Almost There: Jessica Chastain in "Molly's Game"

by Cláudio Alves

Nicole Kidman just won the Golden Globe for Best Actress in a Drama for her work in Aaron Sorkin's third feature as a director, Being the Ricardos. In truth, most of the writer turned writer/director's projects have garnered awards attention, so this win shouldn't be surprising. The first two movies he directed Trial of the Chicago 7 and Molly's Game earned Sorkin Oscar nominations for writing. His 2017 directorial debut, Molly's Game has another connection to the current awards season. Since Zero Dark Thirty earned her a Best Actress nod, Jessica Chastain has tried to return to the Academy's good graces but it hasn't yet happened. This year, The Eyes of Tammy Faye could end her Oscar dry spell.

As we wait for nomination morning, let's look back at Chastain's performance in Sorkin's gambling drama as the real-life character, Molly Bloom…

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Oscar Charts: Best Actor & Best Actress

by Nathaniel R

Stewart and Cumberbatch have hogged the lion's share of critics awards. Will gold statues follow?

Both lead acting charts have been updated so take a look at BEST ACTOR and BEST ACTRESS. Both categories are giving off the vibes of being set in stone already before SAG has even announced their nominations so we'll soon see if that's an illusion or the truth. I've made one big adjustment in Best Actor, having Leonardo DiCaprio in Don't Look Up vault over rising but minor critical darling Nicolas Cage in Pig and knocking out Peter Dinklage in Cyrano. Cage maybe could have happened had critics really rallied but they were too busy praising Benedict Cumberbatch to really take a Pig stand. As for Dinklage, though the role is an awards magnet,  MGM/UA just didn't seem to know what to do with that film even though it's a) easy to market b) well liked by most people who see it... and kept pushing back its release. Better to have just saved it for 2022 at this point we think. And for Best Actress, there are no major changes, just a bit of order shuffling. I'm sticking with the five women who keep getting cited everywhere. Yes, there is a lot of PERFORMANCE and PASSION happening in the second tier of Best Actress hopefuls but it's getting harder and harder to see a path for any of them, even previous Oscar darlings like Penelope Cruz (Parallel Mothers) and buzzy newcomers like Alana Haim (Licorice Pizza). Unless SAG honors one of them, it's this five until Oscar night. 

Revised Oscar Charts

• Director
• Lead Actress
• Lead Actor
• Supporting Actress
• Supporting Actor
• Cinematography
• Production Design
• Film Editing
• Visual Effects
• Makeup and Hairstyling
• International Feature Film
• Animated Feature
• Documentary Feature

Almost There: Glenda Jackson in "Mary, Queen of Scots"

by Cláudio Alves

Eva Husson's Mothering Sunday arrives in American theaters in February. If you are in the UK, you can already stream or rent the movie online. This period drama marks the return of Glenda Jackson to the big-screen after years in Parliament and brief stints on stage. So it seems logical to celebrate this tremendous thespian now, who remains one of the strangest Oscar favorites in Academy history. I've written about her 1970 victory for Women in Love before, but Jackson's career is vaster than the fruitful collaboration with Ken Russell. For instance, on TV, she played the definitive dramatization of Elizabeth I in the BBC's 1971 miniseries Elizabeth R and won two Emmys for her efforts. Concurrently, the actress also played the 16th-century monarch on film.

Charles Jarrott's Mary, Queen of Scots saw her consider the role in a less historical context, performing the Virgin Queen in romanticized opposition to Vanessa Redgrave in the part of her doomed Scottish cousin…

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FYC: Penélope Cruz for Best Actress

by Cláudio Alves

Since they started working together, Penélope Cruz has always been a mother figure in Pedro Almodóvar's cinema. He calls her the epitome of Spanish motherhood, resilient and sensual. It's an archetype she has represented, in some way, in all their collaborations – from 1997's Live Flesh to this year's Parallel Mothers. Indeed, their latest partnership feels like a culmination, the maximum manifestation of the auteur's ideas on motherhood. It's also the most complicated role he's ever given his current muse, an extreme of melodrama paralleled by political reflections. The actress is asked to go to extremes of emotion while also holding back. She must be outwardly demonstrative, crystalline clear, naked in sentiment and expression. However, the part also demands internalization, reticence, secrets that burn. All in all, it's a monumental challenge…

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Almost There: Rita Moreno in "The Ritz"

by Cláudio Alves

She just turned 90, but Rita Moreno is on the top of her game. The 1961 Best Supporting Actress champion is back on the silver screen thanks to Steven Spielberg's remake of West Side Story. While not playing Anita this time around, Moreno still manages to steal the spotlight and deliver one of the movie's most impactful songs, the emotional high point of the entire production. As pundits argue over the nonagenarian's Oscar chances, it's a good time to look back at her filmography and consider the last time she was in the awards conversation. After the success of West Side Story, Moreno's most acclaimed movie role was probably that of Googie Gomez in the big-screen adaptation of The Ritz…

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