Costume Design Guild Nominations

by Nathaniel R

Paddington 2's great costumes were snubbed by BAFTA last year and the CDG this year. But Lindy Hemming won the Oscar for Topsy Turvy (1999) without either of those nominations so there's still hope.The Costume Design Guild was founded in 1953 with an initial group of 30 members. Today they have an international membership of 700+. They've been giving out awards since 1999 but the categories weren't fully as they are know (period/costume/fantasy) until 2005.

Though their tastes do align with Oscar it's difficult to wholly prognosticate from their awards since the Oscar nominees are generally a mix of their Period and Fantasy nominees with an extra title thrown in (plus every once in a while the costume branch within the Academy will surprise with a contemporary nominee). Much more frequently Oscar will just add one film that wasn't honored at all by the CDG! They do it nearly all the time actually (10 out of the last 12 years). The point is a film is not out of the running if it wasn't honored at CDG, especially if it has a previously Oscar nominated costume designer behind it. That's potentially good news for five well regarded costumers who missed the CDG today: Linda Hemming (Paddington 2), Mary Zophres (First Man), Milena Canonero (The Sisters Brothers), Joanna Johnston (Welcome to Marwen), and Colleen Atwood (Fantastic Beasts: Grindelwald). That's not so good news for Caroline Eselin (If Beale Street Could Talk) who missed a CDG nomination today, since Oscar has yet to notice her.

We'll share the stats after the nominations at the bottom of this post so you'll have a clearer picture.  Ready? Let's talk costumes...

 Excellence in Contemporary Film

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Beauty Break: One Last Golden Globes Ogle

 

Good Morning! We hope you enjoyed our Globe coverage if you missed any of the pieces here they all are:

• Globe Night: the Review
• How did Sandra Oh & Andy Samberg do?
• Globe-to-Oscar Stats
• Fashions Pt 1
• Fashions Pt 2
• Team Reactions: Fantasy Tables and Other Silliness
• The Presenters, Ranked
• Jeff Bridges Tribute
• Glenn Close's Acceptance Speech
• Dr Don Shirley vs Freddie Mercury
• Fun Globe Tweets

To close it all out, here's a collection of great photos from Globes night and presumably the wee hours of Monday as well that you might not have seen. Celebrities are pretty. Click if you agree...

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Jeff Bridges really tied the room together at the Globes.

Oops. We concluded our Globe coverage without talking about Jeff Bridges! That won't do, man. Here's Eric Blume...

Jeff Bridges was presented with the Cecil B. DeMille award at Sunday’s Golden Globe ceremony.  Now that we no longer have career tribute awards broadcasted on the Oscar telecast (BOO!), this is one of the few times we get to see a full-fledged tribute to a Hollywood legend, and those are always fun.

Chris Pine, his co-star in Hell or High Water, did a fine job with the brief introductory speech and basically repeated what everyone has said for five decades of movies now... 

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Mark Your Calendars!

Here's every important date (that we could find) for the remainder of awards season. It's totally here! Are you ready for it?

JANUARY 

"How awards season treats actual supporting actors" - this joke borrowed from twitter.

10 - Makeup and Costume Design Guild Nominees + Final Oscar Predictions begin right here one chart at a time
12 - Nathaniel's Film Bitch Award nominations announcement begins
13 - Critics Choice Awards Ceremony 
14 - Oscar nomination balloting ends...

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Doc Corner: From the Short List - 'The Distant Barking of Dogs' and 'Communion'

By Glenn Dunks

The Academy’s documentary shortlist often throws up a few left of field choices – titles that really do earn their primary flutter of American attention simply by being chosen among the 15-wide selection. A 2018 rule change for the category no doubt helped two such films from Europe, austere portraits of youth that are among the shortlist’s most accomplished albeit small scale choices.

The Distant Barking of Dogs was the most unexpected addition this year and was for me the title that I was most happiest to see. It is, after all, the best work of contemporary non-fiction that I saw all year (give or take a Yours in Sisterhood, which will hopefully appear on next year’s eligibility). It is a film that took me completely by surprise when I used it to fill a vacant morning slot at the Sydney Film Festival in May of last year thinking if nothing else I could at least nap. Lo and behold, this remarkable film from the rural warzone of Ukraine has lingered with me longer than probably any other documentary of 2018...

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