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Entries in Oscars (14) (352)

Friday
Aug082014

Breaking: The Foreign Oscar Charts Have Arrived!

I've been chart happy this week as you can see. The Oscar charts were all updated two days ago. And now the Foreign Language Film Submission Charts - all three of 'em - are up. Have to be ready when September hits, you know!? The three foreign film submission charts are now up:

 

 

You can always access the Oscar charts from the pulldown menu on the navigation bar. (But you must know that already.) Only the first chart has a lot of information (read: speculation) since only one country has officially announced. That would be Hungary's tense critically lauded allegory White God. But the charts will grow. UPDATE: Turkey and Poland have all announced. We have a race!

For now let's talk about a few random countries and films that might come into play...

CANADA (7 nominations & 1 win)
Coming off his coronation of sorts at Cannes Xavier Dolan's Mommy seems like the most obvious choice but it's not the only choice. In fact, Xavier Dolan's Tom at the Farm is also eligible; that one is damn prolific. Canada has only submitted Dolan once with I Killed My Mother but they've had a strong string of contenders and actual nominees lately. Denys Arcand, Canada's favorite son when it comes to Oscar (4 submissions, 3 nominations, 1 win) also has a new film out called An Eye For Beauty so who knows. More Canadian features are coming - there's a whole sidebar at TIFF of course.

CZECH REPUBLIC (9 nominations & 3 wins)
They have several options but the one I'm most intrigued by is called Hany. Watch this trailer [NSFW]. I'll tell you why after you do...

It was shot in a one long continuous take a la Rope (well mostly) and Russian Ark! And considering that, it looks fairly complicated, well populated, lively and ambitious. I really want it to be their submission because a) that's cool and b) then we can compare it to Birdman which is reportedly edited to look like it was all shot in one take.

 

ISRAEL (10 nominations)
From 2007 through 2011 Israel was hot-hot-hot with foreign language branch voters securing four of its ten nominations. Israel is the most nominated country never to have won the Foreign prize (Mexico & Poland are also oft-nominated without a statue to show for it). The frontrunner for their submission this year appears to be Gett: The Trial of Viviane Amsalem starring and co-directed by Israel's awesome movie star Ronit Elkabetz (of Late Marriage, Or, and The Band's Visit fame). But when the Ophir nominations are announced in a few days we'll know more about its competition. You have to score at the Ophir Awards to be their submission.

Any guesses as to what your favorite country is submitting this year?

 

 

 

Friday
Aug082014

Review: Get On Up

Michael has joined Nathaniel on weekend review duties so you get two. Here he is on Get On Up...

The opening scenes of Get On Up are so loose and dynamic they give the viewer reason to hope that Tate Taylor’s take on James Brown’s life story sidestepped the pitfalls that trap so many musical biopics. The film shuffles back and forth through Brown’s life with such breathless energy it’s as if the screenplay itself is possessed by the spirit of Soul Brother No. 1. It’s exhilarating, but the thrill dissipates quickly when it becomes clear that underneath the exploded chronology and the surface razzmatazz, Taylor’s film is operating from the same old biopic playbook. It turns out Get On Up is as square as the squarest prestige Oscar grab, right down to the dumb trope of pinning all of the star’s self-destructive behavior to a childhood trauma.

With the hyper-kinetic structure, not to mention the wall-to-wall James Brown music (which remains irresistible) it’s easy to miss the fact that the Get On Up never musters much insight into its subject. The Hardest Working Man in Show Business was the next logical choice to get the Walk the Line treatment, so here we all are. The script by Jez and John-Henry Butterworth opts for an all-of-the-above approach that skips from topic to topic without ever really coming to a point. Here’s James Brown performing in Vietnam. Here’s an unknown Brown stealing an open mic night from Little Richard. Here’s a past-his-prime Brown stoned out of his gourd, waving a shotgun around while wearing a hideous green sweat suit. No one will miss the boring old three-act arc, but the portrait of the man never emerges from the mosaic.

More...

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Thursday
Aug072014

199 Days 'til Oscar...

Not that I'm counting. I don't have one of those alternating colored construction paper link chains on my wall that I rip off every day or anything like I did when I was five while waiting for Santa. No siree. Do not have one of those. But if I did the colors would be gold leaf and red carpet. 

