BAFTA Winners & Gowns

Since they aren't broadcasting the ceremony live across the pond -- we'll get an edited tape-delayed version -- we aren't watching. We'll only give BAFTA its due once it joins us in the 21st century. If you're waiting to be "surprised" during the tape delay abridged stuff, don't click to continue this post. If you are as unwilling to care about things you can't watch live as we are, and don't even value themselves enough to include the audience (even in the UK it's not live), than click away to read the winners with some commentary. 

And gowns!

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Vanity Fair 2014 "The Hollywood Issue" (Part 1)

Ah, our favorite magazine tradition. Vanity Fair's 20th Annual Hollywood Issue is upon us and the dozen stars selected they've selected are very carefully placed (they've read their own reviews). Instead of an all white lineup with a person of color shoved onto the back fold, this is an extremely careful, as if everything has been weighed on a scale: 12 actors, exactly equally split between both men and women, and skin color.

Of course both of those 50/50 visual situations are grossly unreflective of the actual business of Hollywood movies but we're not here to complain but to praise, it's fun to see the cover shaken up ever so slightly. If we were here to complain we'd probably say something about the lack of Asian actors (they never get their due here in America) but no one has ever asked The Film Experience to guest art-direct a cover. 

If they did ask me I would pitch things that wouldn't move copies (which is reason #203 why no one would ever ask me) but which would definitely be fun one-offs: An all senior lineup (Dernsy!, Shirley and all the Dames), an all instantly recognizable supporting/character actor lineup (Like... I dunno Margo Martindale, John Goodman, Jacki Weaver on the cover with Judy Greer sprawled out on the floor on the gatefold with Celia Weston and Bob Balaban and Irrfan Khan behind her... I could go on and on. Someone stop me). An all foreign language imported legends lineup (Bardem, Binoche, Leung, Deneuve, Loren, etcetera), and my personal ultimate fantasy cover, which we'd call "always a bridesmaid" devoted to people who always lose the Oscars they're up for: Amy Adams, Michelle Pfeiffer, Glenn Close, Albert Finney, Ralph Fiennes, Annette Bening, Sigourney Weaver, Ed Harris, Julianne Moore, Marsha Mason, Jane Alexander, and Joan Allen. GOOD LUCK DECIDING WHO GETS THE ACTUAL COVER ON THAT FOLDOUT LINEUP OF TWELVE!

In other words I wouldn't go with people who are always on magazine covers like Julia Roberts and George Clooney. But enough about fantasies. On to reality.  Let's take a closer look, starting with the actual cover

Chiwetel Ejiofor, a British actor whose film debut was in Steven Spielberg's Amistad (1997), is finally getting his due after steadily-rising film work. That's thanks to his incredibly haunted and well judged work in 12 Years a Slave. But we've loved him since Serenity (2005... which incidentally also featured his 12 Years co-star Sarah Paulson) in which his screen presence was impossible to deny.
Stats: 25 Films. 36 Years Old. 1 Oscar Nomination.
Previous Essentials: Dirty Pretty Things, Talk To Me, Children of Men
Next Up for Chiwetel: Z for Zachariah, a sci-fi drama with Margot Robbie (also on this cover) and Chris Pine

Julia Roberts, "America's (Former) Sweetheart", is Oscar resurgent for her "Supporting" [cough] role in August: Osage County wherein she swiped 'Best in Show' reviews from Meryl Streep. Of all the stars gathered for this cover she looks the happiest to be there. But wouldn't you if you were sitting on Idris Elba's lap? 
Stats: 41 Films. 46 Years Old. 4 Oscar Nominations, 1 win.
Previous Essentials: Pretty Woman, My Best Friend's Wedding, Erin Brockovich
Next Up for Julia: She's doing Ellen Barkin's angry screaming doctor/Tony winning role in the TV adaptation of the seminal AIDS play The Normal Heart 

Idris Elba, another British import, recently headlined Mandela which won him a Golden Globe nomination, his fourth. After two major critically acclaimed successes on television, he's on many a casting director's list for the movies. 
Stats: 24 Films + A Lot of Television. 41 Years Old. Not Yet Oscar-Nominated. 
Previous Essentials: Luther (TV Series), The Wire (TV Series) 
Next Up For Idris: Three movies in the can coming soon which are No Good Deed, a thriller with Taraji P Henson, The Gunman, a crime drama with Sean Penn and Javier Bardem, and Second Coming a British family drama

George Clooney, who surely needs no recapping as to his profile. Though, as great as he looks in a tux, I was hoping for a fresher choice of a cover subject since he's been so ubiquitous for so long.
Stats: 36ish(?) Films and Lots of TV, 52 Years Old. 8 Oscar Nominations (Directing/Acting/Producing/Writing), 2 wins (Producing/Acting)
Previous Essentials: Out of Sight, Oceans 11, Good Night and Good Luck, Up in the Air
Next Up for Clooney: Monuments Men which he directed and stars in, is about to open, which probably explains the cover. In 2015 he headlines Brad Bird's Disney scifi film Tomorrowland about a former boy-genius inventor.

