AFI Top Ten plus "Roma" but "Where is Crazy Rich Asians"?

The American Film Institute has announced their top 10 of the year... well top 11 since they did a bit of cheating this year. Well, more than a bit of cheating. Though their raison d'etre is to honor American films (see: their name), they included The Favourite, which is clearly a UK/Ireland production with a Greek director (even if some of the money is American). They also felt the need to give Mexico's Roma a special award. Can you blame them? Otherwise those two movies would have gone without awards this season. [Editor's note: Sarcasm!]

Their top ten is as follows...

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Middleburg Opening Nite: Yalitza Aparicio and "Roma"

by Nathaniel R

with Yalitza Aparicio on opening nightThe Film Experience's beloved annual trip to the Middleburg Film Festival in Virginia got off to a late start. Flight delays and airport mix-ups and the like but a happy result: the Lyft driver was very chatty and wanted movie recommendations. I was happy to oblige since it wasn't just small talk but actual cinephilia! She wanted to know if I'd ever seen Woman in the Dunes and Hereditary. C'mon Double Feature! 

By the time I arrived at the opening night film, Alfonso Cuarón's Roma, it was already halfway over. As you know we've already seen and loved, but I watched from the back of the house as it was a sold-out house. Who knows how many chances any of us will have to see those teeming incredible images on a gargantuan screen...

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Everyone needs to calm down about "A Star is Born" winning all the Oscars

You guys. Everywhere I look there are articles or tweets positing that A Star is Born is going to sweep the Oscars, or win 3/4th of the acting categories or whatnot.  This is unlikely. It's only because it's the biggest contender currently playing that people are losing their minds. Well, that and because the movie is a terrific piece of big studio entertainment aimed at adults that's also a hit at the box office. You know, the exact kind of movie that people pretend doesn't exist (it does almost annually) and also pretend that Oscar doesn't like (they do almost annually) whenever they write those dumb articles proclaiming "the Oscars are irrelevant!" 

A Star is Born is just about at $100 million domestic at this writing but people are acting as if its earned one billion; I definitely wasn't expecting to hear it compared to Titanic today. So, let's all relax for a bit and talk about what is probable/possible since we've just barely finished UPDATING ALL THE OSCAR CHARTS. 

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I think it's too soon to call A Star is Born the frontrunner. It's just the first big Best Picture possibility to open since February (!) so that's a lot of time since Black Panther to bottle up armchair punditry feeling... bring on awards season! I dont currently believe Star will win (the remake stigma will catch up to it eventually) but let's say for the sake of argument that it does. That's one Oscar. Let's look at the other categories...

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Yes No Maybe So: Christian Bale is "Vice"

by Nathaniel R

click to embiggenThe major Oscar hopeful that's played things closest to the vest this season is Vice. The trailer and poster (to your left) have both finally dropped today and other Oscar campaigns are probably shivering a bit. The film, from writer/director Adam McKay of The Big Short fame, is a comedy telling the true story of how Dick Cheney came to rule the world (albeit behind the curtain as the Vice President) and set the US on a sorry new course.

It's an all-star affair with Oscar winners Christian Bale (Dick Cheney) and Sam Rockwell (George W Bush), Oscar darling Amy Adams (Lynne Cheney), and Oscar nominee Steve Carell (Donald Rumsfeld) in political drag as figures we know and love hate. Alison Pill and Tyler Perry are also in the film (though they aren't featured in the trailer) as Mary Cheney and Colin Powell respectively.

After the jump the trailer and our Yes No Maybe So breakdown...

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1972: The Emigrants

Editor's Note: We will now resume our intermittent investigation into 1972 films for the impending smackdown -- though it will not be this weekend due to unfortunate delays. Here's Eric Blume on the Oscar favored foreign epic The Emigrants, available to rent on Amazon or iTunes.

It’s fun (and by fun, I mean zero actual fun) to watch Jan Troell’s 3 hour and 20 minute epic film The Emigrants and try to figure out how this slow-burn, where nothing good happens to any of the characters for the entire running time, made it into the Oscar race, not in one year but in two!  Due to different rules than we have currently, The Emigrants was nominated for Best Foreign Language Film in 1971, and then for the 1972 Oscars was nominated for a whopping four of the big eight categories:  Best Picture, Best Director, Best Actress (Liv Ullman), and Best Adapted Screenplay.

The Emigrants mostly follows a peasant family in rural Sweden in the mid-19th century. Despite back-breaking work, the father (Max von Sydow) and mother (Liv Ullman), realize that they cannot survive on their farm.  A series of horrible events befall them before they decide to leave for a 10-week boat journey to America in hope of a better life. Another family, who leave for the promise of religious freedom, joins them for the grueling ordeal...

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