Una Noche, Kill Your Darlings and the Problem with Gay Films at the Box Office

Glenn here. I read an article the other day at IndieWire asking "why don't LGBT movies make money at the box office anymore?" It's a worthy question to ask since I know I'd love for films focusing on "our" stories to be more prominent in cinemas and the only way to get that is to receive the backing of Hollywood and audiences. What I don't think is that there's anything insidious going on in the seeming rapid decline in mainstream representations of LGBT characters on the big screen. It's not like film audiences have gotten more homophobic with time, right?

My biggest theory is one that the article only flirts with: that gay culture itself has become so mainstream that the idea of paying $15 for a dash of it is rather unnecessary. And as the article wisely states, television has been more than willing to take up the baton of telling complex, romantic, tragic, funny, and unique stories about gay characters. And it's cheaper, too. That medium has certainly come a long way from the days of advertisers cancelling their marketing on Ellen less than 20 years ago!

Is LGBT the new black... on TV?

Gay TV and two new gay-centric films after the jump

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The Halfway Mark Pt 2. Actors & Actresses

I assume that the entire time you were reading the Halfway Mark Best Screenplays & Pictures you were thinking "get to the actors already!" because, damn you're predictable and also so am I and I love to pay homage to great performances. So, here they are in six categories for your perusal and debate and "I guess I'd better watch that" list-making pleasure.

Best Actor in a Limited or Cameo Role (THUS FAR): Lior Ashkenazi (of Late Marriage fame) temporarily energizes the unfortunately bland Yossi by temporarily attempting to to rub off on and up against Yossi himself with pushy sleaze; James Badge Dale, who also won a nomination in this category at 2012's Film Bitch Awards for Flight, is in every big movie now (World War Z, The Lone Ranger, Iron Man 3) and pretty much great in all of them though the roles are growing exponentially and he's already too large for this category!; Kyle Chandler memorably flips his 'clear eyes, full hearts' image on its head as an absent father in The Spectacular Now; Cheyenne Jackson is robbed of his signature voice entirely in Behind the Candelabra as a disgruntled employee/protege/lover but it turns out he doesnt need it absolutely nailing every tiny gesture and facial expression; and finally, I liked Jamie Sheridan's conflicted big business father in The East.

Best Actress in a Limited or Cameo Role: Hillary Baack, is moving in a key brief role as The East's hearing impaired member; Zoe Kazan wins best in show for a group acting exercize masquerading as a movie called Some Girl(s) with an agonizing backstory; Debbie Reynolds, is a real hoot and unrecognizable in the Liberace flick Behind the Candelabra; Orly Silbersatz Banai adds wonderful depth and shading to her history of denial in Yossi; And in a fine cast in Stoker, Jacki Weaver, makes the most of her tense few scenes as the deservedly worried unannounced visitor Aunt Ginny; and my apologies to Grace Gummer in Frances Ha who I didn't quite have room for but I liked her prickly Ivy League alumna

4 More Acting Category "Bests" after the jump

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Review: "Behind the Candelabra"

This review was originally published in my column at Towleroad

Too much of a good thing is wonderful."

That was a signature catchphrase of Liberace, the classical pianist who became a household name as a flamboyant nightclub entertainer. Liberace was born Vladziu Valentino Liberace but known by "Walter" or "Lee" to his intimates -- even the names were too many… too much! He didn't just popularize the catchphrase but lived it maintaining his most unlikely monster career for roughly four decades -- which is, what, a century in showbiz years?

The new biopic BEHIND THE CANDELABRA, premiering tonight on HBO, is smart enough to adopt it as tagline. But is it too much? Is it wonderful? Hollywood studios thought so, at least in regards to the first question. Director Steven Soderbergh hasn't been shy about telling the press that the story was too gay for the movie studios and while we can't know the ins and outs of how true this is or to what extent he tried to make it happen as a theatrical feature before going to television, it sounds trueish. Hollywood has been curiously reluctant to relive the mainstream success of Brokeback Mountain (a major hit grossing nearly $100 million in domestic release) even though they're usually downright shameless about cashing in on any success with quick imitation.

But bless Soderbergh for pushing it forward even if he's a weird fit for the material...

