PGA (Barely) Adds Mystery to Best Picture Race

Just when you thought the Best Picture race was solidifying around eight or nine contenders, the Producer's Guild today went and threw a couple of curveballs. Don't get me wrong, their nominees are barely a surprise, but at this stage of the race (with still two months to go!) it's nice to have some mystery evolving in the fringes of the top category.

The nominees are:

• American Hustle (Columbia Pictures)
  Producers: Megan Ellison, Jon Gordon, Charles Roven, Richard Suckle

• Blue Jasmine (Sony Pictures Classics)
  Producers: Letty Aronson, Stephen Tenenbaum

• Captain Phillips (Columbia Pictures)
  Producers: Dana Brunetti, Michael De Luca, Scott Rudin

• Dallas Buyers Club (Focus Features)
  Producers: Robbie Brenner, Rachel Winter

• Gravity (Warner Bros. Pictures)
  Producers: Alfonso Cuarón, David Heyman

• Her (Warner Bros. Pictures)
  Producers: Megan Ellison, Spike Jonze, Vincent Landay

• Nebraska (Paramount Pictures)
  Producers: Albert Berger, Ron Yerxa

• Saving Mr. Banks (Walt Disney Studios Motion Pictures)
  Producers: Ian Collie, Alison Owen, Philip Steuer

• 12 Years a Slave (Fox Searchlight Pictures)
  Producers:  Anthony Katagas, Jeremy Kleiner, Steve McQueen, Brad Pitt & Dede Gardner

• Wolf of Wall Street (Paramount Pictures)
  Producers: Riza Aziz, Emma Koskoff, Joey McFarland

Several of these were rather obvious, and if we still lived in a world of only five Best Picture nominees I have no doubt those five would be American Hustle, Captain Phillips, Gravity, Nebraska and 12 Years a Slave. Alas, we don't live in that world anymore, so here are nine thoughts I had in order of Oscar- relevance.

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Say What? Moses

Amuse us by adding a line of dialogue or a caption to this image of Christian Bale as Moses in Ridley Scott's Exodus coming soon in 11 months!

AND THE WINNER IS...

Interview: Sally Hawkins on Cate Blanchett, Woody Allen, and Godzilla

One of the most delightful surprises of the season was the Golden Globe Supporting Actress nomination for Sally Hawkins in Woody Allen's latest hit Blue Jasmine. While Cate Blanchett rages through the movie like a force of nature as Jasmine (née Jeanette) and has won dozens of prizes, Hawkins has the less showy but difficult task of keeping the movie grounded and the mood breezy while navigating her screen sister's stormiest weathers. Blue Jasmine, which comes to DVD and BluRay on January 21st, is yet another reminder, that Hawkins is one of the stealth MVPs of current cinema.

Sally and I had spoken once before (at length) during the Happy-Go-Lucky (2008) press tour and getting reacquainted was unusually good fun; I've rarely laughed so much during an interview. To give you a sense of the easy rapport and how delightful Sally is in person, I've included a little audio segment of my favorite bit of our conversation, when we were talking about her key directors: Woody Allen (2 films together) or Mike Leigh (3 films together) again. 

Nathaniel: So anyway… Blue Jasmine. When I first saw it I thought ‘this is good’ But then it just wouldn't leave my head. So it’s moved up in my estimation.

SALLY HAWKINS: Those films that sit and resonate with you, that you keep thinking about, are really interesting.

Do you experience that when you're reading a script? Or is that something you don’t discover until you’re on set. Like ‘oh, this one is going to be good.’ [more...]

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A Year with Kate: A Bill of Divorcement (1932)

In which two ingénues are introduced...

A girlish debutante in a white gown floats down the stairs and into her waiting beau's arms. Gracefully, they glide around the dance floor sharing quips and quiet smiles. Thus is the world introduced to Katharine Hepburn in A Bill of Divorcement in 1932. It's a pretty enough entrance, but somehow inauspicious for Kate the Great. It is just so entirely Movie Ingénue Ordinary. The girl floating down the stairs could just as easily be Jeanette McDonald or Joan Bennett. Considering who Katharine Hepburn was and who she became, one would expect her to come striding into the room like a Greek goddess. Katharine Hepburn would make many more striking and characteristic entrances later, so for now we'll settle for this beautiful-if-ephemeral debut of the ingénue, and proceed with my own introduction.

My name is Anne Marie, and Katharine Hepburn is my idol. The first movie I ever saw her in was The Philadelphia Story. Kate was powerful and witty. She wore pants and still looked glamorous. To an awkward tomboy in middle school, she was everything. This idolatry only intensified as I grew. But recently, while perusing IMDb, I discovered two shocking things: 

1. I have only seen a third of Katharine Hepburn's movies
2. There are exactly 52 of them. 

This presents me with an exciting opportunity: "A Year with Kate"... 

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Year in Review: Best Dance Moments

[Michael surveyed the year in dance in cinema for 2012. For 2013, Dancin' Dan takes over the listing of key dance moments in the cinematic year. - Editor]

I started dancing as a kid because of Gene Kelly and Donald O'Connor in Singin' In The Rain, and haven't looked back since. I'm continually fascinated by the ways in which dance is filmed and what dance on film might say about the state of the state of both arts.

What do the films of 2013 have to say about dance? Not much but definitely that we dance to have fun, especially at parties! Dancing gifs and best moments after the jump

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