Thoughts I had while looking at the first "20th Century Women" Image

Readers. I do not know where this image originated but I was so excited when I saw it I stopped breathing for a second. Thoughts that came to me while staring at it without editing them...

I already want to inject this movie directly into my veins. 

The Bening is front and center as it should be. Movies that put her off to the side. They're doing it wrong.

Sometimes it disturbs me when Elle Fanning looks directly into the camera. Like, quite possibly, she's not real. Or maybe an alien (I think she is playing one in How To Talk to Girls At Parties but that's just a clever way to throw us off the scent and hide in plain sight)

Remember when Billy Crudup turned down playing the Hulk in the early Aughts? Remember when Billy Crudup left Mary Louise Parker for Claire Danes when MLP was pregnant and everyone hated him? Remember when Billy Crudup was so great in various things throughout his career?

He looks kind of McConaughey Dallas Buyer's ragged in this image and that worries me. Unless it's for the character.

I didn't even recognize Greta Gerwig. WHOA. That's what a change of hair color and cut will do to a person.

When will this movie be in my eyeballs? WHEN? WHEN?!? I have the impatience.

Confrontational hippie boss realness.

I think the boy on the far right is this dude but I'm not sure. (Sometimes I feel like I'm cheating when I click over to IMDb while writing posts. LOL) The movie has something to do with The Bening's relationship to mothering her boy via her other relationships? 

Mike Mills last movie Beginners was so original and amazing and personal and resonant and all of the things movies should aspire to be and if this one is that good I will die of happiness while watching it only not all the way dead because it will also give me life and there will be more movies to see after it and I don't want to die.

Greta Gerwig looking like someone else is weird because even though she's Indie Queen, she's actually old fashioned movie star in that she always plays herself. Superbly.

Will it finally be Annette Bening's year at the Oscars? It wasn't in 1990. Or 1999. Or 2004. Or 2010. Who, me? Bitter? What's that woman got to do to win an Oscar?

When Tony Met Janet. And Other Stories...

Today in movie related history...

1907 Cracking Rosalind Russell is born. Stars in many classics including: His Girl Friday, Gypsy, and Auntie Mame and is nominated for 4 Best Actress Oscars. The only actresses that share her fate of 4 Best Actress nominations w/out a win: Greta Garbo, Marsha Mason, and Barbara Stanwyck. Of the four only Marsha Mason didn't receive an Honorary later on.
1913 Suffragette Emily Davison runs onto the track at the Epson Derby and is trampled by King George V's horse. It's a huge turning point in the court of public opinion and the suffragette movement. It was reenacted in last year's Suffragette.
1936 Bruce Dern is born and never stops acting thereafter. Also donates Laura Dern to the world for which he has our undying gratitude
1940 The last allied soldiers leave Dunkirk. Britain's PM vows that his forces will "never surrender". Christopher Nolan is currently filming a movie about Dunkirk called, you guessed it, Dunkirk
1942 The Battle of Midway begins in World War II. John Ford directed an Oscar winning documentary about it that you can watch for free online. If you're interested in the topic you should definitely read Mark Harris's book "Five Came Back" about famous Hollywood directors during the war. 

1951 Rising actors Janet Leigh (23) and Tony Curtis (26) are married. Much bigger stardom is thrown at them like so much rice via iconic films like Psycho, A Touch of Evil, and The Manchurian Candidate (Hers) and Some Like It Hot, Spartacus and The Defiant Ones (His) shortly thereafter. They break up in '62 but not before gifting us with Jamie Lee Curtis.
1952 70s TV star Parker Stevenson is born. Later becomes half of The Hardy Boys and marries Kirstie Alley who famously refers to his junk "giving me the big one" in her 1991 Emmy speech. This was long before the days when the internet made bulge-watching a national pasttime. (Music cue: "Class" from Chicago here, please. Whatever happened to it? It's all Kirstie Alley's fault!)
1964 Kōji Yamamura is born. Later nominated for an Oscar for the Animated Short Mount Head. It's worth your ten minutes, it's so trippy.
1975 Angelina Jolie emerges. The world is never the same.
1978 Deniz Gamze Ergüven is born in Turkey. She was Oscar nominated last season for her debut film Mustang, which made our top ten list.

They're here.

1982 Poltergeist and Star Trek II: The Wrath of Khan both open in theaters
1984 Bruce Springsteen releases his classic "Born in the USA" album the title track of which is used in many movies since. The first video "Dancin' in the Dark" introduces the world to soon to be household name actress Courtney Cox. 
1989 The Tiananmen Square protests come to a violent end in Beijing with hundreds of young protesters killed. Hollywood has ignored it despite their love of historical event movies and Chinese films usually ignore it too due to the topic being taboo with the government. But two sexually controversial movies released in the Aughts used it as part of the narrative: the gay drama Lan Yu (2001) which won four Golden Horse awards and, more prominently, the college student drama Summer Palace (2006) which was banned at home, and withdrawn from competition at Cannes. Both films are worth seeing.