Do you like the new cover? Here's PART TWO of the closeup breakdown

Film Bitch Awards: Actor & Supporting Actor

I haven't forgotten about The Film Bitch Awards, also known as "Nathaniel's Ballot" that once grand internet tradition (14 years now, Jesus!) that has been eroded by my time management problems. But no more. I'm turning over new leaves in 2014, you'll see, and so we begin now with the catch-ups.

And now 43 words it gives me great pleasure to type...

Elyes Aguis Kyle Chandler Bradley Cooper Chris Cooper Bruce Dern Leonardo DiCaprio Paul Eenhoorn Chiwetel Ejiofor Michael Fassbender James Franco James Gandolfini Jake Gyllenhaal Tom Hanks Sergio Hernandez Oscar Isaac Hugh Jackman Jared Leto Matthew McConaughey Mads Mikkelsen Tye Sheridan and Keith Stanfield 

And that's just the cream that rose to the top for yours truly when it came time to sort out my thoughts on the best performances by men this year at the cinema. Though supporting actor was lean, the leading men more than made up for it. It was such an unusually rich year that I, the internet's ringleader for actressexuality, am arguably or at least sometimes more excited about Best Actor than Best Actress. This has little precedence.

My ballot: BEST ACTOR & BEST SUPPORTING ACTOR
The whys and the whos on great work from 12 Years a Slave, Nebraska, Spring Breakers, to Inside Llewyn Davis and beyond...
Three previously posted ballots: ANIMATED FEATURE, CASTING AND ENSEMBLE 

Beauty Break / Best Shot: "Making a Scene" with Oscar Contenders

One of my favorite Oscar traditions is the New York Times short films celebrating Oscar contenders, locked contenders and longshots alike. And by short films I mean very very short. Like one minute. You might remember that previous year's editions have given Casting Directors a ton of brilliant ideas which, for the most part, they've been slow to pick up on like Viola Davis as a frightening villain. Remember that?

This year's shorts, eleven in total, are all directed by two-time Oscar winning cinematographer Janusz Kaminski who is most famous for shooting Steven Spielberg's filmography (and less famous for once being married to Holly Hunter but that's cool, too.) The shorts are sublime in concept -- they mismatch contender actors with one or two lines from screenwriting contenders (update: not from the writer's actual contending films, which I initially thought since the Bradley Cooper bit sounds like a near lift from the All is Lost's opening monologue) -- though not always in execution since this multiplied tradition can't help but be a bit uneven each year. 

Cate Blanchett with a line from the writer of "Computer Chess"

For fun, and as a shout back to the Hit Me With Your Best Shot series that's currently on hiatus, I've selected my favorite single image from each of the shorts [10 more after the jump]. But by all means go and watch the shorts. It'll only take you 15 minutes and there will be many delicious thanksgiving feasts for your eyeballs beyond the ones posted here.

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Updated Oscar Charts - All Categories!

The Oscar Charts are all updated - some new text, ranking shifts, etcetera - so let's discuss!

PICTURE
Who says we have no frontrunner? A million+ articles have clogged the net proclaiming the mysteriousness of this Oscar race but you can tell that something's leading when the knives come out. And the knives do seem to be out for 12 Years a Slave, Steve McQueen's brilliant slavery drama about Solomon Northup (Chiwetel Ejiofor) a freeborn black man who was kidnapped and sold into slavery where he stayed for a tortuous 12 years. A couple of weeks ago David Poland performed a scathing vivisection of a recent Los Angeles times piece on 12 Years a Slave without anesthesia. The purpose of the article seemed to be taking the film down. Mark Harris recently conveyed some of his problems (respectfully) with the film, but noted that it remains the epicenter of conversation.

Meanwhile over at Gurus of Gold, the period drama maintains a solid though not comfortable lead over Gravity. Merely glancing at the Gurus chart shows how crowded and confusing the Best Picture race is at the moment. There is only true(ish) agreement on five pictures (12 Years, Captain Phillips, Gravity, American Hustle, Saving Mr Banks) so perhaps that would be our nominees under the now departed but long running system which gave us only 5 pictures. But beyond that, the rest of the blissfully expansive field looks fairly evenly matched in a heated race for the other 0-5 possible slots. Curiously I am the ONLY pundit not predicting Inside Llewyn Davis which is somehow in sixth place with the Gurus.  Either I'm very prescient or... (don't finish that sentence, I'm warning you!)

