Almost There: Cate Blanchett in "The Talented Mr. Ripley"

by Cláudio Alves

Guillermo del Toro's Nightmare Alley is now in theaters, bringing Cate Blanchett back to the big screen where she belongs. Playing a manipulative psychologist who proves herself a femme fatale, the Australian actress is sure to bring glamour to the part, dazzling audiences as she's been doing for decades. To commemorate the occasion, this week's Almost There entry revisits one of Cate Blanchett's best performances. In fact. It might be her greatest. In any case, it's my favorite from her sterling filmography, a supporting part she injects with life and patrician heartbreak. The Academy ignored her in 1999, but Blanchett may have come close to a second nomination for her work as Meredith Logue in Anthony Minghella's adaptation of The Talented Mr. Ripley…

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Beauty Break: To Rita Moreno on her 90th Birthday

by Nathaniel R

Today marks 90 years since the blessed birth of the legendary EGOT winner Rita Moreno. With Steven Spielberg's West Side Story remake upon us in theaters, the trailblazing Puerto Rican star is back in the spotlight. Not that light hasn't always followed her.... hell, emanated from her. Are we laying it on thick? Who cares, she deserves it!

As faithful readers know, the original West Side Story (1961) is my all time favourite so it was hard not to be skeptical / worried about the remake. Naturally then, the new rendition is taking me a bit of time to process but, in short, though some of the raves are hyperbolic, the movie is mostly a thrill. Of its many pleasures, the one that we most emphatically co-sign was uttered by Rita Moreno herself who said...

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Almost There: Maggie Smith in "The Best Exotic Marigold Hotel"

by Cláudio Alves

It's time to wish a happy anniversary to The Best Exotic Marigold Hotel. John Madden's unlikely box-office juggernaut was first screened ten years ago on the Sorrento Incontro Internazionale del Cinema. Truth be told, it's not a fantastic flick, adapting a Deborah Moggach novel into a toothless feel-good comedy that reeks of good intentions corroded by colonialist condescension. Where it triumphs, however, is in casting. Madden managed to gather a remarkable ensemble, made up of charismatic British thespians who could deliver great performances with their eyes closed and a hand tied behind their back: Judi Dench! Maggie Smith! Bill Nighy! Penelope Wilton! Tom Wilkinson! And more. 

Indeed, their collective work singlehandedly makes the movie into a middlebrow delight. From that collection of beloved British entertainers, Maggie Smith probably came closest to an Oscar nomination…

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When Thelma Ritter should have won

by Cláudio Alves

Before "Noirvember" ends, it's imperative to explore some examples of the shadowy underbelly of Classic Hollywood. The Criterion Channel has programmed a vast array of film noir offerings, from Robert Mitchum's early successes to a cornucopia of Twentieth Century-Fox delights. You will find many a classic within the latter, including the Samuel Fuller masterpiece that should have earned one of the industry's hardest-working character actresses an overdue Academy Award. Throughout her career, Thelma Ritter was Oscar-nominated six times, always in the Best Supporting Actress category (an all time record), but always lost. 1953's perfect Pickup On South Street should have been her time to win…

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Who's got the lead in Best Supporting Actress?

by Nathaniel R

Kiki in Los Angeles and Aunjanue in Savannah recently

“The internet,” by which I mean that diffuse vibe one gets by scrolling through twitter, and clicking on award and film sites, always likes to jump the gun. People have figuratively been handing out Oscars for months, well before the campaigns revved up. But the long season of direct FYCs has now truly begun with Q&As and screenings suddenly abundant on both coasts. So where are we at with Best Supporting Actress? Don’t believe anyone who thinks this race is already settled. The supporting categories are often the last to clear up as they’re quite dependent on the film that houses them, the strength of the campaign, and once nominations are announced, the narratives for the win. But we do have some nomination probabilities.

ALMOST SURE THINGS?
I’ve moved Kristen Dunst and Aunjanue Ellis to the top of the charts in this category partially because they have no internal competition from their own films for that golden ticket to the Dolby. More importantly their films, Power of the Dog and King Richard respectively, have major Best Picture buzz and that always helps...

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