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Entries in Sound (88)

Wednesday
Apr122017

Score, Sound, and Songs ~ April Foolish Oscar Predix

by Nathaniel R

It's April which means April Foolish Oscar Predictions as we throw up the new Oscar charts. Today we're talking Sound Categories.

ORIGINAL SCORE
Dare we hope that last year's anomalous Original Score list, comprised of nearly all newcomers, happens again? We can hope it but it would be foolish to predict given that the music branch is notoriously insular and a lot of the big name composers have high profile films this year...

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Wednesday
Mar012017

Nitpicking The Oscar Packages

by Glenn Dunks

I think for the most part we have been quite complimentary towards this year’s ceremony, yes? From its typically lush art deco set and its effectively-staged musical numbers to the surprisingly adept Jimmy Kimmel as host. But you’ll have to forgive me a few minutes while I nit and I pick at the one part I feel like they flubbed: the craft nominee packages.

Let's take a look...

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Tuesday
Feb282017

Best Sound Mixer Kevin O'Connell: 21st time's the charm

Tim here. Somewhat overlooked in all the furor over the rightfully furor-inducing parts of the Oscars on Sunday, a little bit of history was quietly made.

When the four-member team from Hacksaw Ridge took to the stage of the Kodak Theater to accept the award for Best Sound Mixing, the worst losing drought in the history of the Academy Awards ended. Kevin O'Connell received his first nomination in that category in 1983, for the subdued domestic drama Terms of Endearment, which perhaps unsurprisingly lost to The Right Stuff. 33 years and 21 nominations later, in a career including 209 films to his credit as a mixer, he finally picked up his very first statue on Sunday. You may remember him as the guy who thanked his late mom for helping him to get his first job in the industry, and who asked as thanks only that he'd mention her one day as he accepted an Oscar.

Whatever feelings one might have about the film, it's hard not to be excited on O'Connell's behalf...

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Sunday
Feb262017

Last Minute Drama: Oscar Nomination Rescinded

It wouldn't be the Oscars without drama. Or in this case, draaaaaa-maaaa. The day before the Oscars -- yes, the day before the Oscars -- the Academy rescinded a nomination. Greg P Russell had received his 17th nomination (he's never won) for his sound mixing on 13 Hours: The Secret Soldiers of Benghazi but that nomination is no more. The decision was announced yesterday in light of information about phone calls to branch members. Telephone as well as email lobbying is against the rules. The other members of that particular sound team have retained their nominations so there are still 5 nominated films in the category.

Sing along at Greg's house "Alone...Yet Not Alone...♫ " 

For those who recall. The song "Alone Yet Not Alone" from the movie of the same name was the last rescinded nomination just 3 Oscar seasons ago for something similar, emails to branch members. While this is unfortunate, especially considering Russell's long history without a win and big contributions to blockbuster cinema (past nominations include Spider-Man, Transformers, and Skyfall), how do AMPAS members not know not to do this by now?

Saturday
Feb182017

8 Days Until Oscar. Do "Moonlight" or "Arrival" have Oscar twins from the past? 

With 8 days to go until Hollywood's High Holy Night let's compare our two pictures with 8 nominations each this year, Denis Villeneuve's thinky sci-fi drama and Barry Jenkins' ravishing memory/identity drama. While both films might come up empty handed on Oscar night they each have a reasonable shot at one or two statues -- Moonlight could theoretically win Supporting Actor and/or Adapted Screenplay and Arrival's best Oscar shot is probably in one or both of the Sound categories unless it surprises with Adapted Screenplay itself in what could arguably be a five way race if Moonlight is not as strong as pundits suspect there.

ARRIVAL MOONLIGHT

Their 8 Nominations

Picture Picture
Director Director
  Supporting Actress
  Supporting Actor
Adapted Screenplay Adapted Screenplay
Cinematography Cinematography
Production Design  
Film Editing Film Editing
  Original Score
Sound Mixing  
Sound Editing  

 

In the categories where they're competing which film do you prefer?

For extra fun, though, let's find out if the either of these films have any exact Oscar doppelgangers from the past shall we?

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