Glenn Close as "The Wife" - Now a 2018 Release

Dearest Glenn Close Maniacs and Film Experience Readers (two groups which seem to have much crossover), this just in: Sony Pictures Classic has acquired The Wife for release. After a quick check in with SPC from yours truly they have officially confirmed that they're planning a 2018 release with no qualifying run for this season's Oscar race. 

This is either great news or terrible news depending on how you look at it. On the bright side, Sony Pictures Classics has several Best Actress candidates already (Annette Bening, Daniela Vega, etcetera) so why risk diluting their campaigns with another? What's more Best Actress is already a bloodbath (see the charts -- just updated to remove the Glenn Close equation) with more contenders than can possibly be happy with their fate come Oscar nomination. On the downside, sometimes you can lose heat if you wait a year for release and there's no guarantee that next year will be any less competitive. But if you're worried there's no chance for Glenn next year, do not. Blue Sky with Jessica Lange sat on the shelf forever and still ended up getting her an Oscar. Crash and The Hurt Locker both won Best Picture after waiting it out for the next calendar year after their festival debuts. Losing "buzz" or heat is a danger but not an inevitability.

But in the end, whatever happens, great performances are their own reward and Glenn Close nailed this one - see our TIFF review if you missed it. 

Box Office: Golden Circle and Gold Prospecting

by Nathaniel R

Weekend Box Office (Sept 22nd-24th)
W I D E 800+ screens	L I M I T E D excluding prev. wide
1.🔺 KINGSMAN: THE GOLDEN CIRCLE  $39 new	1.🔺 STRONGER $1.7 on 574 screens new REVIEW
2. IT $30 (cum. $266.3) REVIEW | 5 TAKEAWAYS	2.🔺 BRAD'S STATUS $1 on 453 screens (cum. $1.1) REVIEW
3.🔺 LEGO NINJAGO MOVIE $21.2 new	3.🔺 BATTLE OF THE SEXES $525k on 4 screens new
4. AMERICAN ASSASSIN $6.2 (cum. $26.1)	4. 🔺 VICTORIA AND ABDUL $152k on 4 screens new

Kingsman: The Golden Circle got off to a fast start with its all star cast and Looney Tunes broad violence (only I guess people die unlike Wile E. Coyote) while It continues to power on determined to be the biggest horror hit of all time right now trailing only The Sixth Sense (if you don't adjust for inflation) and that and The Exorcist (if you adjust for inflation).

Meanwhile since Fall has officially begun, so too has the Oscar-hopeful release cycle (FINALLY). All four of them that opened this weekend are off to great starts...

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Oscar Chart Updates - All Categories

Check out the charts and report back, won'cha?

• INDEX • PICTURE • DIRECTOR • ACTRESS • ACTOR • SUPPORTING ACTRESS • SUPPORTING ACTOR • VISUAL CATEGORIES • SOUND CATEGORIES • SCREENPLAYS • ANIMATED FEATURES •

Major foreign film chart updates tomorrow

Review: Jake Gyllenhaal gets "Stronger"

by Eric Blume

Have patience watching director David Gordon Green’s film Stronger, which captures real-life Boston native Jeff Bauman (played by Jake Gyllenhaal) as he’s caught in the 2013 Marathon bombing.  After a rickety start, Green relaxes into a nice rhythm and delivers an almost extinct creature: a true adult movie drama.

The first few scenes of Stronger come on a little, ahem, strong.  They’re written to show what a great guy Bauman is (he cuts out from work so he and his lucky beer can help the Red Sox win, he stands up for his gay boss), and Green has all the actors pushing too hard.  The initial scene where we meet Bauman’s family (including mom Miranda Richardson and girlfriend Tatiana Maslany) in a bar reeks of Boston cliché.  It’s a very tricky thing, honestly capturing that lower-middle-class Beantown language and attitude, and Green overplays his hand in this and several other early scenes.  The energy is overly commercial, and the movie gets off to an uneasy start.

But once the big sequence begins, where Bauman loses his legs in the terrible terrorist attack, Green begins observing smaller details, and starts scoring...

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Oscar Chart Updates: Actor & Supp Actor

All sorts of things could yet throw the Best Supporting and Best Lead Actor races into confusion. In a  somewhat uncommon development the former is much more crowded than the latter. The shallow pool of viable Lead Actors is very good news for candidates like Timothée Chalamet (someone Oscar might normally resist due to his age) and Jake Gyllenhaal (someone Oscar has resisted for reasons inexplicable to us).

What do you make of the Supporting Actor race in particular? They way it looks now it could be made up almost entirely of character actors with worthy careers who have never won an Oscar and that's a very exciting thing. More exciting if you happen to be a fan of either Michael Stuhlbarg, Sam Rockwell, Richard Jenkins, or Willem Dafoe. I doubt that all four of them will make it all the way to the shortlist but the buzz is currently in their favor.

UPDATED CHARTS
Picture | Director | Lead Actress | Lead Actor | Supporting Actress | Supporting Actor | Animated Feature | Original and Adapted Screenplays