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Link is the Longest Blog Post

Flavorwire 15 great female film critics you should be reading
IndieWire Before Midnight has a great opening night in an unfortunately tiny amount of theaters. If I ran the world this would make $100 million this weekend ;)
Funny or Die "the reviews are in for Behind the Candelabra" LOL
Grantland Wesley Morris on two Cannes entries Claire Denis' Bastards and Nicolas Winding Refn's booed Only God Forgives 
My New Plaid Pants Allegedly Ewan McGregor 
/Film interesting. Jon Stewart's directorial debut Rosewater will star Gael García Bernal and is about a man who was held in an Iranian prison

Twitter Bryan Singer announces Evan Peters as Quicksilver. I've always thought the X-Men franchise was marred by sloppy casting (especially the further you get away from the centerpiece roles) and this one strikes me as no exception. The actors chose beyond the Magneto/Professor X/Wolverine trinity always seem "off" for the roles. Am I just too connected to the comic books? It's worth noting that Scarlet Witch and Quicksilver (twin siblings in the comics and two of my personal favorite characters in all of the Marvel Universe), due to complicated legal situations, can be used by both Marvel Studios and Fox but cannot reference the other so we may see a different actor play Quicksilver if Joss Whedon decides to use him.
Variety ...which he has according to this interview
Coming Soon an extremely annoying motion poster for the new Carrie
Variety Blue is the Warmest Color wins Fipresci prize at Cannes
In Contention ..speaking of lesbian dramas. Todd Haynes finally has a new movie project. It's called Carol and it's based on Patricia Highsmith's novel "The Price of Salt". Cate Blanchett is Carol, a married woman, who has an affair with a shopgirl Therese (Mia Wasikowska)
i09 DC heroes invade George Seurat's famous sunday in the park painting 

anniversaries and goodbyes
The Film Doctor happy 5th anniversary to a film blog I quite enjoy! 
Drawn is closing its doors. sniffle. i love this tumblr which was always a great way to stay connected to illustrators on the web 
Awards Daily Sasha's last entry from Cannes - missing buzzy Blue ... and attending the Nebraska press conference. Although I'll admit the reveal of a 30 minute time frame to file a review filled me with abject horror. It takes me SO LONG to write reviews. Are other critics really done with them in 30 minutes? How! 

A Voyage to the Link

Retronaut Amazingly sexist rejection letter from Walt Disney to an aspiring female artist
Technicolor Disney has reference photos for animation mashed-up with final art. Cool 
LA Times AMPAS may expand past 6,000 members this year. They're talking about diversifying and may relax their membership cap
Cinema Blend 80s/90s hitmaker Adrian Lyne (Fatal Attraction) to return after a long absence for another sexual thriller, this one about an open marriage and a trail of bodies. Expect big stars to headline as the troubled couple.
Out Soderbergh interviewing Soderbergh? The director's gay brother talks to him about Behind the Candelabra. (Someone remind me why this isn't opening in movie theaters again?)

Empire Ryan Reynolds for Tarsem Singh's Selfless? This only leads to one logical question...
My New Plaid Pants what kind of revealing costumes will Tarsem put him in? 
Variety Jane Fonda about to get the immortalizing hand-in-cement treatment
Playbill the revival of Cabaret on Broadway already has Alan Cumming returning as the emcee but they're obviously looking for a starry Sally. Initial rumors said Anne Hathaway but now Emma Stone is the rumor
Slate "the secret autobiography of Tom Cruise" ...what's behind the grinning mask?
Guardian Pedro Almodóvar calls I'm So Excited his "gayest film ever". Hmmm. It's also supposed to be some sort of metaphor for Spain's economic crisis.

one more thing...
I was just bitching about Into the Woods but the idea of a new movie musical version of Guys & Dolls sounds great. Especially since the original film version isn't exactly a "classic" outside of being, well, old. It's especially good news if both Joseph Gordon-Levitt and Channing Tatum really are on board. But if it doesn't get a good director I'll worry. A lot. 

off cinema
i09 huge breakthrough in artificial skin. How long until we see Blade Runner style replicants? 
Gothamist last three days to see Edvard Munch's "The Scream" at MoMA. When I was last there I wrote about Tilda Swinton in a box but I neglected to tell you how embarrassed for everyone I was when I went to see The Scream. People were not looking at it but posing beside it with their Scream Face on (which always ended up looking more "Home Alone Face"). some people were so confused about the pose/provenance that they were doing Monkey See, Monkey Do. TRAGIC!  

Watching "Hugo" at MoMA

In the middle of a nearby exhibit about architecture, there's a 3D screen showing pieces of Hugo because of the famous train station set. My bestie snapped a photo of me unawares looking on (above). Some of the scenes they played weren't even set-specific though. Unfortunately this meant that I couldn't even escape Chloe Moretz at MoMA.

Also tragic!