Podcast: Cannes 1996 Revisit

Nathaniel, Nick, and Joe revisit the Cannes film festival of 1996 (you might wanna quickly check that lineup & those prizes before listening) and the Best Actress race that started there. We also recommend other 1996 goodies that you may or may not have seen... or thought of in years.

Index (43 minutes)
00:01 Intro, Juries, and Crash's audacity prize
03:00 Best Actress: McDormand (Fargo) vs Blethyn (Secrets & Lies) vs Watson (Breaking the Waves)
10:09 Goodbye South Goodbye, The Eighth Day, Pillow Book, and Microcosmos
17:50 Trainspotting, Flirting With Disaster, A Self Made Hero, Lone Star, and Love Serenade
30:07 David Cronenberg's Crash
37:45 We each recommend a few more 1996 titles from Bound to The Long Kiss Goodnight

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversation in the comments. Which 1996 picture have you still not seen? Who got your Best Actress vote that year?

tfw when you're turned on by car crashes

Articles We Mention
• 5 Contentious Cannes Juries 
• Nick's Annual Cannes Project 
• Nick on Cronenberg's Crash 

Cannes 1996. Recommendations

Thelma & Louise, Pt. 3: Pitt Stops

25th Anniversary Five-Part Mini Series Event 

In Pt 1 of our lookback at Thelma & Louise, a fateful night at the Silver Bullet threw Thelma & Louise off their course. In Pt 2 the best friends weren't so friendly  as they struggled to find a new one. When we left them, they'd picked up a charming hitchhiker (Hellooo, Baby Brad) and but Louise needed a cup of coffee and to collect herself. Anne Marie & Margaret, our own superheroine duo in Los Angeles were grappling with the surprise killing of a would be rapist. Was it rage and pride that motivated Louise to shoot after she had already saved Thelma? It certainly provoked audiences but was there any other way to play the film's themes?

Louise is trying to plot their next move when we return to them, just before they jump back in their '66 Thunderbird - Editor

Pt 2 by Daniel Crooke

50:58 – Surprised to see her leather-faced boyfriend, Louise looks like she’s seen a ghost. Based on their last phone call, it didn’t sound like she was planning on casually bumping into Jimmy north of the border anytime soon. These men just can’t get out of our heroines’ way; is it that maddeningly impossible to trust an independent woman to chart her own course in this world? (more...)

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Thelma & Louise, Pt 2: The Venetian Blindside

25th Anniversary Five-Part Mini Series Event 

When we left our heroines in Pt 1 of our 25th anniversary lookback at Thelma & Louise, they were fleeing the scene of their (first) crime but Louise needed a cup of coffee and to collect herself. Anne Marie & Margaret, our own superheroine duo in Los Angeles were grappling with the surprise killing of a would be rapist. Was it rage and pride that motivated Louise to shoot after she had already saved Thelma? It certainly provoked audiences but was there any other way to play the film's themes?

Louise is trying to plot their next move when we return to them, just before they jump back in their '66 Thunderbird - Editor

Pt 2 by Nick Davis

Now's not the time to panic. If we panic now, we're done for."

24:50 You could say this is the moment where Thelma and Louise shifts from a movie about two women fleeing some problems, at least temporarily, to two women solving a problem, probably permanently. Sure, I'll run to any movie where two women let their hair down, but I will fucking jet-propel myself to any movie where two or more women join forces to think their way out of a fix.  Well, not Mad Money.  And not The Boss.  Okay, there are exceptions.  But Thelma & Louise is the glorious rule, and this is where the drama of deduction, cognition, mutual examination, and deep self-reflection really kicks into fifth gear.

I should mention that I saw this film in the theater at 14.  Sheltered and naive about sex and violence, I didn't completely understand what rape was--which is to say, I think I learned it here.  I had never had a drink, much less been drunk, or even seen a margarita.  Ironically, the post-shooting moment when Thelma and Louise start spiraling into unknown territory was  when I started to connect with their world and feel common ground with the heroines.  I didn't know from waitressing jobs, fishing trips, honky tonks, convertibles, freeways, mesas, relationship troubles, shitty husbands, hitchhikers, horny moods, pistols, or structural misogyny, but I absolutely related to relying on wits to think your way out of a problem, and disclosing aspects of yourself in how you did so, and concealing parts of yourself at the same time.

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