"Anora" leads the Gotham Nominations

by Cláudio Alves

ANORA seems poised to dominate the awards season.

Another year, another awards season. And, like it happens every fall, the Gotham Awards have the privilege of kicking the race into high gear. Unsurprisingly, Anora leads with four nominations, followed by Nickel Boys and I Saw the TV Glow with three nods a piece, though the latter failed to get a spot in the Best Feature category. Then again, it's worth remembering that the Gothams' nine categories are divided into five distinct committees with no overlap between them. The same people (critics, curators, editors, and programmers) who decide the Director and Screenplay nominees have no say in who makes it into the acting races, for example.

So, expect idiosyncrasies and don't put much stock in how some films appear in a couple of major categories but not others. More than a precursor for Oscar gold, these prizes often feel like an opportunity to highlight the richness of the cinematic year before the viable contenders get reduced to a limited lot. So, let's take a look at their selection…

Click to read more ...

10 Questions about the Oscar race

by Nathaniel R

Every Oscar chart has been updated. Late October is always a strange time in the awards race. It's a time when most of the major players have surfaced (at festivals or screenings) but nobody has yet seen everything and no awards groups (beyond festival juries) have sorted and sifted through the abundance. Which means anything is still possible until the critics groups and awards org begin to narrow the focus of Academy voters in ways that tend to be both interesting and disheartening. They'll boost a couple of unexpected but worthy contenders into the conversation but at the same time their hive mind choices will pour abundant love on too few titles and starve other beauties of sunlight and water.

So as you peruse the charts, answer these ten questions in the comments...

Click to read more ...

Cannes Diary: Best of the Fest from this 'Jury of One'

by Elisa Giudici

ALL WE IMAGINE AS LIGHT © Cannes Film Festival

Cannes is coming to an end. In fact the closing awards ceremony begins less than four hours after this article's pubication. While we wait to finish reviewing all the films in competition and find out who will win the much-coveted Palme d'Or, it's time for A Jury of One...

Click to read more ...

April Foolish Predictions: Best Supporting Actor

by Nathaniel R

Samuel L Jackson was Tony-nominated for The Piano Lesson on Broadway. Will the transfer result in another Oscar nomination?

It's the last four days of April Foolish Predcitions and, thus, time for the acting categories. A year out nobody knows anything, particularly in regards to the supporting categories since they're less dependent on juicy obvious-from-a-distance leading roles and far more dependent on things you can't really know in advance like who will "steal" the movie, how large their supporting roles will be, and whether they'll film will have enough heat to ignite their campaigns. This is when it's most fun, especially in the supporting categories where you can imagine almost anything happen. By the time the televised awards roll around each year there is zero drama in Best Supporting Actor (though we infrequenely see some in Best Supporting Actress).

Last year's lopsided contest was the Robert vs Ryan showdown with two full blown movie stars competing for the supporting gold, one leaning into a career achievement narrative while the other was content to ride his film's pink zeitgeist wave rather than worry about the gold...

Click to read more ...

April Foolish Predictions: Eye Candy and Music

by Nathaniel R

The Dietzes are back in "Beetlejuice Beetlejuice" and so is costume design goddess Collen Atwood. Photo © Parisa Taghizadeh for Warner Bros

Our April Foolish tradition continues with the visual and sound categories. For this installment we're just picking highlights from our crystal ball. Read on...

Click to read more ...