who he then blames for everything for years. Some time later he discovers she's a magical being which means the fairy tales his mother told him in the film's prologue were true. In this world which is our world but filtered through animation that sees everything in glorious watercolor style backdrops, two dimensional lines, bright circles, and dazzling color patterns (my god its beautiful), all the magical beings are slowly being turned to stone. But why and how can he save his sister from the same fate?

Other than the fairies, who I didn't really enjoy, the character designs are compelling, especially for the central family and any animals in the film. The two best characters are the family's giant sheepdog, all bangs and tongue and loyalty and a memorable villain in "The Owl Witch" whose motives and arc are unusually strong and fascinating for this sort of movie. B+

Oscar Chances: it's so unlike any American CG animated film that it will really stand out in the crowd. I'd call it a certain contender for the  Best Animated Feature Oscar - GKids will qualify it this year - but the category sure is getting competitive so who knows.

Also at TIFF: A Little Chaos, Wild, The Gate, Cub, The Farewell Party, Behavior, The Theory of Everything, Imitation Game, 1001 Grams, Labyrinth of Lies, Sand Dollars, The Last Five Years, Wild Tales, A Pigeon Sat on a Branch Reflecting on Existence, Force Majeure, Life in a Fishbowl, Out of Nature, The Kingdom of Dreams and Madness, Charlie's Country, and Mommy