Tues Top Ten: Best Best Supporting Actress Winners
I felt a list coming on so I didn't fight it. Neither did I fight the order as I slotted them in, though you know how this goes if you've ever made such insane list. The order might change with a moodswing and it would definitely change (perhaps drastically) if I had an opportunity to rewatch all these pictures back to back.
Ten Most Deserving Best Supporting Actress Oscar Wins
Runners up: I'm crazy about Patty Duke in The Miracle Worker and Tatum O'Neal in Paper Moon but they're both unarguably leading roles so I'm not voting for them. My apologies in no particular order to Ruth Gordon, Wendy Hiller, Catherine Zeta-Jones and, oh, dozens of people. Never mind. Moving on! (The one winning performance I'm most frustrated to have not yet laid eyes on is Gloria Grahame's in The Bad and the Beautiful (given the hosannas I read about it... even right here.)
10 I want to offer the tenth spot to either Mercedes Reuhl in The Fisher King (1991) or Dorothy Malone in Written on the Wind (1956) though I haven't seen either performance in aeons. Both are sometimes regarded --even by me -- as performances that are so over the top they're buzzing about King Kong's head like tiny airplanes. But given that the films they're in are as colorful and eccentric as the Empire State Building is tall, they're truly excellent and memorable contributions to their movies if you ask me.
She's got poise. The way she holds her head at just the right angle. That takes training. That takes years of training. I see what Willy sees. Willy's got big ideas, Jack."
-in All The King's Men
09 Mercedes McCambridge, All the King's Men (1949)
She slices right through the thick air of political grandstanding. Modern and mercurial, I sometimes like to imagine McCambridge dropped right into today's pictures. Imagine her starch and steel freed up by looser contemporary mores. She'd be even better about complicating her movies.
Where did April come up with that stuff about Adolf Loos and terms like "organic form"? Well, naturally. She went to Brandeis. But I don't think she knows what she's talking about. Could you believe the way she was calling him David? "Yes, David. I feel that way, too, David. What a marvelous space, David." I hate April. She's pushy."
-Holly's interior monologue in Hannah and Her Sisters
#8 through #1
Tilda, Rita, Dianne and More after the jump