15 Great Moments Inside Movie Theaters in '15

Confession: I am extremely terrible about keeping a calendar, or even a letterboxd list which I update sporadically from time to time before forgetting again. In short the only "diary" of any sort I have is this ode to movies you're visiting now... The Film Experience. Nevertheless in reviewing the film year I realized that I haven't been frequenting NYC's wonderful repertory theaters as much as in past years. Must fix.  And I really have to do a better of keeping track of what I'm seeing in general lest I actually forget I saw something and it's missing from LISTS. *gasp*

But I  ♥ going to the movies. And if you're reading this it's safe to assume that you do too. So it's list time. Please share your favorite moments of moviegoing this year in the comments. 

15 Favorite Moments Inside Movie Theaters in '15
because it's the best place to be!
 

15 The Incredible Hulk (2008) 
April 29th: That moment when my best friend and I suddenly realized that we could leave anytime during the Marvel Movie Marathon (preceding the premiere of The Age of Ultron) and still get the same seat. What a relief. I mean... nobody should have to sit through Iron Man 2 ever again!

14 Clouds of Sils Maria (2014)
April 6th: Sitting down for a special invite-only screening of Clouds of Sils Maria and seeing so many actors I loved in the audience (Diane Lane, Parker Posey, Kathleen Turner and Bill Irwin). Turner was surprisingly willing to make conversation afterwards, her voice miraculously even lower than onscreen in person; she kindly ignored my fairly obvious terror at finally meeting one of my all time favorite goddesses.

13 Hateful Eight (2015) - INTERMISSION ONLY!
Dec: Though I've admired Teo Bugbee as a writer for over a year (and she's written for the site on rare occasion) we finally met recently and every time we managed to sync up our schedules (lunch, drinks at a bar, a screening of Hateful Eight) it somehow become an extra imaginary screening of Carol we talked about the movie so much. Basically Teo is the only way I made it through Hateful Eight. 

Carol, Chi-Raq, two older classics and more after the jump...

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FYC: Sarah Paulson, Carol's Best Supporting Actress

The Film Experience is proud to welcome back Matthew Eng for this personal FYC

Sarah Paulson photographed for VarietyThese days, to simply see Sarah Paulson’s name in the opening credits of any project is enough to make me sit back, relax, and sigh with deep and reverent relief that — no matter the lapses in storytelling, the dubiousness of politics, or the haphazard efforts of other actors — I am in the hands of at least one supremely assured and eternally convincing performer.

As someone who missed Aaron Sorkin’s infamous Studio 60 on the Sunset Strip and the extensive list of sitcoms and serials she appeared in from the mid-nineties to the late-2000s (not to mention her numerous stage roles and occasional film appearances), my Sarah Paulson fandom is fairly recent. Of course, like many, I’d seen and admired her wry gal pal in Down with Love, which remains a fun but frankly flaky memory.

But truthfully, I wasn’t fully onboard the Paulson bandwagon until 2012, when she offered American Horror Story’s peak Asylum season a truly new and refreshingly tough-minded depiction of devastated-turn-mobilized female victimhood and then, a year later, sauntered into Steven McQueen’s 12 Years a Slave as one of contemporary cinema’s most memorably unrepentant villainesses, terrorizing Lupita and manipulating Fassy with ferocious, bone-chilling conviction.

When I heard Paulson had joined Carol, I took another of those deep and reverent sighs of relief, as if to say, 'Alright, this film will actually be as perfect as I need it to be.'  [More...]

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Oscar Ballots Out Today. Three Simple FYCs for Voters.

Let the Oscar balloting begin. The image we use to illustrate is envelopes because they're pretty but they're also analog when even as ancient an institution as Oscar -- he's 88 years old now! -- has gone digital. Academy members can start nominating their favorites TODAY.  I won't barrage AMPAS members with requests other than these three wishes:

1. Please ignore precursors. Surprise us! 
The precursor bodies make terrible mistakes in trying to predict you (SAG & Critics Choice in particular this year are just a mess of lazy "what will the Academy vote for?" impulses rather than a searching for what constitutes great work which should always be the only concern). Two fine movies off the top of our heads that nobody expects you to vote for this year but why the hell shouldn't you? Sicario and Tangerine. People also seem to agree that you won't get behind stories about women but we know you have it in you. The public is enjoying reliving 1977 because of Star Wars: The Force Awakens but remember in 1977 how 80% of your Best Picture lineup was about women? Good times! I mean, why shouldn't you vote for something as gentle, resonant, and well modulated as Brooklyn, for example?

