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Entries in Film Bitch Awards (152)

Saturday
Feb162019

Film Bitch Awards: Best Kiss, Sex Scene, and Sexpot of the Year 

by Nathaniel R

This past week we asked the team to pick some favourite screen kisses for Valentine's and we must thank them for reminding us of the sexy canoodling in Notorious, Last of the Mohicans, Love Simon, Spider-Man, and The Notebook. This weekend we're bringing it back to the now or at least the very recent with the 2018 Film Bitch Nominations for our three lustiest categories: Best Kiss, Best Love/Sex Scene and Sexpot of the Year. 

BEST KISS
"Esti, do you think I should go back early?"
"No... No... No, I don't you should leave at all."

Click to read more ...

Wednesday
Feb132019

Film Bitch Awards: Casting, Ensemble, Breakthrough, Young Actors

by Nathaniel R

We're still hoping to have the Film Bitch Awards wrapped up before Oscar night. Tonight, the remaining "extra" acting categories. We've already shared the Best Cameo performances so here's four more prizes to discuss and consider. Please do share your own favourites in these categories, too.

BEST CASTING / BEST ENSEMBLE
Some might argue that these categories go hand in hand (the way others object to the notion of Picture/Director splits) but we think of them as two different though highly complimentary accomplishments...

Click to read more ...

Friday
Feb082019

There are no small parts, '18 Edition

by Nathaniel R

Our annual cinematic jamboree, the Film Bitch Awards, continue with the categories of best actors and actresses in limited roles. This category is reserved for the kind of performances given in one or two scenes where'd you'd be happy to wander outside the camera's purview just to spend more time with them. Or, more accurately, since the characters aren't always pleasant, performances so strong that you wish you could follow them into another scene or five to watch the actor dig in yet deeper.

We're talking about performances like Brian Tyree Henry's in If Beale Street Could Talk, who crystallizes the film's conceits about the systematic oppression of black men as his innocent ex-con monologues through the film's most moving sequence. His eyes drop us into the abyss of his prison memories where his words won't take us. We're talking about performances like Bradley Whitford's glib lawyer, oozing shamelessness with his soul long-since sold, who comes at a bedraggled cop threatening him with such confidence that at first you think he'll win and the movie will be a very short one. That is until you watch the star (Nicole Kidman) up her own already impressive game to spar with an actor that's sparking her inner ensemblist.

We're talking about performances like Jeanne Balibar's in Cold War or Jane Curtin's in Can You Ever Forgive Me? that are played with such precise panache that you can imagine a different type of movie just off to the side of the one you're watching, where they're the leads instead and this moment is but a subplot in their narratives.  Check out the nomination page for more on these fine performances and others from Leticia Brédice, Rebecca Field, Elizabeth McGovern, Simon Russell Beale, Philip Ettinger, and Corey Hawkins and a list of other names we also loved in tiny roles this past cinematic year.

Monday
Jan212019

Podcast Special: Lots and Lots of Reader Questions Answered

Nathaniel R and Murtada Elfadl answer your questions this week

On this special edition of the podcast we ONLY answer reader questions. As many as we could get to in an hour. We had soooo much fun doing this one so we hope you enjoy, and thank you for the diversion.

Index (60 minutes)
00:01 Who will win SAG's Supporting Actress + fixing category fraud?
06:50 Original screenplay nominations + buying DVDs
12:00 Characters wardrobe, female directors, and films that define 2018
22:30 "Shallow" + "If you saw this... than why?" + replacing Oscar lists
31:35 Nominee presentations + Oscar Hosting 
35:45 Ben is Back and Roma questions
41:40 Nomination balloting procedures + Fav scenes of the year
52:00 Mandatory Best Actress diversion
57:00 Changing opinions on previous top 10 lists?

Further Reading / References
• Nadine Labaki (Capernaum) interview
Smackdown of 1943
Oscar Charts
Kyle Buchanan on the hostless Oscars article

You can listen to the podcast here at the bottom of the post or download from iTunesContinue the conversations in the comments, won't you? 

Special Episode: Reader Questions!

Saturday
Jan192019

Film Bitch Awards: Makeup, Visual FX, and Film Editing

Though the Academy's makeup and hair voters regularly mystify with their finalist lists, barring one entry for 2018 they chose extremely well. Which is to say my own ballot closely mirrors Oscars this year in that craft. I was prepared to be indignant, for example, at the exclusion of Sweden's unforgettable whatsit Border but didn't have to be. Mary Queen of Scots sounded like a lazy pick from a distance but once the movie arrived the makeup and hair work was exceptional... even fresh. Fat suits normally aggravate but I was unhappy to leave the biopic Stan & Ollie, a worthy Oscar finalist, out --  it has to settle for finalist at the Film Bitch Awards.

We only wish Oscar's board of governors would wise up and allow five nominations in this category as they do with all other categories. It's appalling to make makeup and hair the bastard child of the industry since every live-action film requires hair and makeup work. Original Song, Visual Effects, and Animated Features all get five nominees and there's far less to choose from in those regards! You've heard this rant before so we'll move on. Click to see the honors for Makeup, Visual Effects, and Film Editing honoring 15 different films (this was not intentional but no film repeats between those three categories).

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