Oscar Presenters Named Thus Far...

For your infotainment the Oscar presenters named thus far and our theories as to why they were invited. We don't need to mention diversity because that would probably read snarky when we don't mean it that way at all; we're thrilled Hollywood is making an effort! So we'll name the other possible reasons for the names. Presumably these choices are agonized over and debated at length behind the scenes since they're always so carefully representative of a wide range of celebrities appealing to all kinds of mainstream moviegoers from kids to grandparents to sophisticated cultural mavens to soccer moms. Etcetera.

Just about the only audience they don't cater to on the regular, probably because they'll watch anyway, are cinephiles and Old Hollywood loving film buffs. The Oscar producers often do a very crappy job of that (especially given how many elderly showbiz legends are still alive! I mean come on give us some Poitier, Lansbury, Rowlands, Connery, Redford, Belafonte, or Andrews or something). It's always a welcome shock when they actually do think about their rich industry history and throw us a Kim Novak for example.

The celebrities thus far (in alpha order)... 

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Susan Hayward's Final Oscar Appearance

SUSAN HAYWARD CENTENNIAL

by Nathaniel R

We're doing our Susan Hayward party all out of chronology and will end with an early role. It's our way of saying that the big movie stars never really die but live on in their films. But for the penultimate stop in this Hayward fest, let's take a lot at the 1973 Oscars. She made her last public appearance on April 2nd, 1974 when she presented Best Actress with Charlton Heston at the Oscars. They were contemporaries at the peak of their stardom in the 1950s (and both won leading Oscars in the late 1950s) but Heston's career was still going strong at this point while Hayward had only intermittently working... 

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Linkbug

Before we get to the links please click on this photo to your left, the teaser poster for Yorgos Lanthimos's The Killing of a Sacred Deer. (Lanthimos last brought us the incredible The Lobster so we hope he's on a roll.) The poster is so beautiful we don't even mind that Nicole Kidman isn't on it! That's high praise if you haven't been paying attention.

Links 
Los Angeles Times Jimmy Kimmel will return to host the Oscars again in March. Same team this year, producers too.
Interview Ethan Hawke talks to his friend Alessandro Nivola (easily one of the best stars among the under-famous and under-celebrated division) about his current hot streak
Fathom Events will broadcast the current London production of Angels in America to select US movie theaters in late July. Click there for ticket sales in your area
Awards Daily keeping Oscar buzz alive all year for Cannes contenders is a tricky feat - I agree with most of this but disagree with the example of Midnight in Paris. I'd argue it wasn't the Cannes launch that made that film an instant Oscar contender but its big box office at home (for Woody) the month after the festival --another reminder that it can be really advantageous to strike while the iron is hot though few films dare and instead let their Cannes hype dwindle into nothingness before theater launches half a year or longer later. 
Playbill ABC will air a live Little Mermaid special on October 3rd which combines the 1989 classic with live celebrity performances with "cutting edge technology." What the what now? This sounds potentially awful and disastrous but also, because of that, a 'must see'

Script Notes, a writing podcast, talks to Chris McQuarrie about moving from being a writer to a writer-director and the difficulties of moving from indies to tentpoles
Criterion Corner David Hudson aunched his new column "The Daily" which I will surely be stealing links from at some point for these roundups unless I got to them first. Let's start now with these two...
Reverse Shot has a new series called Executive Order which takes a deep dive into the individual  T****'s EOs and fuses them with a film that is in conversation with those ostensible ideas or power plays. This link is about the Muslim ban and segueways into a discussion of the fine gay drama Henry Gamble's Birthday Party
NYT how action roles have changed for women (with Theron, Jovovich, Yeoh & Rodriguez)

I object!
/Film "Why Marvel Can't Fail" I'm linking this piece not because I like it but because I have to take issue with it. There has literally never been a long-running franchise or a single studio that has never failed. James Bond had flops. Tarzan had flops. Disney was once dying! Superman eventually fell out of the sky (though he's flying again). Marvel and Pixar, the current studios who inspire this type of article/argument, will not change that. It is an impossibility to always succeed. It's wiser to understand this because one of the quickest ways to insure failure is to assume infallibility. (Also I take issue with the use of "stickiness" here. Sticky as a concept in business may be morphing but it didn't mean 'traps you into brand loyalty' originally. I know because I bought a whole book on the concept when "sticky" became a thing ten years ago.

TV
New York Magazine (classic link since Roseanne is topical again) Roseanne Barr on the addiction of fame, her eponymous show, Hollywood sexism and Charlie Sheen
Esquire Corey Atad ranks every episode of Twin Peaks. This brought back so many memories and it's true that the show's quality varied wildly
Coming Soon Netflix is adapting the fantasy novels The Witchers Saga to series 

Off Screen
The Atlantic "My Family's Slave" incredible long read about slavery, shame, family demons, cultural norms, and more

Feud: Bette and Joan "And the Winner Is" (Part 2)

Previously... And the Winner Is (Pt 1)

-Wait up for me boys. Tonight I'm bringing you home a baby brother.

by Nathaniel R

Picking up where we left off... and, to quote, Mamacita (the delightfully dry Jackie Hoffman) "pick up the pace, it's Oscar day!"

In the second half of Feud's best episode, after watching Joan & Hedda swaying voters away from Bette Davis and arranging for Joan to both present (Best Director) and accept (Best Actress should Bancroft or Page win), it's time for Oscar night. A whole army of hair and makeup people swam Chez Crawford...

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Feud: Bette and Joan "And the Winner Is" (Part 1)

Previously on Feud: Bette and Joan
1 "Pilot" 2 "The Other Woman"  3 "Mommie Dearest"  4 "More or Less" 

-Do you have any comment on your co-star Joan Crawford being snubbed?

-Define "snub"! 

by Nathaniel R

If you had told me at any point before Feud: Bette and Joan was announced to the world that there would one day be a TV show that spent a full hour recreating the drama of a single Oscar night, I would never have believed you. If that imaginative hurtle was cleared I would then preemptively call it the single greatest TV hour in the history of television. But here we are with Feud and the reality is, if not the fantasy, still the best hour of Feud as a series. The concept of the series has so far outpaced the reality of it that it's lapped by several times already. Which is to say that if you've been reading along you know that I don't love the show. So I'll turn over the finale 3 episodes to team members who are maybe enjoying it a bit more (with one last Feud-related post from me after the season has wrapped). Still, I can't not review this Oscar-themed episode.  "And the Winner Is..." was entirely riveting even though all Oscar buffs had spoiler alerts in their DNA!

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