Mmmmm, where were we since we last spoke?

Release Date Shuffle
No press release or dropped hint or trailer dates should ever be taken at face value when it comes to release dates. These things change back and forth all the time but, at least for the moment, things are murky on a ton of titles and many of them are actressy: CarolFar From the Madding Crowd, MacBethThe Suffragette and more. And some pictures that were clearly designated as 2015 are obviously finished like Ron Howard's Heart of the Sea starring Chris Hemsworth all slimmed down so who knows what might transpire if a specific studio sees an opening. So let's talk about the stuff that's out already...

The Tiny Idiosyncratic Indies vs.  Large Mainstream Blockbusters
This summer I think you could safely argue that the big winners at the arthouse were the Polish film Ida which grossed more than last year's high profile foreign Oscar winner and Richard Linklater's critically adored 12 years in the making Boyhood. Music Box Films and IFC Films, which released the films, don't have high profile histories at pushing for Oscar nominations the way  Sony Pictures Classics and The Weinstein Co do but they should probably spend the money. If either maneuvers correctly, there will be at least one or two high profile nominations in store. This is why I wonder why more small films with Oscar potential don't try summer releases. If you have the goods and you're "small" it's better to be safely esconced at the top of the mountain when the "big" mainstream prestige films aren't even around and then defend your turf in the fall/winter rather than trying to climb up that insane awards mountain when all the 800 lb gorillas are also scaling it; more often than not they'll knock you right off by simply crushing your chances of enough media coverage for starters.

Whether or not Ida's box office bonanza results in Oscar traction I hope it keeps the lights on at Music Box offices for a long time. To understand just how huge the film has been for them some context: Ida is now second only to the French thriller Tell No One as their top grosser that doesn't star Noomi Rapace and start with the words "The Girl..." Further context: in terms of their recent memory hits Ida has now surpassed the combined grosses of the all star French comedy Potiche and the Rachel Weisz period drama The Deep Blue Sea (which got a little bit of awards traction).

Visual Effects is already a bloody battle. Can Guardians of the Galaxy win the nomination?

Response to this year's blockbusters is a bit harder to read at this early juncture since a) there are so many of them that have been solid doubles or triples but not home runs and b) mainstream blockbusters often need home runs to have voters thinking of them on par with the "serious" pictures. I can't say, for example, that Maleficent (big hit but not entirely respected) or Captain America and Guardians of the Galaxy (big hits but Oscar doesn't take superheroes seriously outside of that orphaned billionaire in the batsuit) or Godzilla (divisive hit from ancient B movie franchise) are necessarily going to land tech nods but they'll probably try. The exception to all this 'solid player but not much more' business is surely Dawn of the Planet of the Apes which opened to much coin and such feverish raves you'd think it was a Martin Scorsese picture with Leonardo DiCaprio in an ape mask. But even that one is the 8th film in a 46 year old franchise that has only ever won 3 competitive Oscar nominations and one special Oscar... and 75% of those were from the 1968 original!

That's just one of the man reasons I think it's crazy that people are hoping for an Andy Serkis nomination though I'd be down for him to win a non-competitive special Oscar for pioneering a new subdivision of acting. If you missed the recent Podcast on 1973 the discussion of Linda Blair's performance led to the very relevant 2014 topic on how to judge "collaborative" work. 

I know, I know. You're all like... stop talking. Get to the updated Oscar charts. They're ALL updated, look at me finally updating!

PICTUREDIRECTOR & SCREENPLAYS
VISUAL & SOUND 
ACTRESS & ACTOR
SUPPORTING ACTRESS & SUPPORTING ACTOR
ANIMATED and FOREIGN 

Thoughts? Of course all this will be moot soon when the festivals shake things up with actual buzz rather than hype and some films without release dates securing distribution. We'll start on the foreign submission charts in the next couple of days since Hungary is the first to announce with the Cannes sensation "WHITE GOD" about those rampaging wild dogs.  

