Who is now in the lead for Best Actress?

by Nathaniel R and Team Experience!

The morning after and we're still reeling from the SAG nominations. But in particular what it's done to presumptions about the Best Actress category. I've updated the Oscar chart but after a brief flirtation with Nicole Kidman as #1, I suddenly felt the urge to give that spot to Olivia Colman in The Lost Daughter. Is this insane? Not exactly though it is probably the common pundit psychosis of "overthinking it". My pundit brain began imagining that all the biopic ladies are getting in each other's way with their elaborate makeovers and mimicry (or lack thereof) and through the chaos emerges the true stealth battle of all along: superstar Lady Gaga vs revered thespian Olivia Colman.

Lady Gaga is also playing a real person, like the biopic ladies, but Patrizia Reggiani isn't a famous celebrity being recreated by another famous celebrity as is the usual draw of these things. So the traditional biopic advantage (aka default love for "what a transformation!") doesn't quite apply in Gaga's case. In the end given Olivia Colman mania and Gaga's film having more detractors, is it so outlandish to presume a quick second win could very well happen. So I polled the team, hoping that a crystal clear hive mind pundit choice would emerge. Whoops! Though there is a hesistant "consensus choice" opinions are truly all over the place.

Here's how the team responded to the big question of the moment...

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SAG Nominations - Movies

We'll have a separate post for the TV nominations a little later today but first, the MOVIE nominations. 

OUTSTANDING ACTRESS

• Jessica Chastain, The Eyes of Tammy Faye
• Olivia Colman, The Lost Daughter
• Lady Gaga, House of Gucci
• Jennifer Hudson, Respect
• Nicole Kidman, Being the Ricardos

Instant Impression: The morning's biggest shock -- no Kristen Stewart in Spencer. I'm okay with this but the internet won't be...

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Almost There: Jessica Chastain in "Molly's Game"

by Cláudio Alves

Nicole Kidman just won the Golden Globe for Best Actress in a Drama for her work in Aaron Sorkin's third feature as a director, Being the Ricardos. In truth, most of the writer turned writer/director's projects have garnered awards attention, so this win shouldn't be surprising. The first two movies he directed Trial of the Chicago 7 and Molly's Game earned Sorkin Oscar nominations for writing. His 2017 directorial debut, Molly's Game has another connection to the current awards season. Since Zero Dark Thirty earned her a Best Actress nod, Jessica Chastain has tried to return to the Academy's good graces but it hasn't yet happened. This year, The Eyes of Tammy Faye could end her Oscar dry spell.

As we wait for nomination morning, let's look back at Chastain's performance in Sorkin's gambling drama as the real-life character, Molly Bloom…

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Oscar Charts: Best Actor & Best Actress

by Nathaniel R

Stewart and Cumberbatch have hogged the lion's share of critics awards. Will gold statues follow?

Both lead acting charts have been updated so take a look at BEST ACTOR and BEST ACTRESS. Both categories are giving off the vibes of being set in stone already before SAG has even announced their nominations so we'll soon see if that's an illusion or the truth. I've made one big adjustment in Best Actor, having Leonardo DiCaprio in Don't Look Up vault over rising but minor critical darling Nicolas Cage in Pig and knocking out Peter Dinklage in Cyrano. Cage maybe could have happened had critics really rallied but they were too busy praising Benedict Cumberbatch to really take a Pig stand. As for Dinklage, though the role is an awards magnet,  MGM/UA just didn't seem to know what to do with that film even though it's a) easy to market b) well liked by most people who see it... and kept pushing back its release. Better to have just saved it for 2022 at this point we think. And for Best Actress, there are no major changes, just a bit of order shuffling. I'm sticking with the five women who keep getting cited everywhere. Yes, there is a lot of PERFORMANCE and PASSION happening in the second tier of Best Actress hopefuls but it's getting harder and harder to see a path for any of them, even previous Oscar darlings like Penelope Cruz (Parallel Mothers) and buzzy newcomers like Alana Haim (Licorice Pizza). Unless SAG honors one of them, it's this five until Oscar night. 

Revised Oscar Charts

• Director
• Lead Actress
• Lead Actor
• Supporting Actress
• Supporting Actor
• Cinematography
• Production Design
• Film Editing
• Visual Effects
• Makeup and Hairstyling
• International Feature Film
• Animated Feature
• Documentary Feature

Almost There: Glenda Jackson in "Mary, Queen of Scots"

by Cláudio Alves

Eva Husson's Mothering Sunday arrives in American theaters in February. If you are in the UK, you can already stream or rent the movie online. This period drama marks the return of Glenda Jackson to the big-screen after years in Parliament and brief stints on stage. So it seems logical to celebrate this tremendous thespian now, who remains one of the strangest Oscar favorites in Academy history. I've written about her 1970 victory for Women in Love before, but Jackson's career is vaster than the fruitful collaboration with Ken Russell. For instance, on TV, she played the definitive dramatization of Elizabeth I in the BBC's 1971 miniseries Elizabeth R and won two Emmys for her efforts. Concurrently, the actress also played the 16th-century monarch on film.

Charles Jarrott's Mary, Queen of Scots saw her consider the role in a less historical context, performing the Virgin Queen in romanticized opposition to Vanessa Redgrave in the part of her doomed Scottish cousin…

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