Forest Whitaker and David Oyelowo in "Lee Daniels' The Butler"

poll by twiigs.com

One final note on this category, in the latest update I dropped Lee Daniel's The Butler -- at first accidentally when I moved Nebraska up (a film that I think stands out neatly from the pack both in temperament, goal, and actual look) -- but then the difficulty of gauging The Weinstein '13 Model was staring me back in the face. The previous and always formidable Oscar champs know how to play the game and they have four major hopefuls in Fruitvale Station, Philomena, August: Osage County, and Lee Daniels' The Butler. But here's the catch: don't all four seem evenly matched at this point in terms of probability? I keep shuffling them around and every ranking looks right. Which movie are they really going to get behind and which will the precursors rally 'round making that choice easier for them (and Oscar voters)? 

DIRECTOR
Curiously, however the Oscar Best Picture cards fall I do think that Alfonso Cuarón is going to walk away with the Best Director trophy. It's less rare than it used to be to see a split. The Academy loves to see you sweat and not just in the acting categories. They like the directors who are obviously working with large scale complicated tasks and the 'long-time-in-the-making-this-was-so-hard-to-achieve' stories will be crack for some voters. That plus Cuaron is a "warmer" filmmaker than his nearest rival Steve McQueen, who doesn't care if he rocks the boat in conversation. In short, the smart, ballsy, art-world born McQueen is not exactly the shaking hands / kissing babies type. Which is not to say that he's not friendly (he is) but still...

I seem to be one of the only pundits who is bullish about J.C. Chandor getting 1/2 the credit for All is Lost's success . I'll admit it's a risky call that might not pay off at all since that movie appears to be "All Redford! All The Time!" and as such it's helping...

ACTOR
"Bob" Redford become the frontrunner for this statue, albeit not an unbeatable one. It's simplistic to suggest that 'Career Honors' votes will be split with Bruce Dern, dooming them both, because that implies that they're fighting for the same votes and honestly, why would they be? The films... and the stars... are very different creatures with probably very different fanbases.  

On a potentially more divisive note, I'm starting to worry for Chiwetel Ejiofor. That might sound crazy, since he stars in the frontrunning film, but hear me out: Best Actor is very full with big stars / storied actors (McConaughey, Redford, Hanks, Dern) doing what many are calling career best work, while three big stars remain outside that presumptive lineup ready to shake things up if enough people love the films (Bale, DiCaprio, Phoenix) and one former winner could surprise if the film is more popular than we're thinking (Whitaker) which leaves two men only as "newbies" to the competition: Chiwetel and Michael B Jordan the latter of whom clearly has one particular advantage in that "breakthrough" style awards will keep him in the conversation for the whole season, even if that coveted shortlist spot might still be out of reach. This is all a long way of saying that the race is way too crowded (the year's most competitive field, I'd wager) to "lock" anyone up. And what's more this is hardly the first Steve McQueen movie with an Oscar worthy leading man (that'd be all of them, all being Fassbender x 2) but in the end his movies are always viewed as auteur pieces first and foremost. What's more, Oscar's acting branch doesn't have a great history of understanding the special skills of actors who can turn themselves into a vessel for a film's thematic concerns. Ejiofor's role is meaty, sure, but it's also kind of purposefully emptied out -- for much of the film he's silent about himself for survival -- and Oscar likes detailed intricacies of character in their leading actors and actresses. They like a particular kind of achievement and this is another kind. I'm probably worrying for nothing but 12 Years a Slave, however great it is, seems like the kind of masterpiece that could spark weird continued weird backlashes and tiny pockets of "no thank you"s which could cost it key nominations here and there despite how accomplished it is across the board. 

SUPPORTING ACTRESS & SUPPORTING ACTOR 
... these categories! I think they're still wildly up in the air and pundits are only in semi-agreement because there are so many ways it could go. I hope the awards strategists and publicists behind really great stuff are noticing the window of opportunity (SHORT) here before things start locking up and they might in notoriously lazy unsatisfying ways. My supporting actor list is still making me nervous. For as much as Brühl won great reviews and is a lead masquerading as supporting (which often helps for non-huge stars) is anyone talking about the film? And as much as Leto won great reviews and has a really showy part, will he appeal to the AMPAS acting branch since he's such a "part timer" as actors go... and too familiar for "DISCOVERY!" excitement? With the ladies I'm testing out what it looks like to predict Sarah Paulson (12 Years a Slave) and June Squibb (Nebraska) -- mostly because I could see either happening. What'cha think? 

poll by twiigs.com

Other Charts... Updated But We'll Dive In Further Soon
VISUALS | AURALS | ANIMATED FEATURE & DOCUMENTARIES | FOREIGN FILM | SCREENPLAYS