The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Katey phones in from Los Angeles to talk Oscar night with Nathaniel and Joe in New York and Nick in Chicago. What a crazy night that was, huh? Some of us didn't sleep much. We talk about that shocking messy finale, the history-making decision to name Moonlight Best Picture, debate which celebrity was having the most fun on the big night, judge the musical performances, name the craft wins we were confused by, and answer the age old question: junior mints or twizzlers?
You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you?
P.S. The podcast will return at the end of the month for a new season. If we get a few more patron saints this week I'll buy a professional mic.
We wouldn't be The Film Experience if we had an easy time letting go of Oscar night. It'll be time to move on soon but here are random photos to enjoy from parties and backstage and whatnot
Tom & Lorenzo Janelle Monáe owns everything and wore it all out last night Vulture theories on why Moonlight won AV Club "Why does Nicole Kidman clap like that and will she stop it please?" LOL
Deadline Iran and France praise Asghar Farhadi's Oscar win The Hill the State department does too but then quickly deletes the tweet Out Michael Musto on queer moments from the broadcast and Brokeback payback Vanity Fair fashion transformations from the Oscars to the after parties
Oscar Snafus HuffPo This is interesting. Turns out HuffPo posted an article BEFORE the Oscars about what would happen if the wrong winner was read out on Oscar night and the procedure that would follow. Not everything lines up with what happened Sunday Slate reviews the tape to illustrated what happened when during the Best Picture mix-up which is what I said I wanted done but knew I didn't have the strength to do (in this piece on the Oscar's own dream ballet) Variety the other snafu at the Oscars during "In Memorium". Whod'a thunk that The Piano (1993) woud resurface in a huge gaffe kind of way with Oscar mixing up its producer Jan Chapman and its Costume Designer Janet Patterson?
Exit Trivia Thanks to THR's Scott Feinberg for uncovering this. The La La Land / Moonlight envelope fiasco was the second time in history that this happened. The first was for the 1963 Oscars when eventual Best Picture winner Tom Jones was named as the Best Original Score winner. But the winner was actually Andre Previn for Irma La Douce. Sammy Davis Jr handled it well, you must admit.
In related news that proposed upcoming Sammy Davis Jr biopic could be so great. The career, cast of characters, and context in which it happened is so rich for storytelling. Let's hope they cast, write, and direct it well.
Before we begin, a quick note that we shouldn't have to share but we do because the rest of the universe has conspired against the proper way of doing things. When we refer to an Oscar ceremony year we are talking about the year of the films honored, not the random month of the following year in which the ceremony is held. What we just witnessed was the 2016 Oscars. We don't know who will even be nominated for the 2017 Oscars yet though we'll make some early bird predictions on April 1st as we do.
Anyway... FACTS. TRIVIA. FUN.
• La La Land's loss was shocking but its performance at the Oscars was not completely without precedent. Two other films in Oscar's 89 years have won the rare combo of Best Actress and Best Director without winning Best Picture. That would be Cabaret (1972, also the single film to win the most Oscars without winning Best Picture) and 7th Heaven (1927) in the very first year of the Oscars. That silent film is an unusual case though as Janet Gaynor won Best Actress for three roles including Sunrise: A Song of Two Humans and Street Angel (Oscar quickly changed the rules so nominations could only be for one picture.)
• Arrival (8 nominations) is the first non-war film Best Picture nominee to win Sound Editing only...