Cannes: "You Were Never Really Here" and Palme d'Or Predictions

Previously: Day 1, Days 2-4, Days 5-6, Days 7-8, and Days 9-10
Fashion: French Divas & Kidmanifestations 1, 2, 3

Joaquin Phoenix, an antihero saving girls from sex slavery, in Lynne Ramsay's thriller "You Were Never Really Here"

Cannes wraps up Sunday with the closing ceremony which means the Palme d'Or! The last competition film to premiere (tomorrow officially is Lynne Ramsay's You Were Never Really Here  and as is sometimes the case in the more dramatic Cannes festivals, many critics are proclaiming that the festival saved the best for last. Variety's Guy Lodge loved it calling it a "a stunning return," The Guardian compares it to Taxi Driver in its "nightmarish psychological drama" 

Does that mean it will win the Palme d'Or or that Joaquin Phoenix has Best Actor wrapped up? Not really. It's foolish with Cannes to ever assume you know what will win but let's make some tentative predictions for fun after the jump shall we? 

Click to read more ...

Beauty Break: The Men of "Mr. Goodbar"

by Seán McGovern

Annie Hall turns 40 this year and Diane Keaton will be the recipient of the AFI Life Achievement Award next month (June 8th to be exact). Keaton, a perennial A-lister, reminds us every few years about the extent of her talents. She's been enjoying recent success in The Young Pope and her upcoming projects Hampstead and Book Club sound promising at least. Since Annie Hall turns 40 this year so too will Keaton's other '77 triumph, Looking For Mr. Goodbar. 

Though Goodbar is remembered for Keaton in a dramatic role (which this author will pay attention to here at a later date), the film is definitely what we'd call in contemporary parlance "problematic". I recently watched Goodbar for my own podcast, but amongst the reprehensible moments I finally understood why so many women of a certain age (i.e. my mother) swooned over Richard Gere - who we get to see plenty of in this film, as well as co-star Tom Berenger who never looked so gorgeous.[More, slightly NSFW, after the jump...] 

Click to read more ...

Last Chance Streaming: "The Hustler" and "The Way of the Dragon"

I haven't quite dared to cut the Netflix cord yet, but I get closer every month since I find myself downloading movies more and more from iTunes or streaming on Amazon instead. Since Netflix is systematically erasing all traces of cinema pre 2000 (and even their 2000-2010 collection is tremendously lacking!) as they focus more and more on becoming a TV channel, you have until June 1st to watch the following 20th century films which are leaving the service.

We'll play our little streaming roulette game and screengrab whatever comes up as we bid adieu to the following. Which will you watch before it's hard to find them again?

Click to read more ...

120 Reasons to be excited about '120 Beats Per Minute'

by Murtada

Of all the movies that unspooled at this year’s ongoing Cannes Film Festival, the one that got this writer most excited is 120 Battements Par Minute (120 Beats Per Minute). The movie has gotten almost unanimous praise and is expected by many to nab a major prize at the festival. Update: And it won the Queer Palme award as expected. 

Campillo (center) and his cast at Cannes

Let’s count the reasons to be excited about it after the jump. I lied, not 120 reasons, but here are 9... 

Click to read more ...

Cannes Day 9-10: A Gentle Creature, In The Fade, L'Amant Double

Cannes wraps this weekend. Only one competition film, Lynne Ramsay's You Were Never Really Here, is yet to screen before the jury makes their decisions for the history books (er, what do we say now that the history books aren't how you look up history?). 

Previously: Day 1, Days 2-4, Days 5-6, and Days 7-8
Fashion: French Divas and Kidmanifestations 1, 2, and 3

So let's check in with the four latest premieres including a new erotic thriller from François Ozon, a revenge drama from Fatih Akin, and a buzzy Robert Pattinson performance...

Click to read more ...