Yes No Maybe So: "Loving"

As far as first looks go, the La La Land trailer might have sucked all the air out of the room this week, but we also got a trailer for another Oscar hopeful: Cannes entry Loving. It left Cannes empty handed for prizes, but there was pletny of praise for the film and buzz for leading lady Ruth Negga. You can bank we'll be talking about this one before it finally arrives stateside in November all the way to the big show.

While that transfixing glimpse at Land was more a feast for the eyes and ears, the Loving trailer goes right for the heart. I know I'm higher on Jeff Nichols than most of Team Experience, so I can admit that I'm a little biased on the film already, even if I agree that his other film this year Midnight Special was his weakest. After flirting with fable and genre in his past three films, how will a more straight forward narrative work for the auteur this time?

Does the trailer make us any more or less excited? Let's break it down after the jump...

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Comment Party: Halfway Mark - Best Pictures?

You have a pretty good idea of the films I've loved this year thanks to reviews, frequency of posting, and other "honors" - consider it a warm up before the year end party... so that we don't forget the early films. So let's dispense with all the froufrou and just get right to the questions:

If Oscar voting happened now, would LOVE & FRIENDSHIP lead?

1. If you had a 5-wide Best Picture Ballot right now (January to June releases only) who would you vote for?
2. What would Oscar nominate if the Academy voted right now? 

Here's my guesswork about the Academy. If they voted right now (only January through June releases eligible) my guess is that we'd see the following films up for Best Picture... 

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April Foolish Predictions: Visual Categories

Hello Dear Reader! Your host Nathaniel checking in from a screening and chart-making frenzy. I'm heading off to my jury meeting at the Nashville International Film Festival (New Directors competition) to bestow prizes. But I wanted to point you to chart updates (the remainder will premiere this week to complete our April Foolish tradition). So let's talk costume design and cinematography and such. (lots more after the jump)

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April Foolish Predictions. What will be up for Best Picture?

It's that time of year when we Sally Streep forth to venture into brand new Oscar charts. Before I get in TOO deep into the 20+ charts, I trust that you'll let me know which imminently forthcoming pictures you heartily believe in I have totally forgotten about.

some best picture possibilities

Currently I am feel cautiously bullish on the following traditional Oscar efforst (i.e. those that with big themes / pedigree / period trappings: Fences, Birth of a Nation and Silence (though I bet the latter is all in or nothing).  I'm far more riskily "let's do this!" optimistic about a non-traditional hopefull La La Land (contemporary musical). And under the banner of 'directors Oscar hasn't yet noticed but could at some point' let's put our eggs in the baskets of Jeff Nichols (Loving), Denis Vllieneuve (Story of Your Life), and Garth Davis (Lion). Davis has never made a feature but he did co-direct the TV mini Top of the Lake and that was a-ma-zing. 

Titles that confuse me for various reasons are Story of Your Life (i'm opting to guess well received) and Passengers (i'm opting to guess close but no cigar) because they're sci-fi dramas for adults. Sci-fi is such a tricky drama to pull off well and Oscar can be so "ewww" about it. On the other hand sometimes they sit up all "ooooooh" as with Gravity. I kept both World War II pictures (Five Seconds of Silence, and The Zookeeper's Wife) outside the predicted 10 primarily because I couldn't decide between them without any real footage yet.

THE CHART

Viggo Mortensen in Captain Fantastic

P.S. Titles I'm personally obsessed with seeing that I'm not really thinking about in terms of Best Picture because I don't want to make myself crazy from wishful thinking including Captain Fantastic (Viggo Mortensen forever... and he deserves a great comeback movie), Mike Mills 20th Century Women (The Bening), Beat-Up Little Seagull (the return of La Pfeiffer), and United Kingdom because I so want Rosamund Pike's to really capitalize on the Gone Girl breakthrough.

You?

Best Shot Peck Centennial: Roman Holiday & To Kill a Mockingbird

Gregory Peck was an instant sensation at the cinema. He was nominated for Best Actor in his very first year of the movies for The Keys of the Kingdom (1944) and the hits just kept on coming: The Yearling (1946), Gentleman's Agreement (1947), Twelve O'Clock High (1949). The Academy became less interested in nominating him after that the 1940s but for his Oscar winning and most iconic role (To Kill a Mockingbird) but audiences never stopped loving him. He had key hit films for over 30 years in his big screen career.

Though he was a very politically active liberal he was never interested in running for office himself but he  proved to be an influential politician within the industry itself as a key AMPAS president. 

For this week's Hit Me With Your Best Shot, in honor of Peck's Centennial, we gave participants the choice between what are arguably his two greatest films, Roman Holiday (1953) or To Kill a Mockingbird (1962).

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