 

 

Monday
Aug042014

New Photos from "Theory of Everything" & "Big Eyes"

Three new stills for movies about complicated marriages among brilliant people. Expect trailers very shortly. First up is Theory of Everything coming November 7th and based on Jane Hawking's autobiography "Travelling to Infinity: My Life with Stephen"

A few thoughts I had... uncensored as they come to me. 

• Felicity Jones always makes me think of Like Crazy & The Tempest. I did not fall. Unless you mean like crazy annoyed with her. Can she suddenly be fascinating in this?
• This might easily fall into the stock "supportive wife" role syndrome (not that Oscar will mind. But we might) even if it is from her perspective?
• Is Eddie Redmayne the best-looking gawky nerdstar ever? There's something about him that shouldn't really work as a leading man onscreen and yet he sure does... work it. You know?
Marius 
• I'm glad this isn't named after the book... people might be expecting a sci-fi time travel flick
• Golden light is shorthand for romantic aura / nostalgia

The other new stills are from Tim Burton's Big Eyes, coming Christmas Day starring Amy Adams and Christoph Waltz as the Keanes. The wife did the big eye paintings and the husband got credit for them. 

 • Whenever they show actors painting or drawing onscreen I am INSTANTLY looking to see if they're actually doing anything... kind of the way when an actor plays piano I stare intensely at the hands and dread the cut to closeup of their hands when the actor is replaced by a person who can do that thing. It annoys me that I do this, trust, but I can't help it.
• Closeups of actors hands...it's never them! Remember when Robin Bartlett told me she didn't scribble that note to Leo in Shutter Island.
• There's almost nothing I dislike more aesthetically (from disappointment rather than unattractiveness) than when redheads go blonde for movies. I want them ALWAYS ginger.

• Love the red light in this picture. The cinematography is by 4 time Oscar nominee Bruno Delbonnel in case you were wondering.
• I want this to be good so badly. But the odds... I'm just going to whisper Ed Wood over and over to myself and hope for the best
• Big Eyes would also be a good name for a documentary exploring the physiogonomy of actors since so many of them have unnaturally ginormous orbs. All the better to expose the inner humanity of their characters.
• I got a new computer! *

 

 

What does this have to do with Big Eyes, you ask? Well, I'm slightly traumatized because even though it's gorgeously super-sized most of my old programs don't work anymore because it's so new, so I'm trying to come up with solutions so i can manipulate images and the Oscar charts again. IF photoshop was working I would be manipulating this image right now so that it showed them fighting over Christoph Waltz's two Oscars instead of a painting. He only deserved one of them, so surely he should give ONE to Amy who has way more range.

It's only right! 

 

* I know I already said this this morning but the excitement overfloweth. It's been like seven years since I got a new desktop!

Thursday
Jul312014

Thoughts I Had... while looking at new "Into the Woods" images

If there is one thing in life that's certain at TFE beyond daily postings, Actress mania, Oscar chart delays, and time-jumping movie coverage, it's this: if Meryl Streep is featured there are a bajillion comments. And yet the last two Streep attacks, a look back at 2009 and a subliminal Hours reunion proved the exception. Is this merely summer doldrums or a sign of the Streepocalypse? Or were people just waiting for Into the Woods news? If so, it has arrived.

UPDATE: And the Teaser too!

Yesterday a bunch of new images surfaced from the movie and you know how this goes. We look at the image and we list off thoughts as they come without self-censorship to keep the brain loose and the words flowing and to not be too mundane about what this actually is - free advertising for Disney and regurgitated photo sharing.

Meet Rapunzel
• I always forget her in Into the Woods because she's immobile and shares her scenes with the Witch (Meryl Streep) who invariably steals them.
• So annoying when movie studios release one image with different proportions than the others. Rapunzel gets a vertical rectangle. Is this to show off the hair? 
• I love Tangled.
• When I was a wee boy it was my dream to make a Rapunzel movie because it was the only fairy tale I loved that DIDN'T have a Disney movie and also because my big sister had long hair and Crystal Gayle was still famous and yes that makes me an ancient - shut up! #40somethingisthenew30something
• Mackenzie Mauzy is literally the only Into the Woods cast member I don't know from anything. I guess she was on soaps? Are you familiar?

10 more photos after the jump...

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