2. FYC: Remember that love stories require two leads. 
Rooney Mara and Cate Blanchett are a beautiful team in Carol - so don't separate them in two different categories. Think of the classic screen couples (Gone With the Wind, The Way We Were, Titanic, It Happened One Night, Casablanca, Coming Home, etcetera). In none of those romantic dramas do people pretend one movie star is "supporting" the other movie star. Be reasonable and put an end to greedy campaign strategies that make the very notion of awards seem crassly opportunist when the conversation should be edifying and fun; "Best" is a beautiful word! And love stories are love stories are love stories whether the couple is straight or LGBT. (See also: The Danish Girl)

3. Most ≠ Best
This isn't just about the acting categories but how about a deserved nod here or there that you could never call "Most" but could definitely argue "Best".  Three examples of many: The Production Design of Room (a top notch technical achievement but also emotionally intelligent and a true creative challenge); The Visual Effects of Ex Machina (there's no grand setpieces, sure, but damn if these fx aren't a master class and hugely impressive in comparison to the typical CGI shenanigans of blockbusters like Jurassic World); and the Original Score of Steve Jobs (unusual, contemporary, and creatively retro too).

HAPPY VOTING EVERYONE!

Interview: Carol's Production Design Judy Becker

Judy Becker. Photo © Tom Uhlman at New York TimesThis won't have escaped you but we're a little bit obsessed with Todd Haynes's Carol. We tried to devote a week to it but the love can't be contained by calendars. The romantic drama about a glamorous society wife and a young shopgirl is rolling out slowly -- agonizingly slowly -- to more cities each week. It leads the Golden Globe nominations and though the Academy's decisions about the year's "best" are yet to come, there's reason to be hopeful that they'll embrace the filmmaker's triumphant return to the silver screen.

The Oscar-nominated production designer Judy Becker (American Hustle), is responsible for most everything you see onscreen in Carol from Therese's humble apartment to Frankenberg's Department Store, the Aird estate, and much more. "The props, there are close-ups on them, so I don’t know how you can say, that’s not important," she says passionately, underlining the fact that everything we see is part of 'the look'. She describes herself as a very hands-on designer and is sure this drives new members of her staff crazy but she has high praise for her frequent set decorator Heather Loeffler. "She never gets upset if I veto something but, at the same time, she brings a lot to the table and surprises me all the time with great stuff."

Though Becker is best known for her frequent collaborations with  David O. Russell this is not her first Todd Haynes film, having also designed his abstract Bob Dylan biopic I'm Not There (2007). We began our chat marvelling at his genius. Though I'm Not There was a larger scale task, essentially designing multiple worlds, Carol wasn't much easier for different reasons. "Every film has its challenges," she explains. And films as gorgeously realized as Carol don't happen without a lot of planning, work, and inspiration. 

Our interview is after the jump...

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Flung Out of Tweet Space

Before we get to the past week in contemporary cinema tweeting, let's take a moment to check in with the Tilly sisters, Jennifer and Meg who were visiting their mom in Canada...

My sister Meg made these pies! pic.twitter.com/lR7vg0LvWk

— Jennifer Tilly (@Jtillathekilla2) December 27, 2015

This tweet made me so happy. I think because I had just randomly scene The Fabulous Baker Boys again on Cinemax and Jennifer is so funny in it as "Blanche/Monica". I like to fantasize that in private Jennifer and Meg call each other by their full titles, like...

Jennifer: Yum. What kind of pies are we having tonight Oscar Nominated Actress Meg Tilly? 
Meg: Well Oscar Nominated Actress Jennifer Tilly I made a bunch. Pecan, Apple...

Tweet Randomness starring The Revenant, Carol, Star Wars, and more after the jump

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