by Nathaniel R
This past weekend Jason and I went to a big screen showing of Hitchcock's masterpiece Rear Window (1954). Or one of his masterpieces that is; has more than his share, that one. We went just because it was playing (bless you rep scene) and it was the absolutely best thing to see during an actual heatwave in NYC because it's set during one yet it's its own air-conditioning. It's utterly cool...
I love that so many characters in the picture but especially LB (Stewart), eternally in pajamas and broken leg cast, come across like the heat is wearing at their nerves, temper, and clothing. Except Grace Kelly as Lisa Carol Fremont, who just floats onto the screen in a cocktail dress, in slomo no less in one of the cinema's all time greatest entrances. Lisa always looks like she is immune to common people concerns like the weather. This only benefits the film because it plays deliciously to L.B.'s (James Stewart) conflicted perception of her as somehow both above the mortal world but also too fragile for it. He thinks his rough and tumble travelling photographer existence too much for her. But isn't the rich dichotomy of the film that she's actually braver than he is when all the dangerous seeds the picture so gleefully places, eventually bloom?
I've seen Rear Window several times but somehow I always forget big chunks of it. Like that it was set during a heatwave -- how did I forget that? But the heatwave ready to melt me again once I left the theater is beside the point. As I sat there totally engrossed and then delighted and then tense and then elated, I was reminded of a simple fact: Oh riiiiight, this perfect thing is perfect.
COMMENT PARTY ☛ So my spread-the-good-vibes question to you is this. When was the last time you saw an old favorite only to be surprised anew at its total perfection?
Wednesday, July 4, 2018 at 10:30AM 
Brett Haley is quietly becoming the American independent counterpart to Once and Sing Street’s John Carney, crafting happy-sad narratives with music as a key ingredient. With music partner Keegan DeWitt, Haley’s films feature characters at the end of their performance days taking one renewed grasp toward fulfillment. His newest film Hearts Beat Loud is the most addictively musical, and like his I’ll See You in My Dreams before it, its songs come straight from the heart.
