Almost There: Hattie McDaniel in "In This Our Life"

by Cláudio Alves

The Criterion Channel is currently featuring an extensive collection of John Huston movies. Considering his directorial debut, The Maltese Falcon, was nominated for three Oscars, including Best Picture, it's fair to say that Huston's films have always been on the Academy's radar. Consequently many of his actors gained Oscar buzz though just as often they were egregiously snubbed. With that said, I'd like to focus on a performer that was already an Oscar winner before she starred in a Huston flick, a Black actress whose career was limited by institutional racism and confined to playing second fiddle to white stars, often in peripheral roles. Nevertheless, Hattie McDaniel always spun gold from straw, injecting complicated humanity, humor, and pathos into the tiniest of parts. Such is the case of In This Our Life…

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Oscar Charts: Will we have a "double" again in Best Supporting Actress?

by Nathaniel R

Ann Dowd and Martha Plimpton star in "Mass"

We may have gotten a little carried away with wishful thinking in (some) of our Supporting Actress chart building this time around. You see, so many actresses we love that have never or only once been in the Oscar race have what sound like amazing parts this year. But it's early enough in the year that optimistic guesses are as good as pessimistic guesses. At least that's true in the supporting categories where less is usually known this early about the roles themselves.

But what we found most interesting while thinking through the first predictions of the year was how many films have the potential for a double nomination in Best Supporting Actress...

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That Shakespeare + Gods & Monsters conversation

We received word from readers that the Apple Podcast/iTunes service has suddenly gone glitchy with The Film Experience so we wanted to let you know that you can also listen on Stitcher or on Spotify if you haven't yet given the conversation a go. One more round of applause please for writer/director/showrunner Leslye Headland (Russian Doll, The Acolyte), actor Mitch Silpa (Bridesmaids, The Heat), DJ Rob Campion (Cooler Than Ecto), writer Jenelle Riley (Variety), and animator/illustrator Dashiell Silva. 

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Conversation Index (74 minutes)

00:01 - Introduction of the Smackdown Panel and the 1998 Nominees
04:00 - Primary Colors. What works (Kathy Bates) and what doesn't, and how it plays in today's much different political climate.
15:41 - A detour to the 2020 Oscar race and "Da Butt"
17:00 - Hilary and Jackie's odd structure, sadness porn, and tortured artists
28:30 - A detour to The English Patient (1996) and the Weinstein/Miramax industrial complex
34:45 - Shakespeare in Love "a rom-com for theater nerds". Why Judi Dench deserved the Oscar.
50:20 - The disastrous miscalculations of Little Voice, and Brenda Blethyn, hot off of Secrets & Lies
59:30 - Gods and Monsters, hampered by its budget, and maybe even its Oscar winning screenplay. Beautiful performances!
1:12:28 - Wrap-up / Goodbyes.

And in case you missed our 1998 "extras" we revisited Velvet Goldmine, High Art, Beloved, Central Station, The Prince of Egypt, A Bug's Life, The Truman Show, Hollywood's onslaught of blonde ingenues, and the pop culture hits that year. 

Smackdown '98: Kathy, Brenda, Dame Judi, Rachel, and Lynn

Welcome back to the Supporting Actress Smackdown. Each month we pick an Oscar vintage to explore through the lens of actressing at the edges. This episode takes us back to 1998. 

THE NOMINEES  A politically savvy lesbian, a bawdy working-class mother, a theater-loving Queen, a failed musician / devoted sister, and a homophobic immigrant housekeeper in Hollywood walk into the Dorothy Chandler Pavilion...

For the 1998 film year, the Academy invited one new actress (Rachel Griffiths) to their Supporting club while offering a second nomination to four respected women of a certain age (Dame Judi Dench, Brenda Blethyn, Lynn Redgraves) only one of whom (Kathy Bates) had already won.

THE PANELISTS Here to talk about these performances and films are (in alpha order) DJ Rob Champion, Writer/Director Leslye Headland, Journalist and playwright Jenelle Riley, Actor/writer Mitch Silpa, Illustrator Dashiell Silva and, as ever, your host Nathaniel R. Let's begin...

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Smackdown '46: Duel in the Sun with the King of Siam

Welcome back to the Supporting Actress Smackdown. Each month we pick an Oscar vintage to explore through the lens of actressing at the edges. This episode goes back to the 19th Academy Awards honoring 1946. It isn't a particularly beloved Oscar vintage though the Best Picture winner, The Best Years of Our Lives, is sublime. Apart from the winner and the Christmas film It's a Wonderful Life, the Academy all but ignored the most enduring pictures of that post-war year (Notorious, Gilda, The Postman Always Rings Twice). But we're here to discuss Best Supporting Actress and these five women were having a moment...

THE NOMINEES For the 1946 Oscars the Academy invited back two previous winners (Gale Sondergaard & Ethel Barrymore), tossed a bouquet in the form of 'career' nomination to a legend (Lillian Gish), honored a character actress for stretching (Flora Robson) without realizing how poorly that kind of stretch would age, and invited a new starlet (Anne Baxter) into the club. That's a typical mix in some ways though the films were a fun mix of genres rather than five straightforward dramas. We've got a culture clash historical epic (Anna and the King of Siam), a thriller (The Spiral Staircase), a camp western (Duel in the Sun), a post-war spiritual journey (The Razor's Edge), and a restless genre-hopping whatsit (Saratoga Trunk).

THE PANELISTS Here to talk about the performances and films are (alpha order from left to right), playwright Peter Duchan, film critic Guy Lodge, Statueseque's Allen Nguyen, and Actor Tory Devon Smith. And, as ever, your host Nathaniel R. Let's begin...

 SUPPORTING ACTRESS SMACKDOWN + PODCAST  
The companion podcast can be downloaded at the bottom of this article or by visiting the iTunes page...  

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